Books published by Faber & Faber

Robert Aickman (1914-1981) was the grandson of Richard Marsh, a leading Victorian novelist of the occult. Though his chief occupation in life was first as a conservationist of England's canals he eventually turned his talents to writing what he called 'strange stories.' Dark Entries (1964) was his first full collection, the debut in a body of work that would inspire Peter Straub to hail Aickman as 'this century's most profound writer of what we call horror stories.'

I lay there alone in bed, feeling the black shadow creeping up the underside of the world like a flood tide. Nothing held, nothing was left. The silver airplanes and the silver capes all dissolved and vanished, wiped away like the crude drawings of a child in coloured chalk from the colossal blackboard of the dark.The writings in this collection outline Plath's early preoccupation with issues of mental illness, creativity and femininity, all of which would become recurrent themes in her later work. They offer special insight into her development as a writer, and arguably paved the way for her only full-length piece of prose writing, the loosely veiled fictional autobiography, The Bell Jar.This second edition contains the thirteen stories included in the first edition together with five pieces of her journalism, as well as a few fragments from her journal; and a further nine stories selected from the Indiana archive.

In nineteenth-century Istanbul, a Polish prince has been kidnapped. His assassination has been bungled and his captors have taken him to an unused farmhouse. Little do they realize that their revolutionary cell has been penetrated by their enemies, who use the code name La Piuma (the Feather).Yashim is convinced that the prince is alive. But he has no idea where, or who La Piuma is - and has become dangerously distracted by falling in love. As he draws closer to the prince's whereabouts and to the true identity of La Piuma, Yashim finds himself in the most treacherous situation of his career: can he rescue the prince along with his romantic dreams?Jason Goodwin's bestselling 'Yashim' series has been published across the globe and received huge critical acclaim. In The Baklava Club, Goodwin takes Yashim on an adventure like no other, through the stylish, sensual world of Ottoman Istanbul.

Miram Toews's All My Puny Sorrows - Sunday Times Top Choice Summer ReadElf and Yoli are two smart, loving sisters.Elf is a world-renowned pianist, glamorous, wealthy, happily married: she wants to die.Yoli is divorced, broke, sleeping with the wrong men: she desperately wants to keep her older sister alive.When Elf's latest suicide attempt leaves her hospitalised weeks before her highly anticipated world tour, Yoli is forced to confront the impossible question of whether it is better to let a loved one go.Miriam Toews's All My Puny Sorrows, at once tender and unquiet, offers a profound reflection on the limits of love, and the sometimes unimaginable challenges we experience when childhood becomes a new country of adult commitments and responsibilities.'The novel she has written - so exquisitely that you'll want to savour every word - reads as if it has been wrenched from her heart.' Christina Patterson, Sunday Times'[Miriam Toews] has produced a masterly book of such precise dignity. It is, also against all the odds, at times a desperately humorous novel.' Daily Mail 'Toews takes her place alongside Alice Munro, Robertson Davies, Margaret Atwood and Mordicai Richler as the loveliest quintet of Canadian writing.' Los Angeles Times

Agnes Day - sub-editor, suburbanite, failure extraordinaire - is unwell. Terminally middle-class, incurably romantic and chronically confused by life's most basic interactions, Agnes discovers disconcerting gaps in her general understanding of the world, making recovery unlikely. Life and love go on without her, but with a little facade, she can pass herself off as a success. Beneath the fiction, however, the burden of truth becomes harder to bear. 'She is a writer with a poet's eye for convincing detail, and touches on the raw emotions of life in a way that is affecting and true.' Sunday Telegraph'Told with irony and insight and some surreally beautiful imagery. At times it made me laugh out loud.' Sheila Mackay

