Books published by Faber & Faber

This novel follows the lives of two 11-year-olds intent on escaping childhood. As the strength of their friendship is tested repeatedly, they begin to take their first, exhilarating steps towards adulthood.

When prize-winning author Rachel Cusk decides to travel to Italy for a summer with her husband and two young children she has no idea of the trials and wonders that lie in store. Their journey leads them to both the expected - the Piero della Francesca trail and queues at the Vatican - and the surprising - an amorous Scottish ex-pat and a longing for home - all seen through Cusk's sharp and humane perspective. Exploring the desire to travel and to escape, art and its inspirations, beauty and ugliness, and the challenge of balancing domestic life with creativity, The Last Supper is a wonderful travel book about life on the most famous art trail in the world, from one of Britain's most pre-eminent writers.

Cursed Kings tells the story of the destruction of France by the madness of its king and the greed and violence of his family. In the early fifteenth century, France had gone from being the strongest and most populous nation state of medieval Europe to suffering a complete internal collapse and a partial conquest by a foreign power. It had never happened before in the country's history - and it would not happen again until 1940.Into the void left by this domestic catastrophe, strode one of the most remarkable rulers of the age, Henry V of England, the victor of Agincourt, who conquered much of northern France before dying at the age of thirty-six, just two months before he would have become King of France.Following on from Divided Houses (winner of the Wolfson History Prize and shortlisted for the Hessel-Tiltman), Cursed Kings is the magisterial new chapter in 'one of the great historical works of our time' (Allan Massie).

Matthew Arnold praised the Iliad for its 'nobility', as has everyone ever since -- but ancient critics praised it for its enargeia, its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance. 'The Iliad is an oral poem. This translation presents it as an attempt - in the aftermath of the Trojan War - to remember people's names and lives without the use of writing. I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world... compatible with the spirit of oral poetry, which was never stable but always adapting itself to a new audience, as if its language, unlike written language, was still alive and kicking.' - Alice Oswald

In virtually all areas of Dylan's life - his immigrant antecedents, his business dealings, his various addictions and his romantic attachments - Heylin is able to provide a fascinating picture of a man who changed the whole course of popular music in the sixties and, over thirty years later, won three Grammys. Heylin has given full weight to Dylan's own words and those of his closest associates, with over 250 people quoted in the book, helping to provide a portrait of a complex figure. Including 60,000 words of brand new material - dealing with Dylan's four twenty-first century albums; his archival audio-visual projects; his third film; his series of paintings and exhibitions; his autobiography, Chronicles; and his ongoing romantic liaisons and 'missing' marriages - this fully updated story of Dylan provides a monumental overview of the Man and his Music.

Offering portraits of such key figures as the Lumiere brothers, Georges Melies, Charles Pathe and Leon Gaumont, he looks at the early pioneers who transformed a fairground novelty into a global industry. The crisis caused by the First World War led France to surrender her position as the world's dominant film-making power, but French cinema forged a new role for itself as a beacon of cinematic possibility and achievement. Producing such distinctive film-makers as Jean Renoir, Marcel Pagnol, Sachy Guitry and Julien Duvivier, the French cinema's Golden Age boasted an intelligence, maturity and flair that classical Hollywood could admire but struggle to emulate.Suggesting a Gallic attitude that has always considered the cinema to be as much a cause as a business, Drazin looks at the extraordinary resilience of the French film industry during the Second World War when, in spite of the national catastrophe of defeat and occupation, it was still able to produce such classics as Le Corbeau and Les Enfants du Paradis.Finally, he traces its remarkable post-war regeneration. He looks at the seminal impact of the New Wave of film-makers - typified by Truffaut and Godard - but also at the other waves that have followed since. As he brings the story up-to-date - with Jacques Audaird's award-winning A Prophet - he seeks to capture the essence of the French film tradition and why it continues to matter to anyone who cares about the cinema.

We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe, where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point and that although earlier eras had their own obsessions with antiquity - the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism - never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?

