Books published by EDINBURGH UNIVERSITY PRESS

Presenting the depiction of migration through a variety of cinematic outlets, this volume explores film's depiction of human displacement in different geographic circumstances and probes the reasons why cinema so frequently evokes a stereotype of in-transit people. Techniques of affect and distance are revealed in the contributors' close film studies of wide-ranging matter which include works by the Dardenne brothers, transnational video artists Ghazel and Bouchra Khalili, and studies of Syrian films at Western festivals. Migrants' Perspective, Migrants in Perspective: World Cinema deciphers the semiotics of migration and its representation in cinema, exploring both the complications of shooting a migrant subject, and the challenges of including the migrants' point of view. Nicole Beth Wallenbrock is Assistant Professor of French and Francophone Studies at the City University of New York, Hostos Community College. Frank Jacob is Professor of Global History at Nord Universitet, Norway. Cover image: dyslexia 3, acrylic and ball point pen on paper, size 140 x 100cm, 2015 (c) ghazel Cover design: www.paulsmithdesign.com

Following a period of rapid political change, both globally and in relation to the Middle East and South Asia, this collection sets new terms of reference for an analysis of the intersections between global, state, non-state and popular actors and their contradictory effects on the politics of gender.

'Consistently challenging, informative, and enlightening, the essays in this volume make a major contribution in situating Agamben's thought in relation to existentialist thinkers and themes. They provide a bright new lens through which to view Agamben's work.' Kevin Attell, Cornell University Explores the philosophical relationship between Giorgio Agamben and the existentialist tradition While Giorgio Agamben's work has not previously been categorised as existentialist, his work creatively repackages important existentialist themes in a politico-theological context. This collection of essays offers creative new ways of considering Agamben's critique of the sovereign exception, as well as other existentialist themes, including feminism and postcolonialism. The international range of contributors each challenge, complicate or reimagine Agamben's reading of the sovereign exception, which appears among the writings of Kierkegaard, Nietzsche, Sartre, Heidegger, Beauvoir, Fanon, Kafka, Dostoevsky and others in both theistic and atheistic forms. Divided into three sections - Agamben and the Sovereign Exception, Agamben and the Death of God and Existentialist Themes in Agamben - this collection re-introduces Agamben as an unacknowledged existentialist philosopher who takes the major themes and concepts of existentialism in a startling new direction. Marcos Antonio Norris is a doctoral candidate and Crown Fellow at Loyola University Chicago. Colby Dickinson is Associate Professor of Theology at Loyola University Chicago. Cover image: (c) iStockphoto.com Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-7877-9 Barcode

Explores Beckett's engagement with various technologies throughout his artistic career. This collection of essays is the first comprehensive discussion of the role technology plays in shaping Beckett's trademark aesthetics. Samuel Beckett and Technology assembles an innovative and diverse range of scholarly approaches to the topic, which collectively renegotiate our understanding of his work in prose, theatre, film, radio and television. What emerges from these discussions is the centrality of technology for Beckett's creative imagination, a factor that is equally enabling as it is limiting. At the same time, the book reveals how theories of technology can yield new readings of the way Beckett responds to the conditions of technological modernity. As such, Beckett's work is examined in its relation to historical and contemporary technologies, discourses of technicity and technē, post-humanism and the digital age. Galina Kiryushina is a Doctoral Candidate and Researcher at the Centre for Irish Studies, Faculty of Arts, Charles University Prague. Einat Adar is Lecturer in English Literature at the University of South Bohemia. Mark Nixon is Associate Professor in Modern Literature at the University of Reading, where he is also the Co-Director of the Beckett International Foundation.

'This book offers a unique and wonderfully broad collection of essays that introduce the reader to an important and little-known trend in Shakespeare and theatre studies. The editors have included essays by leading theatre artists, playwrights, directors, actors and scholars who celebrate Shakespeare as seen through the multiple perspectives of Latinx Shakespeares as performance, as literature and as community-building through professional and community-based theatre companies from coast to coast.' Jorge Huerta, University of California San Diego A timely and exciting intervention at the intersection of Latinx and Shakespeare Studies Shakespeare and Latinidad is a collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on Latinx productions and appropriations of Shakespeare's plays. It is the first truly comprehensive treatment of this style of adaptation, bringing together the diverse voices working in this field today including leading academics, playwrights and theatre practitioners. This blend of essays and interviews reflects the transdisciplinary synthesis of scholarship, dramaturgy and pedagogy that shapes Latinx engagement with Shakespeare. Trevor Boffone is Lecturer in the Women's, Gender & Sexuality Studies Program at the University of Houston. Carla Della Gatta is Assistant Professor of English at Florida State University. Cover image: Calaveraspeare (c) Jose Pulido Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-8848-8 Barcode

Making Lebanon their Own. 19 B/W illustrations

This book examines Turkey's ethno-religious activism and power-related political strategies in the Balkans between 2002 and 2020, the period under the rule of the Justice and Development Party (AKP), to determine the scopes of its activities in the region.

Examines how the making, marketing and performance of new Islamic music genres relate to Islamic discourse and thought, through a case study of Awakening, an Islamic media company formed in London.

Ali Akbar examines the works of four noted scholars of Islam: Fazlur Rahman (Pakistan), Abdolkarim Soroush (Iran), Muhammad Mujtahed Shabestari (Iran) and Nasr Hamid Abu Zayd (Egypt).

