Books published by EDINBURGH UNIVERSITY PRESS

Imagined States examines representations of the law in British and Nigerian high-brow, middle-brow and popular fiction and journalism. Drawing on a rich range of examples, the book focuses on the imaginative role that the state of exception played in the application of indirect rule during British colonialism and in the legal machinations of the postcolonial state. It reads works by Chinua Achebe, Joyce Cary, Cyprian Ekwensi and Edgar Wallace, together with a range of Nigerian market literature and journalism.

Discover how rivalling discourses of American grand strategy reveal a fractured consensus of geopolitical identity and national security under President Obama. This conflict manifested in divergent elite visions of liberal hegemony, cooperative engagement and unilateral restraint. Georg Lfflmann examines the identity conflict within the Washington foreign policy establishment, between elite insiders and outsiders, and how the 'Obama Doctrine' both confirmed a geopolitical vision of American exceptionalism and challenged established notions of US hegemony and world leadership.

Just as a work of self-reflexive 'metafiction' - and the experience of reading it - differ from other types of literature, the work and the experience of viewing films that adapt metafiction are distinct from those of other films, and from other film adaptations of literary works. This book explores the adaptation of children's metafictions, including works such as Inkheart, The Invention of Hugo Cabret and the Harry Potter series. Not only are the plot devices of books and reading explored on screen in these adaptations, but so is the nature of transmedial adaptation itself - the act of representing one work of art in another medium. Analysing the 'work' done by children's metafiction and the experience of reading it, Casie E. Hermansson situates the adaptations of these types of books to film within contemporary adaptation criticism.

One of the most controversial issues that divided Islamic philosophers and theologians during the Middle Ages was whether human beings would have a spiritual or bodily existence after death. The idea of a world of image was conceived as a solution, suggesting that there exists a world of non-physical (imagined) bodies, beyond our earthly existence. This world may be reached in sleep, in meditation or after death.From the embryonic conception by Ibn Sina, to the radical rethinking by Suhrawardi and Shahrazuri into a sophisticated system, L. W. C. van Lit unravels the history of this idea. Using a distant reading approach for measuring the transmission, he further shows how the idea remained relevant for Muslim thinkers through the centuries, up until today.

Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour: this new generation of French philosophers is laying fresh claim to the human. Across a number of new strains of philosophy, they are rethinking humanity's relationships: to 'nature' and 'culture', to the objects that surround us, to the possibility of social and political change, to ecology and even to our own brains. Christopher Watkin draws out both the promises and perils of these new philosophies. And he shows just how high the stakes are for our technologically advanced but socially atomised and ecologically vulnerable society.

Examines the way in which the British transformed the Pacific islands during the nineteenth centuryThe discovery of the Pacific islands amplified the qualities of mystery and exoticism already associated with 'foreign' islands. Their 'savage' peoples, their isolation, and their sheer beauty fascinated British visitors across the long nineteenth century. Dark Paradise argues that while the British originally believed the islands to be commercial paradises or perfect sites for missionary endeavours, as the century progressed, their optimistic vision transformed to portray darker realities. As a result, these islands act as a 'breaking point' for British theories of imperialism, colonialism, and identity. The book traces the changing British attitudes towards imperial settlement as the early view of 'island as paradise' gives way to a fear of the hostile islanders and examines how this revelation undermined a key tenant of British imperialism - that they were the 'superior' or 'civilized' islanders.Key FeaturesThe first monograph to trace the Pacific islands as represented through the lens of British fiction and non-fiction across the long nineteenth centuryExamines texts written by Pacific islanders and published in the British pressSignificantly broadens our understanding of the British Pacific by analysing understudied Pacific texts and authors alongside more canonical works

In the American psyche, the "e;Wild West"e; is a mythic-historical place where our nation's values and ideologies were formed. In this violent and uncertain world, the cowboy is the ultimate hero, fighting the bad guys, forging notions of manhood, and delineating what constitutes honor as he works to build civilization out of wilderness. Tales from this mythical place are best known from that most American of media: film. In the Greco-Roman societies that form the foundation of Western civilization, similar narratives were presented in what for them was the most characteristic, and indeed most filmic, genre: epic. Like Western film, the epics of Homer and Virgil focus on the mythic-historical past and its warriors who worked to establish the ideological framework of their respective civilizations. Through a close reading of films like High Noon and Shane, this book examines the surprising connections between these seemingly disparate yet closely related genres, shedding light on both in the process.