The image of Catherine of Aragon has always suffered in comparison to the heir-providing Jane Seymour or the vivacious eroticism of Anne Boleyn. But when Henry VIII married Catherine, she was an auburn-haired beauty in her twenties with a passion she had inherited from her parents, Isabella and Ferdinand, the joint-rulers of Spain who had driven the Moors from their country.This daughter of conquistadors showed the same steel and sense of command when organising the defeat of the Scots at the Battle of Flodden and Henry was to learn, to his cost, that he had not met a tougher opponent on or off the battlefield when he tried to divorce her.Henry VIII introduced four remarkable women into the tumultuous flow of England's history: Catherine of Aragon and her daughter 'Bloody' Queen Mary; and Anne Boleyn and her daughter, the Virgin Queen Elizabeth. 'From this contest, between two mothers and two daughters, was born the religious passion and violence that inflamed England for centuries,' says David Starkey. Reformation, revolution and Tudor history would all have been vastly different without Catherine of Aragon.Giles Tremlett's new biography is the first in more than four decades to be dedicated entirely and uniquely to the tenacious woman whose marriage lasted twice as long as those of Henry's five other wives put together. It draws on fresh material from Spain to trace the dramatic events of her life through Catherine of Aragon's own eyes.'Enthralling biography . . . this lively and richly detailed book . . . describing the queen's fierce battle to retain her crown, Tremlett brilliantly breathes life into the shadowy figure of a stubborn and finally heroic woman.'Daily Telegraph

It was, of course, the Battle of Britain, or rather its conclusion, that prompted one of Winston Churchill's most memorable pieces of oratory that has its epitome in the sentence, 'Never in the field of human conflict was so much owed by so many to so few.' If the Battle of Britain had been lost it is very likely the New Order to which the Axis powers had pledged themselves would have become global with unthinkable consequences for the world afterwards.The importance of the Battle of Britain cannot be exaggerated though inevitably in the succeeding years the accretion of myth has brought about many distortions. This multi-faceted symposium emerged from the Centre of Second World War Studies at Edinburgh University with the aim, in the words of the editors, 'to reassess established themes while opening up new ones.' After a masterly introduction by Brian Bond, the book is divided into six parts: Before the Battle; The Battle; The View from Afar; Experience and Memory; The Making of a British Legend and The Significance. The contributors are: Klaus A. Maier; Malcolm Smith; Horst Boog; Sebastian Cox; Sergei Kudryshov; Richard P. Hallion; Theodore F. Cook; Hans-Ekkehard Bob; Wallace Cunningham; Nigel Rose; Owen Dudley Edwards; Angus Calder; Tony Aldgate; Adrian Gregory; Jeremy Lake and John Schofield; Paul Addison and Jeremy A. Crang and Richard Overy. No survey could be more wide-ranging or fascinating. First published in 2000 to mark the 60th anniversary, it is now being reissued in 2010 to mark the 70th anniversary.'But it is terrific. It's not only an acknowledgement of the heroism of the fighter pilots (and all the ancillary crew), but a serious contribution to the historical record. Seventeen contributors write about the Battle from pretty much every conceivable angle; and Addison and Crang have chosen them well. . . This is not an automatically worshipful book; it poses questions about the morality of war, the existence of heroism, the reliability of memory. But it treats the subject honestly and with justice. And it tells us why we won: because, it would appear, it helps to come from a society that is sceptical of authority rather than in blind, unthinking terror of it.' Nicholas Lezard, Guardian''This book is a first-class piece of work, stimulating, informative and concise.' Brian Holden Reid, Times Higher Education Supplement.'This is a nugget of a book . . . it assembles, most readably, a range of authoritative and international views on the Battle, its history, and its significance.' Air Chief Marshall Sir Michael Graydon, Royal United Services Institute'This is a much told story, but the varied viewpoints of the 20 contributors to Burning Blue - ranging from a fascinating essay by Owen Dudley Edwards on the air war as reflected in children's literaturer to the memories of pilots who fought in it on both sides - give an impressive breadth and depth. And even though it strips away hindsight and refuses to burnish legends, what is left is still one of the most remarkable stories in the whole of British history. The British empire didn't last a thousand years, but the man was right: this truly was its finest hour.' David Robinson, The Scotsman

