Books published by EDINBURGH UNIVERSITY PRESS

In a meticulous account of this period, Professor Duncan disentangles the power struggles during the 'Great Cause' between the Balliols and the Bruces, and of the actions, motives and decisive interventions of Edward I.

Engaging with recent scholarship on film, particularly film and theology as well as classical reception, Lisa Maurice considers the gods of Greek and Roman mythology alongside the biblical God of the Judeo-Christian tradition.

Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L'emmerdeur (2008).

This book examines the life and work of Rashid al-Din Tabib (d. 1318), the most powerful statesman working for the Mongol Ilkhans in the Middle East.

Do people only act out of self-interest? Or is there a less pessimistic explanation for human behaviour? Maurer delves into early-Enlightenment debates on self-love from both famous and lesser known authors, including Lord Shaftesbury, Bernard Mandeville, Francis Hutcheson, Joseph Butler, Archibald Campbell, David Hume and Adam Smith.

This collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. The contributors include philosophers, art historians, architects and art practitioners. It takes a generous definition of art to include architecture, cinema, dance and new media.

This book investigates the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials.

Casting fresh light on one of the most important movements in film history, Intermedial Dialogues is the first comprehensive study of the New Wave's relationship with the older arts.

Blood in the Streets' investigates the various ways in which 1970s Italian crime films were embedded in their immediate cultural and political contexts.

From `Thing Theory to animal theory, multimodality to film adaptation, and from acts of reading in a digital age to the creative writing workshop, the volume reflects a radical reorientation in critical modes of thinking.

With an in-depth case study of Sally Potter's 2012 film 'Ginger & Rosa', and drawing upon interviews with international film industry practitioners, 'From Film Practice to Data Process' is a groundbreaking examination of film production in its totality, in a moment of profound change.

From courtship and marriage to adultery and prostitution, Sex and Sexuality in Classical Athens takes a broad look at the sex lives and sexual beliefs of ancient Athenians.

Steven Hurst traces the development of the US Iranian nuclear weapon crisis from the conception of Iran's nuclear programme in 1957 to the signing of the Joint Comprehensive Plan of Action in 2015. Hurst adopts a broader perspective on the Iranian nuclear programme and explains the continued failure of the USA to halt it.

Argues that literary deceptions and false memoirs have particular cultural value and significance. This book considers whether internal detail alone is sufficient to identify the truth-value or otherwise of a text, or if other evidence must be invoked.

This book addresses two historical mysteries. The first is the content and character of the fourth century BCE Greek works called the Persica. The second is the method of work of the second century CE biographer Plutarch of Chaeronea who used these works to compose his biographies.

A substantial essay explores the complex early publication history of the novel Weir of Hermiston on both sides of the Atlantic, and exceptionally full explanatory notes and other background information are provided.

This is the first study of Chinese stars and their transnational stardom, examining the career of Jet Li, probably the best martial arts actor alive.

This book incorporates the Latin America/Hollywood and Indiewood vector of filmmaking into its study of the region's transnationalized filmmaking, using textual analysis and industrial case studies.

Female Stars of British Cinema uses case studies of seven female stars whose careers span the 1940s to the present day Jean Kent, Diana Dors, Rita Tushingham, Glenda Jackson, Helena Bonham Carter, Emily Lloyd, and Judi Dench to explore how British star femininities have developed over time.

This adventurous study focuses on experimental animal writing in the major interwar journal transition (1927-1938), which contains a striking recurrence of metaphors around the most basic forms of life.

By focusing on a number of key cities this study considers the influence of the distinctive urban landscaper on the various modernisms that appeared in the period from c.1890 to 1950.

This reader is the first to bring together a selection of Mann's own interviews where he reflects on his film and television productions. The sixteen interviews provide historical context, interpretation and evaluation of the auteur's work. They encompass his entire career as a feature filmmaker and television producer/director as he and others reflect on his themes, working methods, artistic development and career achievements. The book aims to open up Mann's body of work, making it available for comparison with the work of his contemporaries, and to provide fresh insights into his film and television work. A substantive introductory essay, chronology and filmography provide additional bases for understanding the interviews, essays and work of this major filmmaker.

The Arab Spring created attempts to transition toward democracy by the peoples of Tunisia, Egypt, Morocco and Jordan. This study compares the methods used by the secular leaders of Tunisia and Egypt to deal with people power demanding revolution with the methods that the monarchs of Morocco and Jordan resorted to in accommodating their people's priority of reform. In contrast with the monarchs, the secular leaders avoided resorting to the palliative of religion to ensure the stability of their rule and were, as a result, unable to survive. After the Arab Spring, moderate Islamist parties were, at first, elected to lead the populace out of economic deprivation and corruption. But were the ideals of the Arab Spring realised? This study evaluates the relative success of the move to democracy in these four Middle Eastern countries.

This book looks again at the filmic and televised spaces we think we know so well. How are these spaces built up? What is it that makes us recognize them as suburbs? How do they function? Vermeulen uses Desperate Housewives, The Simpsons, King of the Hill, Happiness, Pleasantville, Brick and Chumscrubber to explore these questions.

Rolf Strootman brings together various aspects of court culture in the Macedonian empires of the post-Achaemenid Near East.

A scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist's model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane Morris and the Burden of History particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period. Key Features: First scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fatale Innovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivity Contribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the self Original exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period

Dave Boothroyd develops an original perspective on Levinas' account of the ethical Subject as contingently and empirically embedded in everyday experience. He reads Nietzsche, Heidegger, Derrida, Foucault, Irigaray, Deleuze, Badiou and Nancy alongside Levinas to address ethical issues such as sexual difference, vulnerability, secrecy, communications, suffering, hospitality, friendship, censorship and death.

2014 marks the 200th anniversary of the birth of the Norwegian nation following centuries of Danish rule. This book analyses how Norwegians defined, fought over, and developed their own independent Scandinavian language, differentiating it from Danish and Swedish, through language planning.

"e;Thomas Hardy's fiction is examined in this book in the context of the seismic legal reforms of the nineteenth century as well as legal discourse in the literature of the era. The book examines the ways in which Hardy's role as a magistrate and his interest in the law impacted fundamentally on his prose fiction. It demonstrates that throughout his prose fiction Hardy engages with contentious legal issues that were debated by legal professionals and literary figures of his day, and argues that Hardy used fiction as a forum to question the extent to which legal reform improved the lives of women and the working classes. The study also looks at the ways in which Hardy deployed criminal plots derived from sensation fiction and reveals that the genre's engagement with legal reform influenced not only his sensation novel Desperate Remedies (1871) but also the plots of his subsequent fiction."e;