Sex for Sale in Scotland examines the various formal and informal methods that were used to police female prostitution in Edinburgh and Glasgow between 1900 and 1939 and explores how these policies influenced women's lives. The book uses a rich combination of police, probation, magistrates', poor law and voluntary organisations' records to demonstrate how these organisations combined to establish a 'penal-welfare' approach towards regulating prostitution in Scotland. By mapping the geography of prostitution, the book argues that prostitution was not forced into the outskirts of society, either physically or socially.The book examines both indoor and outdoor prostitution and the relationships that developed among the wide range of people who profited from commercial sex. Particular emphasis is placed on the experiences of the women involved in prostitution, highlighting the poverty, exploitation and abuse they faced, but also the ways in which they negotiated these dangers. This social history of prostitution maps how the organisation, policing and experiences of prostitution developed in an ever-changing urban landscape during a period of extraordinary developments in technology and entertainment, alongside the wider socio-economic changes brought about by the First World War.

This clear and practical book gives a thorough exposition of the law governing dilapidations in Scotland. It covers the underlying common law; interpretation of the lease; remedies for breach of repairing obligation; common parts and service charge; and dispute resolution.

Introduces the figure of contamination as alternative to dialectics Whereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory.Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's , H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis. Key featuresCritically engages with some aspects of contemporary theory that keep propounding a Cartesian notion of the mind's control over the bodyAnalyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt to re-evaluate what Agamben calls 'bare life'Offers original readings of Pasolini's notion of scandalo in terms of contaminationAlerts us to the ways in which some aspects of contemporary posthumanism may merely reproduce the dialects of inclusion and exclusion which is still premised on traditional notions of purity and immunity

This book systematically introduces the idea of an improper politics. Introducing a conceptual vocabulary, it engages with the politics of the proper, propriety and property from a post-foundational perspective. Mark Devenney argues that this triad is central to understanding the maintenance of global inequality, both economic and political. He characterises democratic politics as improper, challenging the proper bounds of reason, accepted behaviours, and the policing of proper order. The conceptualisation of democracy as an improper practice of equality accords a dignity to forms of politics often deemed marginal.

What gives us the right to speak of a Deleuzian philosophy, a philosophy at first sight concerned solely with interpreting other philosophers and writers? Koichiro Kokubun focuses on Deleuze's method of 'free indirect discourse' to locate and explicate Deleuze's philosophy of transcendental empiricism and its constitutive limits. Working through Deleuze's confrontations with Hume, Kant, Bergson, Freud, Lacan, Foucault and Guattari, Kokubun uncovers a philosophy strongly influenced by structuralism and psychoanalysis, which had to overtake these movements because of its practical ambitions. Kokubun concludes with a radical revitalisation of the political potential of this philosophy.

Moving between ancient and modern sources, philosophy and theology, and science and popular culture, Sean McGrath offers a genuinely new reflection on what it means to be human in an era of climate change, mass extinction and geoengineering. Engaging with contemporary thinkers in eco-criticism, including Timothy Morton, Bruno Latour and Slavoj Zizek, McGrath argues for a distinctive role for the human being in the universe: the human being is nature come to full consciousness. McGrath's compelling case for a new Anthropocenic humanism is founded on a reverence for nature, a humanism that is not at the expense of nature, and a naturalism that is not at the expense of the human.

By accessing penal history through the mediator of individual memory authors can be seen to depict the cumulative dialogue between the English common law and its cultural representations across historical time. Offering legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bronte, Robert Browning, Henry Fielding and Sir Walter Scott; this book explores this literary phenomenon and its legal significance during the eighteenth and nineteenth centuries. In doing so it argues that the importance of precedent in Anglo-American common law creates a unique discourse of historical legitimacy that shapes both the cultural and official conceptions of criminality itself during this period. Within a Foucauldian framework, the book illustrates how the cultural memory of crime and punishment contribute to the development of formal and informal penal institutions. Key Features:*Generates a new framework for analysing the relationship between individual and cultural narratives, literary texts, and the cumulative "e;truth"e; created by the common law*Provides three case studies of adultery, child criminality, and rape testimony that demonstrate the impact of cultural narrative on legal development in the eighteenth and nineteenth centuries.*Legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bront Robert Browning, Henry Fielding, Sir Walter Scott *Transformative readings of widely read works including Charles Brockden Brown's Wieland and Ormond, Thomas Hardy's Tess of the d'Urbervilles, Charles Kingsley's The Water-Babies, Alfred Tennyson's Idylls of the King, Charlotte Bronts Jayne Eyre, Henry Fielding's The Modern Husband and Sir Walter Scott 's Heart of Midlothian

In the 21st century, more than any other time, US agencies have relied on contractors to conduct core intelligence functions. This book charts the swell of intelligence outsourcing in the context of American political culture and considers what this means for the relationship between the state, its national security apparatus and accountability within a liberal democracy. Through analysis of a series of case studies, recently declassified documents and exclusive interviews with national security experts in the public and private sectors, the book provides an in-depth and illuminating appraisal of the evolving accountability regime for intelligence contractors.