Exploring the religious cultures, beliefs and imperatives that shaped the Jacobite movement in ScotlandThe Revolution of 1688-90 was accompanied in Scotland by a Church Settlement which dismantled the Episcopalian governance of the church. Clergy were ousted and liturgical traditions were replaced by the new Presbyterian order. As Episcopalians, non-jurors and Catholics were side-lined under the new regime, they drew on their different confessional and liturgical inheritances, pre- and post-Reformation, to respond to ecclesiastical change and inform their support of the movement to restore the Stuarts. In so doing, they had a profound effect on the ways in which worship was conducted and considered in Britain and beyond.This book provides a fresh examination of the Jacobite movement based not on dynastic identification but on confessional and intellectual bases of support, focussing on the composite and nuanced traditions that sustained the Jacobite movement for seven decades beyond the Revolution of 1688-90.Allan I. Macinnes is Emeritus Professor of History, University of Strathclyde. Patricia Barton is Subject Leader in History, School of Humanities, University of Strathclyde. Kieran German is a Teaching Fellow at the University of Dundee.

Imagined States examines representations of the law in British and Nigerian high-brow, middle-brow and popular fiction and journalism. It reads works by Chinua Achebe, Joyce Cary, Cyprian Ekwensi and Edgar Wallace, together with a range of Nigerian market literature and journalism.

Explores Elizabeth Bowen's significant contribution to twentieth-century literary theory From experiments in language and identity to innovations in the novel, the short story and life narratives, the contributors discuss the ways in which Bowen's work straddles, informs and defies the existing definitions of modernist and postmodernist literature which dominate twentieth-century writing. The eleven chapters present new scholarship on Bowen's inventiveness and unique writing style and its attachment to objects, covering topics such as queer adolescents, housekeeping, female fetishism, habit and new technologies such as the telephone. Jessica Gildersleeve is Associate Professor of English Literature at the University of Southern Queensland. Patricia Juliana Smith is Associate Professor of English at Hofstra University in New York.

These three books reflect the beginnings of one of the most radical and exhilarating figures in modern literature Incandescent Limbo recounts White's years in Paris. Many a writer in the modern era had made Paris a focal point of his or her activity, but probably no one made more of it or got more out of it than Kenneth White. While exploring a labyrinthine underworld, the book is fundamentally an autoanalysis and traces the birth of the writer as an intellectual nomad. Letters from Gourgounel takes us from the city to a wild part of south-eastern France, the Ardèche, where White undertakes a resourcing in an elementary context. Hailed in England as a 'fascinating curiosity of literature', this book not only made White famous overnight in France, it was seen there as a turning point in the contemporary situation. In the third book, Travels in the Drifting Dawn, the intellectual nomad begins his moves across territories and cultures. After passing through the London underground of the sixties, then delving into the ground of his native Scotland and neighbouring Ireland, we shift back to the Continent, accumulating experience on different levels in France, Spain, Belgium, Holland, before concluding the cycle in North Africa. The trilogy is not only a summary of White's itinerary in its initial stages, it opens up a whole intellectual and cultural programme. Kenneth White is not only a convinced European Scot, but he renews the tradition of the medieval Scotus vagans ('wandering Scot'), an existence devoted to travelling and learning, finding and founding. After much moving about, he taught (1983-96) from a specially created Chair of Twentieth-Century Poetics at the Sorbonne. In 1989, he founded the International Institute of Geopoetics, the aim of which is to explore in depth the human and non-human habitation of the earth and the basis of live culture. On the Continent, his work, whether in essay, narrative or poem, has been awarded many prizes, among them the Prix Medicis Etranger and the French Academy's Grand Prix du Rayonnement.

Three collections of essays whose aim is to express the cartography and the experience of a live, open world If Kenneth White was keenly interested in early twentieth-century attempts to rescue his home territory, Scotland, from a heavy heritage of historicism, doldrums, flat realism (and its cousin, fantasticality), right from the start he was out for something more radically grounded, more intellectually incisive and culturally more coherent. The three books gathered here illustrate his initial movement on these lines in all its aspects, from politics to poetics. On Scottish Ground reveals the terrain to be explored, from geology and archaeology up, resituating figures such as David Hume, Patrick Geddes, Hugh MacDiarmid, as well as revisiting the works of scotic thinkers such as Duns Scotus and John Scot Erigena. Ideas of Order at Cape Wrath takes the exploration further. The word "wrath" here, taken by many to mean "anger", in fact goes back to the old Norse word signifying "turning point". White's turning point is not only geographical, it is fundamental. The third book, The Wanderer and his Charts, lays out the co-ordinates of the new space White has opened up. He may have left Scotland, but he has taken with him a lot of what we might call a quintessential Scotland, just as Joyce took with him an essential Ireland. Kenneth White is not only a convinced European Scot, but he renews the tradition of the medieval Scotus vagans ('wandering Scot'), an existence devoted to travelling and learning, finding and founding. After much moving about, he taught (1983-96) from a specially created Chair of Twentieth-Century Poetics at the Sorbonne. In 1989, he founded the International Institute of Geopoetics, the aim of which is to explore in depth the human and non-human habitation of the earth and the basis of live culture. On the Continent, his work, whether in essay, narrative or poem, has been awarded many prizes, among them the Prix Medicis Etranger and the French Academy's Grand Prix du Rayonnement.

Bullets to Ballots explores the different trajectories that the deradicalisation process can take - whether it occurs after a military victory, a military defeat, or a draw in an armed conflict between insurgent groups and incumbent authorities.

A Military History of Scotland is a wide-ranging and lavishly illustrated volume, which covers the military history of Scotland from the Picts to Basra.

Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragists This is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans. Key Features:Reveals the ways in which the couples promoted progressive socio-political ideasDraws on extensive archival research and analyses unpublished writings, including diaries and poemsFocuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binaryShows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists

Vittorio Morfino draws out the implications of the dynamic Spinoza-Machiavelli encounter by focusing on the concepts of causality, temporality and politics. This allows him to think through the relationship between ontology and politics, leading to an understanding of history as a complex and plural interweaving of different rhythms.