In the late 1990s and early 2000s, a wave of TV shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television's inventiveness, emotional resonance and ambition. Shows such as The Wire, Breaking Bad, The Sopranos, Mad Men, Deadwood, The Shield tackled issues of life and death, love and sexuality, addiction, race, violence and existential boredom. Television shows became the place to go to see stories of the triumph and betrayals of the American Dream at the beginning of the twenty-first century. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and "e;difficult"e; as the conflicted protagonists that defined the genre. Given the chance to make art in a maligned medium, they fell upon the opportunity with unchecked ambition.Difficult Men features extensive interviews with all the major players, including David Chase and James Gandolfini (The Sopranos), David Simon, Dominic West and Ed Burns (The Wire), Vince Gilligan (Breaking Bad), Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue, Deadwood) and Alan Ball (Six Feet Under), in addition to dozens of other writers, directors, studio executives and actors. Martin takes us behind the scenes of our favourite shows, delivering never-before-heard story after story and revealing how TV has emerged from the shadow of film to become a truly significant and influential part of our culture. Brett Martin is the author of The Supranos: The Book(2007). His work has appeared in The New York Times, The New Yorker, Food and Wine and Vanity Fair. Difficult Men is an insightful history of popular US TV drama which traces the emergence of shows such as The Sopranos, Breaking Bad, Mad Men and The Wire, and explores their engagement with important social issues around love, sexuality, race and violence.

'Toe-clenching, nail-biting, peep-from-behind-your-fingers suspense.' S. J. BoltonJefferson Winter is back in James Carol's second thriller featuring the ex-FBI profiler from the bestselling Broken Dolls. Ex-FBI profiler Jefferson Winter has taken a new case in sunny Louisiana, where the only thing more intense than the heat is a killer on the loose in the small town of Eagle Creek. But in a town where secrets are rife and history has a way of repeating itself, can Winter solve the case before someone else dies? 'A brilliant, conflicted profiler.' Stephen Fry'Jefferson Winter is a welcome new genius, and I can't wait to meet him again.' Neil White

In a bestselling work of profound and lasting importance, the late Albert Hourani told the definitive history of the Arab peoples from the seventh century, when the new religion of Islam began to spread from the Arabian peninsula westwards, to the present day. It is a masterly distillation of a lifetime of scholarship and a unique insight into a perpetually troubled region.This updated edition by Malise Ruthven adds a substantial new chapter which includes recent events such as 9/11, the US invasion of Iraq and its bloody aftermath, the fall of the Mubarak and Ben Ali regimes in Egypt and Tunisia, and the incipient civil war in Syria, bringing Hourani's magisterial History up to date. Ruthven suggests that while Hourani can hardly have been expected to predict in detail the massive upheavals that have shaken the Arab world recently he would not have been entirely surprised, given the persistence of the kin-patronage networks he describes in his book and the challenges now posed to them by a new media-aware generation of dissatisfied youth.In a new biographical preface, Malise Ruthven shows how Hourani's perspectives on Arab history were shaped by his unique background as an English-born Arab Christian with roots in the Levant.

Sylvia Plath was, for both English and American poetry, one of the defining voices of twentieth-century, and one of the most appealing: few other poets have introduced as many new readers to poetry. Though she published just one collection in her lifetime, The Colossus, and a novel, The Bell Jar, it was following her death in 1963 that her work began to garner the wider audience that it deserved. The manuscript that she left behind, Ariel, was published in 1965 under the editorship of her former husband, Ted Hughes, as were two later volumes, Crossing the Water and Winter Trees in 1971, which helped to make Sylvia Plath a household name. Hughes's careful curation of Plath's work extended to a Collected Poems and a Selected Poems in the 1980s, which remain in print today and stand testimony to the 'profound respect' that Frieda Hughes said her father had for her mother's work. It was not until the publication of a 'restored' Ariel in 2004 that readers were able to appraise Plath's own selection and arrangement of her work.This edition of the poems, chosen by the Poet Laureate Carol Ann Duffy, offers a fresh selection of Sylvia Plath's poetry to stand in parallel to the existing editions. Introduced with an inviting preface, the book is essential reading for those new to and already familiar with the work of this most extraordinary poet.