This collection of essays charts the intellectual trajectory of Barbara Glowczewski, an anthropologist who has worked with the Warlpiri people of Australia since 1979. She shows that the ways Aboriginal people actualise virtualities of their Dreaming space-time into collective networks of ritualised places resonate with Guattarian and Deleuzian concepts. Inspired by the art and struggles of different Indigenous people and other discriminated groups, especially women, Glowczewski draws on her own conversations with Guattari, and her debates with various scholars to deliver an innovative agenda for radical anthropology.

Daniel A. Dombrowski brings together the thought of the 20th-century philosophy's greatest political liberal, John Rawls, with the thought of the great process philosophers, Alfred North Whitehead and Charles Hartshorne. He shows that political liberalism is intimately linked with process philosophy, renaming it 'process liberalism'. He justifies this process liberalism in contrast to four potentially troublesome sources or influences: metaphysics, religion, right-wing politics and left-wing politics. Dombrowski engages a series of interlocutors and alternative positions including Franklin I. Gamwell, Timothy D. Snyder, Martin Heidegger and Karl Marx. In conclusion, he offers a compelling, intricate and resourceful argument for nonhuman animal rights based on Rawlsian principles, which in turn forms the basis of a future environmental ethics.

Making a sharp break with dominant contemporary readings of David Hume's scepticism Peter S. Fosl offers an original and radical interpretation of Hume as a thoroughgoing sceptic on epistemological, metaphysical and doxastic grounds. He does this by first situating Hume's thought historically in the sceptical tradition and goes on to interpret the conceptual apparatus of his work - including the Treatise, Enquiries, Essays, History, Dialogues and letters.

Focusing on the Deccan Sultanates of 16th- and 17th-century central India, Local States in an Imperial World promotes the idea that some polities of the time were not aspiring to be empires. Instead of the universalist and hierarchical vision typical of the language of empire, the sultanates presented another brand of state - one that prefers negotiation, flexibility and plurality of languages, religions and cultures. Building on theories of early modernity, empire, cosmopolitanism and vernaculars, Roy Fischel considers the components that shaped state and society: people, identities and idioms. He presents a frame for understanding the Deccan Sultanates as a rare case of the early modern non-imperial state, shedding light both on the region and on the imperial world surrounding it.

This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.

Known as the 'Georgian Socrates' of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia's two leading film schools, helping to educate a generation of internationally prolific directors. Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image.

Emmanuel Levinas's ethical philosophy has had a significant influence on film theory in recent years. Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of the Dardenne Brothers, Barbet Schroeder and Paul Schrader. Discussing a range of films - including the Dardennes' Le Fils and The Kid with a Bike, Schroeder's Matresse and Reversal of Fortune and Schrader's American Gigolo and The Comfort of Strangers - Edward Lamberti demonstrates how film styles can perform a Levinasian ethics.

James Bahoh proposes a new methodology for explaining Heidegger's philosophy: diagenic analysis. This approach solves a set of interpretive problems that have stymied previous approaches to his difficult later work and led to substantial inconsistencies in the available scholarship. Using it, Bahoh reconstructs Heidegger's concept of event in relation to his theories of history, truth, difference, ground and time-space. In these contexts, Bahoh argues that Heidegger's logic of events entails a logic of difference that is prior to and constitutive for the logic of identity essential to traditional metaphysics. The logic of events explains the generation of ontological structures grounding individuated finite domains - that is, it explains the generation of the logic of worlds of beings.

First scholarly edition of a bestselling historical novelExplores the socio-political themes of the novel and deemed as relevant today as they were over 200 years agoSituates work in the genealogy of the historical novel and examines its literary and cultural influenceScholarly annotations clarify the historical context: the French Revolution, the related war in Poland, and Britain's response to Polish refugees in the 1790sPublished in 1803, Thaddeus of Warsaw is a beguiling romance that also exposes the hardships faced by migrants in Britain two hundred years ago. Jane Porter tells the story of a dashing Polish refugee, Thaddeus Sobieski, who must escape hostilities in his homeland. In London he faces poverty and prejudice, but his courage and goodness bring him to the attention of a circle of women who, in a surprising role reversal, either aid or woo him. He must also solve the mystery of his birth by discovering and confronting the British father who abandoned him.A carefully contextualised introduction to the novel and its author situates the work in the genealogy of the historical novel, examining its literary and cultural influence. Supporting materials include contemporary reviews, poems on Poland and correspondence regarding the novel's early success.