On 12 May 1883, the German flag was raised on the coast of South-West Africa, modern Namibia - the beginnings of Germany's African Empire. As colonial forces moved in , their ruthless punitive raids became an open war of extermination. Thousands of the indigenous people were killed or driven out into the desert to die. By 1905, the survivors were interned in concentration camps, and systematically starved and worked to death.Years later, the people and ideas that drove the ethnic cleansing of German South West Africa would influence the formation of the Nazi party. The Kaiser's Holocaust uncovers extraordinary links between the two regimes: their ideologies, personnel, even symbols and uniform. The Herero and Nama genocide was deliberately concealed for almost a century. Today, as the graves of the victims are uncovered, its re-emergence challenges the belief that Nazism was an aberration in European history. The Kaiser's Holocaust passionately narrates this harrowing story and explores one of the defining episodes of the twentieth century from a new angle. Moving, powerful and unforgettable, it is a story that needs to be told.

London, 1903. Two women are hanged in Holloway Prison for killing babies. More than thirty years later, their crimes resurface with shocking consequences...When Josephine Tey sets out to write a novel about Amelia Sach and Annie Walters, the notorious Finchley baby farmers, she can have little idea that the research for her book will be needed to help solve a modern-day killing - the sadistic murder of a young seamstress, found dead in the Motley sisters' studio, amid preparations for a star-studded charity gala. The girl's death seems to be the result of a long-standing domestic feud, but Josephine's friend, Inspector Archie Penrose, is unconvinced; and when a second young woman is involved in an horrific accident soon afterwards, the search begins for a vicious killer who will stop at nothing to keep the past where it belongs.Moving between the decadence and glamour of a private women's club, the bleak surroundings of Holloway prison, and the deprivation of London's slums, Two for Sorrow is a dark and unsettling exploration of the way in which the crimes of the past destroy those left behind - long after justice is done.

William Cavendish, courageous, cultured and passionate about women, embodies the popular image of a cavalier. Famously defeated at the Battle of Marston Moor in 1644, he went into a long and miserable continental exile before returning to England in triumph on the restoration of King Charles II to the throne in 1660.Lucy Worsley brings to life a fascinating household of the 17th century, painting a picture of conspiracy, sexual intrigue, clandestine marriage and gossip. From Ben Jonson and Van Dyck to a savage, knife-wielding master-cook, Cavalier is a brilliant illumination of the stately home in England and all its many colourful inhabitants.

How are conductors' silent gestures magicked into sound by a group of more than a hundred brilliant but belligerent musicians? The mute choreography of great conductors has fascinated and frustrated musicians and music-lovers for centuries. Orchestras can be inspired to the heights of musical and expressive possibility by their maestros, or flabbergasted that someone who doesn't even make a sound should be elevated to demigod-like status by the public.This is the first book to go inside the rehearsal rooms of some of the most inspirational orchestral partnerships in the world - how Simon Rattle works at the Berlin Philharmonic, how Mariss Jansons deals with the Concertgebouw Orchestra in Amsterdam, and how Claudio Abbado creates the world's most luxurious pick-up band every year with the Lucerne Festival Orchestra. From London to Budapest, Bamberg to Vienna, great orchestral concerts are recreated as a collection of countless human and musical stories.

Snow begins in the year 1992. Ka, a poet and political exile, returns to Turkey as a journalist, assigned to investigate troubling reports of suicide in the small and mysterious city of Kars on the Turkish border. The snow is falling fast as he arrives, and soon all roads are closed. There's a 'suicide epidemic' amongst young religious women forbidden to wear their headscarves. Islamists are poised to win the local elections and Ka is falling in love with the beautiful and radiant Ipek, now recently divorced. Amid blanketing snowfall and universal suspicion, he finds himself pursued by terrorism in a city wasting away under the shadow of Europe. In the midst of growing religious and political violence, the stage is set for a terrible and desperate act . . . Touching, slyly comic, and humming with cerebral suspense, Snow evokes the spiritual fragility of the non-Western world, its ambivalence about the godless West, and its fury. 'A novel of profound relevance to our present moment' The Times

Since the publication of Self-Help, her first collection of stories, Lorrie Moore has been hailed as one of the greatest and most influential voices in American fiction. Her ferociously funny, soulful stories tell of the gulf between men and women, the loneliness of the broken-hearted and the yearned-for, impossible intimacies we crave. Gathered here for the first time in a beautiful hardback edition is the complete stories along with three new and previously unpublished in book form: Paper Losses, The Juniper Tree, Debarking.