This fifth collection of Tom Stoppard's plays brings together five classic plays by one of the most celebrated dramatists writing in the English language.The collection includes The Real Thing, Night & Day, Hapgood, Indian Ink and Arcadia, about which the reviewer for the Daily Telegraph said 'I have never left a new play more convinced that I'd just witnessed a masterpiece'.

Rosencrantz and Guildenstern Are Dead is a play which, as it were, takes place in the wings of Hamlet, and finds both humour and poignancy in the situation of the ill-fated attendant lords. The National Theatre production in April 1967 made Tom Stoppard's reputation virtually overnight. Its wit, stagecraft and verbal verve remain as exhilarating as they were then and the play has become a contemporary classic.'One of the most original and engaging of post-war plays.' Daily Telegraph

'Obviously something more than a successful play, it is the practical demonstration of a patently conceived theory of dramatic form, and as such of high historical interest.' Times Literary Supplement'Eliot has attempted here something very daring and well worth doing. He has taken the ordinary West End drawing room comedy convention - understatement, upper-class accents and all - and used it as a vehicle for utterly serious ideas.' Observer

This volume, introduced by the author, brings together three novels first published separately. 'The trilogy comprises Carnival (1985), The Infinite Rehearsal (1987) and The Four Banks of the River of Space (1990), novels linked by metaphors borrowed from theatre, traditional carnival itself and literary mythology. The characters make Odyssean voyages through time and space, witnessing and re-enacting the calamitous history of mankind, sometimes assuming sacrificial roles in an attempt to save modern civilisation from self-destruction.' Independent on Sunday 'The Four Banks of the River of Space is a kind of quantum Odyssey... in which the association of ideas is not logical but... a 'magical imponderable dreaming'. The dreamer is Anselm, another of Harris's alter egos, like Everyman Masters in Carnival and Robin Redbreast Glass in The Infinite Rehearsal... Together, they represent one of the most remarkable fictional achievements in the modern canon.' Listener

The life he knew before the bomb no longer existed. That Leroy Kervin was gone.Willy Vlautin's stunning fourth novel opens with Leroy, a young, wounded, Iraq veteran, waking to a rare moment of clarity, his senses flooded with the beauty of remembering who he is but the pain of realising it won't last. When his attempt to end his half-life fails, he is taken to the local hospital where he is looked after by a nurse called Pauline, and visited by Freddie, the night-watchman from his group home for disabled men.As the stories of these three wounded characters circle and cross each other, we come to learn more of their lives. The father who caused her mother to abandon them both, and who Pauline loves and loathes in equal measure, the daughters Freddie yearns to be re-united with and, in a mysterious and frightening adventure story, the girlfriend Leroy dreams of protecting. Evoking a world which is still trying to come to terms with the legacy of a forgotten war, populated by those who struggle to pay for basic health care, Vlautin also captures how it is the small acts of kindness which can make a difference between life and death, between imprisonment and liberty. Haunting and essential, The Free is an unforgettable read.

'Brilliantly plotted . . . a spellbinder . . . it has a style that glows and crackles.' Spectator'Hugely funny, provocative, pathetic and heroic.' TLS'What are we, Papa?' the toy mouse child asked his father. 'I don't know,' the father answered. 'We must wait and see.'So begins the story of a tin father and son who dance under a Christmas tree until they break the ancient clockwork rules and are themselves broken. Thrown away, then rescued from a dustbin and repaired by a tramp, they set out on a dangerous quest for a family and a place of their own - the magnificent doll's house, the plush elephant and the tin seal they had once know in the toy shop.

On 15 April 1989, 96 people were fatally injured on a football terrace at an FA Cup semi-final in Sheffield. The Hillsborough disaster was broadcast live on the BBC; it left millions of people traumatised, and English football in ruins. And the Sun Shines Now is not a book about Hillsborough. It is a book about what arrived in the wake of unquestionably the most controversial tragedy in the post-war era of Britain's history. The Taylor Report. Italia 90. Gazza's tears. All seater stadia. Murdoch. Sky. Nick Hornby. The Premier League. The transformation of a game that once connected club to community to individual into a global business so rapacious the true fans have been forgetten, disenfranchised. In powerful polemical prose, against a backbone of rigorous research and interiew, Adrian Tempany deconstructs the past quarter century of English football and examines its place in the world. How did Hillsborough and the death of 96 Liverpool fans come to change the national game beyond recognition? And is there any hope that clubs can reconnect with a new generation of fans when you consider the startling statistic that the average age of season ticket holder here is 41, compared to Germany's 21. Perhaps the most honest account of the relationship between the football and the state yet written, And the Sun Shines Now is a brutal assessment of the modern game.