This is a highly original, interdisciplinary study of the archaic Greek word nomos and its family of words. More recently used to mean simply 'law' or 'law-making', Thanos Zartaloudis draws out the richness of this fundamental term by exploring its many roots and uses over the centuries. The Birth of Nomos includes extracts from ancient sources, in both the original and English translation, including material from legal history, philosophy, philology, linguistics, ancient history, poetry, archaeology, ancient musicology and anthropology. Through a thorough analysis of these extracts, we gain a new and complete understanding of nomos and its foundational place in the Western legal tradition.

Explores a Byzantine emperor's construction of authority with the help of his rhetorical texts Examines the changes in the Byzantine imperial idea by the end of the fourteenth century with a particular focus on the instrumentalization of the intellectual dimension of the imperial ruleIntegrates late Byzantine imperial visions into the bigger picture of Byzantine imperial ideology Provides a fresh understanding of key pieces of Byzantine public rhetoric and introduces analytical concepts from rhetorical, literary, and discursive theoriesOffers translations of key passages from late Byzantine rhetoricManuel II Palaiologos was not only a Byzantine emperor but also a remarkably prolific rhetorician and theologian. His oeuvre included letters, treatises, dialogues, short poems and orations. Florin Leonte deals with several of his texts shaped by a didactic intention to educate the emperor's son and successor, John VIII Palaiologos. He argues that the emperor constructed a rhetorical persona which he used in an attempt to compete with other contemporary power-brokers. While Manuel Palaiologos adhered to many rhetorical conventions of his day, he also reasserted the civic role of rhetoric. With a special focus on the first two decades of Manuel II Palaiologos' rule, 1391-1417, Leonte offers a new understanding of the imperial ethos in Byzantium by combining rhetorical analysis with investigation of social and political phenomena.

Integrating forgotten tales of literary communities across Iran, Afghanistan and South Asia - at a time when Islamic empires were fracturing and new state formations were emerging - this book offers a more global understanding of Persian literary culture in the 18th and 19th centuries. It challenges the manner in which Iranian nationalism has infilitrated Persian literary history writing and recovers the multi-regional breadth and vibrancy of a global lingua franca connecting peoples and places across Islamic Eurasia. Focusing on 3 case studies (18th-century Isfahan, a small court in South India and the literary climate of the Anglo-Afghan war), it reveals the literary and cultural ties that bound this world together as well as some of the trends that broke it apart.

Examines how Trump's election as President signals a rollback of the Obama yearsEstablishes what can be regarded as Obama's legacy, in both domestic and foreign policy Investigates how far the Trump administration (up to the 2018 mid-terms) undoes Obama's legacy legacyFocuses on meaningful shifts in presidential priorities, policy changes, and the imprint of presidential leadershipCase studies on specific policy areas where presidential 'undoing' has had a significant impact or has been thwarted, such as health care reform and immigration policyIn 2008, in what seemed a seminal moment for the country's politics, the United States elected an African American as President. Yet, eight years later, in the form of Donald Trump, the nation put in office a man who was the very antithesis of his predecessor. This book determines what can legitimately be regarded as the legacy of the Obama presidency and investigates how far the Trump administration has reversed it. The analysis is embedded in a historical context, based on examination and scrutiny of how, and how successfully, presidents in the modern era have overturned the work of their predecessor when they have attempted to do so. The authors focus on meaningful priority shifts, policy changes and the imprint of presidential leadership, providing a framework for assessing Obama's legacy, which in turn affords context to a discussion of the Trump administration's capacity to fulfil its promise to reverse the direction taken by the Obama White House. Looking beyond the noise and hyperbole, the book examines how robust the Obama legacy has proved to be in the face of Trump's challenge.

Combining his expertise as a national security correspondent and research academic, Paul Lashmar reveals how and why the media became more critical in its reporting of the Secret State. He explores a series of major case studies including Snowden, WikiLeaks, Spycatcher, rendition and torture, and MI5's vetting of the BBC - most of which he reported on as they happened. He discusses the issues that news coverage raises for democracy and gives you a deeper understanding of how intelligence and the media function, interact and fit into structures of power and knowledge.

In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.