Set in an isolated, run down community in the Peruvian Andes, Vargas Llosa's riveting novel tells the story of a series of mysterious disappearances involving the Shining Path guerrillas and a local couple performing cannibalistic sacrifices with strange similarities to the Dionysian rituals of ancient Greece. Part-detective novel and part-political allegory, it offers a panoramic view of Peruvian society; not only of the current political violence and social upheaval, but also of the country's past, and its connection to Indian culture and to pre-Hispanic mysticism. As in his other novels, Vargas Llosa breathes into this work a magical assemblage of narrators, time frames and subplots. We meet Senderista guerrillas, disenfranchised Indians, jaded army officers, eccentric townspeople and cult worshippers, among many unforgettable characters. The result is a work of broad sweep, powerful narrative drive, and keen insight into one of Latin America's most fascinating and complex countries.

'A comic novel on the grand scale written with tremendous confidence and verve. Mario, 18-year-old law student and radio news-editor, falls scandalously for his Aunt Julia, the 32-year-old divorced wife of a cousin, and the progressively lunatic story of this affair is interwoven with episodes from a series of radio soap-operas written by his friend Pedro Comacho. Vargas Llosa's huge energy and inventiveness is extravagant and fabulously funny.' New Statesman

Lefevre, a French archaeologist, has arrived in Istanbul determined to uncover a lost Byzantine treasure. Yashim is commissioned to find out more about him. But when Lefevre's mutilated body is discovered outside the French embassy, it turns out that there is only one suspect: Yashim himself. Once again, Yashim finds himself in a race against time to find the startling truth behind a shadowy secret society dedicated to the revival of the Byzantine Empire, caught in a deadly game deep beneath the city streets, a place where the stakes are high - and betrayal is death.

When the spring came the people - what was left of them - moved back by the old paths from the sea. But this year strange things were happening, terrifying things that had never happened before. Inexplicable sounds and smells; new, unimaginable creatures half glimpsed through the leaves. What the people didn't, and perhaps never would, know, was that the day of their people was already over...

The gods of poetry and death descend on a house in India to vie for the soul of a wounded monkey. A bargain is struck: the monkey must tell a story, and if he can keep his audience entertained, he shall live. The result is Red Earth and Pouring Rain, Vikram Chandra's astonishing, vibrant novel. Interweaving tales of nineteenth-century India with modern America, it stands in the tradition of The Thousand and One Nights, a work of vivid imagination and a celebration of the power of storytelling itself.'A dazzling first novel written with such originality and intensity as to be not merely drawing on myth but making it.' Sunday Times

An enormously satisfying, exciting and enriching book, Vikram Chandra's novel draws the reader deep into the lives of detective Sartaj Singh and Ganesh Gaitonde, the most wanted gangster in India. Sartaj, the only Sikh inspector in the whole of Mumbai, is used to being identified by his turban, beard and the sharp cut of his trousers. But 'the silky Sikh' is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip off as to the secret hideout of the legendary boss of the G-company, he's determined that he'll be the one to collect the prize.This is a sprawling, epic novel of friendships and betrayals, of terrible violence, of an astonishing modern city and its underworld. Drawing on the best of Victorian fiction, mystery novels, Bollywood movies and Vikram Chandra's years of first hand research on the streets of Mumbai, this novel reads like a potboiling page-turner but resonates with the intelligence and emotional depth of the best of literature.

'I lost my own father at 12 yr. of age and know what it is to be raised on lies and silence...'To the authorities in pursuit of him, outlaw Ned Kelly is a horse thief, bank robber and police-killer. But to his fellow ordinary Australians, Kelly is their own Robin Hood. In a dazzling act of ventriloquism, Peter Carey brings the famous bushranger wildly and passionately to life.