At 11.40pm on 14 April 1912, the RMS Titanic, on its maiden voyage from Southampton to New York, struck an iceberg. At 2.20am the following morning, the ship sank. 1,517 people died.In response to the disaster the British Government ordered an immediate inquiry and Lord Mersey was appointed commissioner. The British Wreck Commissioner's Inquiry sat from 2 May to 3 July 1912. It took testimony from 97 witnesses.Owen McCafferty's Titanic retells the survivors' stories, using dialogue taken word-for-word from the hundred-year-old accounts. Full of intrigue, bravery and human frailty, this courtroom drama premiered in April 2012 as the inaugural production of the MAC, Belfast.

"e;Cold Hand in Mine"e; was first published in the UK in 1975 and in the US in 1977. The story "e;Pages from a Young Girl's Journal"e; won the Aickman World Fantasy Award in 1975. It was originally published in "e;The Magazine of Fantasy & Science Fiction"e; in 1973 before appearing in this collection. "e;Cold Hand in Mine"e; stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full, being more ambiguous than standard ghost stories. Throughout the stories the reader is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story ("e;Pages from a Young Girl's Journal"e;) but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing. "e;Of all the authors of uncanny tales, Aickman is the best ever...His tales literally haunt me; his plots and his turns of phrase run through my head at the most unlikely moments"e;. (Russell Kirk).

Thomas Bernhard (1931-1989) has been hailed by Gabriel Josipovici as 'Austria's finest postwar writer' and by George Steiner as 'one of the masters of contemporary European fiction.' Faber Finds is proud to reissue a selection of four of Bernhard's finest novels. Concrete (1982) is a brilliant and haunting tale of procrastination, failure, and despair: the story of Rudolph, a Viennese musicologist, who neglects the work he is meant to be producing in favour of this dark and grotesquely funny account of small woes writ large, of profound horrors detailed and rehearsed to the point of distraction: from a meddling sister and a house that he hates, to an 'illness' he carefully nurses, his own very real writer's block, and an 'escape' to Majorca which brings him no release from himself.'Masterful... A book of mysterious dark beauty.' John Rechy, Los Angeles TimesA masterpiece.' New Yorker

'The Hollow Crown is exhilarating, epic, blood-and-roses history . . . Jones's material is thrilling . . . There is fine scholarly intuition on display here and a mastery of the grand narrative; it is a supremely skilful piece of storytelling.' Sunday TelegraphThe fifteenth century saw the crown of England change hands seven times as the great families of England fought to the death for power, majesty and the right to rule. The Hollow Crown completes Dan Jones' epic history of medieval England, and describes how the Plantagenets tore themselves apart to be finally replaced by the Tudors.Some of the greatest heroes and villains in British history were thrown together in these turbulent times: Henry V, whose victory at Agincourt and prudent rule at home marked the high point of the medieval monarchy; Edward IV, who was handed his crown by the scheming soldier Warwick the Kingmaker, before their alliance collapsed into a fight to the death; and the last Plantagenet, Richard III, who stole the throne and murdered his own nephews, the Princes in the Tower. Finally, the Tudors arrived - but even their rule was only made certain in the 1520s, when Henry VIII ruthlessly hunted down his family's last remaining enemies.In the midst this tumult, chivalry was reborn, the printing press arrived and the Renaissance began to flourish. With vivid descriptions of the battle of Towton, where 28,000 men died in a single morning, and the Battle of Bosworth Field, at which Richard III was hacked down, this is the real story behind Shakespeare's famous history plays.

