Books published by Edward Everett Root

ΓÇïThis major new book provides a sparkling and detailed account of classical, modern, and popular music throughout Queen Victoria’s long reign.It completes the acclaimed series of classic studies by Professor Briggs, published as Victorian Cities, Victorian People, and Victorian Things.  Lord Briggs has written the work with the music specialist Janet Lovegrove.The approach is deliberately chronological. It observes the music scene - both metropolitan and provincial - at twenty-year intervals. It particularly shows how contemporaries themselves perceived music in 1837, 1857, 1877 and 1897.  These twenty-year intervals bring out the scale of change and the balance between continuities and contrasts at each point in the story. The intervening decades are more briefly explored.  An Epilogue (1901) completes the picture.The authors trace the repertory of opera, of orchestral, choral, chamber and popular music. They show the performers, theatres, halls and rooms. They provide many illuminating stories of the lives and work of the composers, writers and critics, publishers, teachers and lecturers, who were keen to bring music to the many rather the few.London was linked to the provinces by cathedral, church or festival, and education. Key factors were the dissemination of printed music, the musical evangelism of the sight-singing movement, the national distribution achieved by the railways, and the implementation of a national educational system from 1870 onwards.  An important element in this was the contribution made to ‘progress’ by provincial cities, most often through the proliferation of Festivals.No less important were the efforts of English musicians, composers, performers and teachers alike, to achieve status in a country where there was a strong amateur presence.There was also pressure from below, and a difference - often an indifference - in the role and interests of government, local and national.  However, the dynamic steps taken to found modern music institutions are traced.  Comparisons are made (as did the Victorians) between English and foreign performers and composers, the ‘giants’ of the past and present.  The last chapters show the breaking away, never complete, from ‘foreign domination’ and the identification of an English musical ‘renaissance.’The book is well illustrated. These pictures complete the overwhelming impression of an era teeming with energy and ambition, in music as in all else. The era laid the foundations of the musical heritage and standards we enjoy today.

This is the first-ever book length study of one of the most important and constantly innovative 19th century book and periodical publishers. The mysterious and often elusive but enormously influential Henry Colburn (c.1784 – 16 August 1855) was the pre-eminent publisher of ‘silver-fork’ novels, and of many influential new writers.Colburn’s main claim to rehabilitation are his troop of 'name' authors: Lady Morgan, Disraeli, Bulwer-Lytton, Captain Marryat, G.P.R James, Mrs. Margaret Oliphant, Mrs. Catherine Gore, Mrs. Caroline Norton, Frances Trollope, Anthony Trollope, Richard Cobbold, R. S. Surtees. Many would not have had a start in the careers they later enjoyed were it not for Colburn.This is a lively, and important new work on early 19th-century publishing and the patterns for the century which Colburn set. It sketches intantalizing outlines the Regency, early nineteenth-century and Victorian book trades – and the consequences of Colburn’s impact on those worlds. In addition, the work centres on Colburn’s most celebrated authors. The book – which is well illustrated - contains the first catalogue of Colburn’s publications.Thus far, literary and publishing history have drawn a formidable charge sheet against Henry Colburn. In personal pedigree he is slandered as a ‘guttersnipe’, or a ‘royal bastard’. In Disraeli’s pungent description he was a publishing ‘bawd’, engaged in wholesale literary prostitution. A very bad thing. And yet this publishing Barabbas can be argued to have been innovative and a force for constructive change in the rapidly evolving book trade and---paradoxically---a man of taste.Various rumours circulated that he was either a bastard of the Duke of York or of Lord Landsdowne. Date uncertain. He liked to weave illustrious (typically mendacious) pedigrees for himself as much as for his dubiously aristocratic purveyors of silver forkery.What, precisely, did Colburn do that should raise his reputation and make us see him as a good thing? In the largest sense he demonstrated, by example and practice, the need for consolidation between hitherto dismembered arms of the London book world. Beginning his career at apprentice level in the London West End circulating-library business he went on, having learned at the counter what the customer wanted, to become the undisputed market leader in the publication of three-volume novels and (sub-Murray) travel books.The three-decker went on to become the foundation-stone of the ‘Leviathan’ library system (Mudie’s and Smith’s) and created a seventy-year stability in the publishing, distribution and reception of English fiction. In 1814 Colburn founded the New Monthly Magazine. In 1817, he set up England’s first serious weekly review, the Literary Gazette. In 1828 he helped found the Athenaeum (distant parent of today's New Statesman). His behaviour, as a magazine proprietor and editor at large was typically outrageous. But the link he forged between higher journalism and literature was momentous.

How to survive, and live with, cancer. iE Short, sharp practical guide. iE Shows patients how to can take control of their care. iE How to get the system to work for you. iE Gives 100 advisory websites, with expert notes. iE Absolutely up-to-date.

This is the innovative, trail-blazing enquiry into the importance, range, and history of the publishers' series in America and in Britain, by the leading expert in this field.

This unusual, witty, satirical, pseudonymous, controversial and very pointed work gathers together the 50 episodes which were originally published on the famous and widely-read nhsManagers.net eletter run by Roy Lilley, which has some 30,000 subscribers here and abroad. Both the author, and Mr. Lilley - who are not one and the same - have been Chairs of NHS Trusts and advisers to government. Mr. Romford dramatizes the current issues and problems of British healthcare - and points out some radical and innovative solutions. The author holds up a mirror to the NHS and public service, its foibles and peculiarities. He shines a light into the dark recesses and makes us think, entertains us, pokes fun and encourages us to do better. His characters are a delight and his stories grasp the issues of the day and sets them out in a new light.

The critical challenges to the British NHS are the consequences of us all living longer, having to manage chronic conditions over time, expecting and demanding more, and being denied many innovative new drugs (notably, for cancer) which cannot be afforded at present by the too narrowly funded NHS. This needs to be changed, in line with more successful funding systems in Europe, Australia, and the Far East, where outcomes are much better than in the UK. This radical new book offers economic solutions based on direct financial incentives to the individual to care for themselves better, to save and invest in future funding, for a much broader funding base including the greater use of insurance, and to ask government to re-appraise the system urgently. It will be controversial, and will spark lively new debate, as well as serving as a student text for courses concerned with healthcare, and clinical practise. This new book follows Professor Spiers' several successful previously published commentaries on the NHS and public policy, including Who Decides Who Decides? Enabling choice, equity, access, improved performance and patient guaranteed care, published by Radcliffe Medical Press.