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This attractively illustrated new collaborative work examines dress, style and performance as a significant pleasure of fiction. It illuminates many significant factors of Victorian life. The book examines the ways in which Victorian writers, illustrators, periodicals, designers and clothing manufacturers have critiqued the social ideologies inherent in dress, fashion and imaginative engagement with clothes.This is the first volume in the New Paths in Victorian Popular Fiction and Culture series being published by EER. The series comprises specially commissioned work based on innovative or under-researched perspectives on Victorian literature and culture. As an aesthetic medium, fashion expresses a person's life course, their ideas, desires and beliefs, and fiction itself is a site where these issues can be resolved.Not only were fictional characters made recognisable through their dress, but readers of serial fiction encountered them in between adverts, cartoons, print and patterns. Thus, how dress is depicted in fiction responds to its material paratext. Victorian dress and literature equally licensed or discouraged particular forms of clothing, fantasies and moralities about men and women, as well as distinctions between generations. As a result, this volume's multidisciplinary approach engages with theoretical perspectives on dress history, periodical publications, archives and dress.The book is shaped in four distinct sections. Writers engage with fashion and material culture using an interdisciplinary methodology, as well as through fashion's multiple performances as depicted in text, image and design.Part 1, 'Fashion and Hierarchies of Knowledge' examines how periodicals, journalism and couture established 'fashion' as a discipline.Part 2's 'Artistic Engagement with Fashion's Material Culture' focuses on how fabric, printed patterns and illustrations critique social constructions of beauty and femininity.Part 3, 'Conduct and Clothing', considers novelistic depictions of fashion with regard to scientific, racial and gender identities. These are cross-related to reader consumption and behaviour.Part 4, 'Consumption and Fashionable Performance', examines periodicals, genres and drama as performative in their own right.
These volumes comprise a unique and original work which provides comprehensive biographical information on all 884 persons who left personal estates of ¿100,000 or more in Britain from 1809, when these sources begin in a usable form. ¿100,000 is the equivalent of about ¿10 million today.
The great man's career was riddled with contradictions. This new book highlights these, and shows the difficulties he experienced as well as his ultimate successes.; Until now, little or nothing has been said about the many contradictory and anomalous positions Churchill took throughout his career.
"What to make of the British?" is a question that puzzled Stendhal throughout his whole life. In this new work, which is both a biography and an exercise in cultural history, David Ellis brings to bear on the issues it raises much new and unfamiliar information.
This new work is currently the only book devoted to the teaching of one of the most canonical and frequently taught American authors.In addition to a Preface by the noted Hawthorne scholar Larry J. Reynolds [University Distinguished Professor and Thomas Franklin Mayo Professor of Liberal Arts Department of English Texas A&M University] the contributors include well-known and rising teacher-scholars who offer theoretical and pedagogical approaches to Hawthorne’s four published novels and a wide range of his short stories.The specially commissioned essays are designed to help teachers meet students at points of genuine interest and need. They incorporate biographical, literary, historical, and multidisciplinary scholarship. The studies are further grounded in specific contexts such as literature surveys, interdisciplinary humanities courses, upper division literature seminars, and study abroad courses.Special emphasis is given to the issues of gender, science, and visual culture (including film adaptations). Offering both theoretical and practical classroom resources, this anthology confirms the continued vitality of Hawthorne’s work – his critiques of religious and moral authority are more relevant than ever in today’s global political environment – even as it showcases how today’s “Hawthorne” is more of a diverse amalgam of texts and perspectives than ever before. Given its diversity of approaches and authors (including essayists from Germany, Israel, and Sweden), Nathaniel Hawthorne in the College Classroom charts new paths for reading and teaching Hawthorne in the 21st century.
This new book by the eminent critic provides an informative and timely survey of contemporary approaches to Joyce and modern Irish writing over almost 40 years.In a fresh opening survey Pierce explores the new departure for fiction heralded by A Portrait of the Artist as a Young Man, and this is followed by essays on the hybrid landscape in Ulysses and on the distinctive style and humour of the ‘Eumaeus’ episode. Other pieces focus on the appeal of Irish short-story writer, Benedict Kiely, anthologies of Irish writing, and Irish writing in the years 2006-9.The second half of The Joyce Country is devoted to twenty-six reviews of books about Joyce written from the 1980s to the present and grouped under several headings including ‘Joyce’s European Cities’, ‘Joyce, Yeats and the Matter of Ireland’, ‘Ulysses in Perspective’, and ‘Joyce and Modernism’.
Numunwari is a gigantic salt-water crocodile - sacred to the Aboriginal community, and the keeper of the secrets of their ancient customs. It lives in Arnhem Land in a remote part of northern Australia. But when it moves downstream terror breaks out.
The distinguished author evaluates what evidence exists, and the many and varied theories offered on each unsolved but nagging mystery. He goes behind the scenes to examine much that remains in the shadows. He enquires about clandestine intrigues, whitewashed evidence, fraudulent claims, and much that many historians have previously ignored.
"There cannot be much serious doubt that in the last twenty years Emmanuel Le Roy Ladurie has been one of the most - if not the most - original, versatile, and imaginative historians in the world...LAWRENCE STONE, New York Review of Books.
This is a book of 100 poems of great richness and variety. Indeed, it is genuinely a landmark book. It is an important literary and academic event in itself. Professor Lord Asa Briggs is one of the most important historians of Britain. He is world-renowned for his work in social history, culture, and communications.
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