May, 1937, and London prepares to crown a new king.Bestselling writer Josephine Tey is in town to oversee a BBC radio production of her play, Queen of Scots - but adultery, treachery and pent-up jealousies stalk the corridors of Broadcasting House. At the height of the Coronation celebrations, Detective Chief Inspector Archie Penrose is called in to investigate the murder of one of the BBC's best-known broadcasters. A second victim - his mistress, and the play's leading actress - suggests that the motive lies close to home, but Josephine suspects that the killings are linked to a decade-old scandal.With Archie's hands tied by politics, and his attention taken by another, seemingly unrelated death, it is left to Josephine to get to the truth. As her relationship with Marta Fox reaches a turning point, she is forced to confront at first-hand the deadly consequences of love, deceit and betrayal.Rich in the atmosphere of coronation London and the early days of Broadcasting House, the sixth novel in Nicola Upson's 'Josephine Tey' series sets an audacious, deeply personal crime against the backdrop of one of the most momentous days in British history.

Britain, although not the first Mass Observation title, was the one that made its name. Britain was published as Penguin Special and is reported as selling over 100, 000 in ten days. It was published in January 1939, and seventy years on Faber Finds are reissuing it. The aim of Mass Observation was to create 'an anthropology of ourselves', to provide a study of everyday lives of ordinary people in Britain. In this book, arranged and written by Tom Harrisson and Charles Madge (two of the founders of Mass Observation) the notorious year of 1938 is anatomized. It was the year of Munich. The first half of the book deals with the unfolding crisis, culminating with Neville Chamberlain waving his scrap of paper, the agreement with Hitler, from No. 10 Downing Street. A Mass Observation observer was there. The Press gave wildly misleading impressions of the turn-out. In fact the crowd was under 5000. As the commentary tartly observes, 'No second division football club could survive on a Chamberlain gate.' A bleakly comic moment is recorded, 'P. M. stretches out his arm for silence. Several in crowd appear to take this as a Fascist salute and stretch forth their arms likewise.'Other chapters deal with the dance craze 'The Lambeth Walk', all-in wrestling, the cow's-head cult of Westhoughton (the chapter is aptly entitled A Slight Case of Totemism) and the Two Minutes' Silence on Armistice Day. As the Times said then, ' . . . With these anthropological spies among us one wonders how statesmen and journalists will ever again dare to speak and write on behalf of ''the people''. For here are ''the people''.

The Irish famine that began in 1845 was one of the nineteenth century's greatest disasters. By its end, the island's population of eight million had shrunk by a third through starvation, disease and emigration. This is a brilliant, compassionate retelling of that awful story for a new generation - the first account for the general reader for many years and a triumphant example of narrative non-fiction at its best.The immediate cause of the famine was a bacterial infection of the potato crop on which too many the Irish poor depended. What turned a natural disaster into a human disaster was the determination of senior British officials to use relief policy as an instrument of nation-building in their oldest and most recalcitrant colony. Well-meaning civil servants were eager to modernise Irish agriculture and to improve the Irish moral character, which was utterly lacking in the virtues of the new age of triumphant capitalism. The result was a relief programme more concerned with fostering change than of saving lives.This is history that resonates powerfully with our own times.

This book is about the 'other' Norman Conquest. It is the story of Robert Guiscard, perhaps the most extraordinary European adventurer between Caesar and Napoleon. In one year, 1084, he had both the Eastern and Western Emperors retreating before him and one of the most formidable of medieval Popes in his power. It is also the story of his brother Roger, thanks to whom he conquered Sicily from the Saracens; and of Roger's descendants, notably his son Roger 11, who converted his father's achievement into a cosmopolitan and cultivated kingdom whose surviving monuments still dazzle us today. The Normans in the South is the first of two volumes that recount the dazzling story of the Norman Kingdom of Sicily. The second volume The Kingdom of the Sun is also being reissued in Faber Finds. 'Diligence, narrative skill, and a scholarship fired by enthusiasm' Lord Kinross, Sunday Telegraph'I found the book very enjoyable indeed. It is beautifully written.' Nancy Mitford

London 2011. Catherine Gehrig, conservator at the Swinburne museum, learns of the unexpected death of her lover of thirteen years - but as the mistress of a married man, she has to grieve in private. Her employer at the museum, aware of Catherine's grief, gives her a special project - to piece together both the mechanics and the story of an extraordinary automaton, commissioned in the nineteenth century by Henry Brandling to amuse his dying son. Linked by the mysterious automaton, Catherine and Henry's stories intertwine across time to explore the mysteries of life and death, the miracle and catastrophe of human invention and the body's astonishing chemistry of love and feeling.

How new is atheism?In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean to recover the stories of those who first refused the divinities.Long before the Enlightenment sowed the seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world. But history is written by those who prevail, and the Age of Faith mostly suppressed the lively free-thinking voices of antiquity.Tim Whitmarsh brings to life the fascinating ideas of Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; and Epicurus and his followers. He shows how the early Christians came to define themselves against atheism, and so suppress the philosophy of disbelief.Battling the Gods is the first book on the origins of the secular values at the heart of the modern state. Authoritative and bold, provocative and humane, it reveals how atheism and doubt, far from being modern phenomena, have intrigued the human imagination for thousands of years.

A magisterial work of gripping history, City of Fortune tells the story of the Venetian ascent from lagoon dwellers to the greatest power in the Mediterranean - an epic five hundred year voyage that encompassed crusade and trade, plague, sea battles and colonial adventure. In Venice, the path to empire unfolded in a series of extraordinary contests - the sacking of Constantinople in 1204, the fight to the finish with Genoa and a desperate defence against the Turks. Under the lion banner of St Mark, she created an empire of ports and naval bases which funnelled the goods of the world through its wharfs. In the process the city became the richest place on earth - a brilliant mosaic fashioned from what it bought, traded, borrowed and stole. Based on first hand accounts of trade and warfare, seafaring and piracy and the places where Venetians sailed and died, City of Fortune is narrative history at its finest. Beginning on Ascension Day in the year 1000 and ending with an explosion off the coast of Greece - and the calamitous news that the Portuguese had pioneered a sea route to India - it will fascinate anyone who loves Venice and the Mediterranean world.

One of the most tangible aftershocks of Punk was its urgency to prompt individuals into action. Document your reality: do it yourself. From this, a generation of young men were inspired and, with often zero financial planning or business sense, in a bedroom, garage or shed, labels such as Factory, Rough Trade, Mute, 4AD, Beggars Banquet, Warp, Domino and Creation began, shifting the musical landscape and trading on an ethos and identity no brand consultant would now dare dream of. Musicians were encouraged to do whatever the hell they wanted and damn the consequences. From humble beginnings, some of our most influential artists were allowed to thrive: New Order, The Smiths, Depeche Mode, Orange Juice, Cocteau Twins, Sonic Youth, Happy Mondays, Primal Scream, Aphex Twin, Teenage Fanclub, My Bloody Valentine, Autechre, Broadcast, Vampire Weekend, The White Stripes and Artic Monkeys to name but a handful. This is the story, set to an incredible soundtrack, of the enormous scale of the passions, the size of the egos, and the true extent of the madness of the mavericks who had the vision and bloody-mindedness to make the musical landscape exciting again.

Why 33? Partly because that's the number of rotations performed by a vinyl album in one minute, and partly because it takes a lot of songs to tell a story which spans seven decades and five continents - to capture the colour and variety of this shape-shifting genre. This is not a list book, rather each of the 33 songs offers a way into a subject, an artist, an era or an idea. The book feels vital, in both senses of the word: necessary and alive. It captures some of the energy that is generated when musicians take risks, and even when they fail, those endeavours leave the popular culture a little richer and more challenging. Contrary to the frequently voiced idea that pop and politics are awkward bedfellows, it argues that protest music is pop, in all its blazing, cussed glory.

A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul. In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is. What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control? A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.