London,1837. Jack Maggs, raised and deported as a criminal, has returned from Australia, in secret and at great risk. What does he want after all these years, and why is he so interested in the comings and goings at a plush townhouse in Great Queen Street? And why is Jack himself an object of such interest to Tobias Oates, celebrated author, amateur hypnotist and fellow burglar - in this case of people's minds, of their histories and inner phantoms? A thrilling story of mesmerism and possession, of dangerous bargains and illicit love against the backdrop of Victorian London.

Written in Roussillon during World War Two, while Samuel Beckett was hiding from the Gestapo, Watt was first published in 1953. Beckett acknowledged that this comic novel unlike any other 'has its place in the series' - those masterpieces running from Murphy to the Trilogy, Waiting for Godot and beyond. It shares their sense of a world in crisis, their profound awareness of the paradoxes of being, and their distrust of the rational universe. Watt tells the tale of Mr Knott's servant and his attempts to get to know his master. Watt's mistake is to derive the essence of his master from the accidentals of his being, and his painstakingly logical attempts to 'know' ultimately consign him to the asylum. Itself a critique of error, Watt has previously appeared in editions that are littered with mistakes, both major and minor. The new Faber edition offers for the first time a corrected text based on a scholarly appraisal of the manuscripts and textual history.

Chosen by Paul Auster out of the four thousand stories submitted to his radio programme on National Public Radio, these 180 stories provide a wonderful portrait of America in the twentieth century. The requirement for selection was that each of the stories should be true, and each of the writers should not have been previously published. The collection that has emerged provides a richly varied and authentic voice for the American people, whose lives, loves, griefs, regrets, joys and sense of humour are vividly and honestly recounted throughout, and adeptly organised by Auster into themed sections. The section composed of war stories stretches as far back as the Civil War, still the defining moment in American history; while the sequence of 'Meditations' conclude the volume with a true and abiding sense of transcendence. The resultant anthology is both an enduring hymn to the strange everyday of contemporary American life and a masterclass in the art of storytelling.

In a fascinating work of history, Jonathan Sumption brings alive the traditions of pilgrimage prevalent in Europe from the beginning of Christianity to the end of the fifteenth century. Vividly describing such major destinations as Jerusalem, Rome, Santiago de Compostela and Canterbury, he examines both major figures - popes, kings, queens, scholars, villains - and the common people of their day. With great sympathy he evokes their achievements and failures, and addresses the question of what motivated such extraordinary quests.

Children's books - from Narnia to The Hobbit - are celebrated in this enlightened examination of the joys of childhood reading.Fairy tales and Where the Wild Things Are, The Lord of the Rings and the Narnia books, Little House on the Prairie and The Earthsea Trilogy. What would you find if you went back and re-read your favourite books from childhood? Francis Spufford discovers both delight and sadness, in this widely celebrated memoir of a boy who retreats into books, faced with a tragedy in his family.'A beautifully composed and wholly original memoir, sounding the classics of children's literature.' David Sexton, Evening Standard'Exuberant and serious, funny and sophisticated, this memoir of reading and childhood is a delight.' Andrea Ashworth

In a wonderfully evocative collection of her travel writing and reportage from over five decades, Jan Morris - a constant traveller - has produced a unique portrait of the twentieth century. Ranging from New York to Venice, Sydney to Berlin, and the Middle East to South Africa, Jan Morris was a witness to such seminal moments as the Eichmann trial, the first ascent of Everest, the fall of the Berlin Wall and the handover of Hong Kong. Offering a tremendously perceptive and highly personal view of the world, she is as much concerned with conveying the 'feel' of these moments as the events themselves. And, as ever, she displays her unique and inimitable literary style, at once funny, wise and sad. Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Venice, Coronation Everest, Hong Kong, Spain, Manhattan '45, A Writer's World and the Pax Britannica Trilogy. Hav, her novel, was shortlisted for the Booker Prize and the Arthur C. Clarke Award. 'A glorious compendium of adventure and wisdom' Pico Iyer

Farewell the Trumpets: An Imperial Retreat traces the momentous decline and fall of the greatest of empires - from Queen Victoria's Diamond Jubilee to the death of Winston Churchill in 1965. With characteristic balance, this masterpiece of narrative history describes the long retreat and final dissolution of the British Empire. The Pax Britannica Trilogy includes Heaven's Command: An Imperial Progress and Pax Britannica: The Climax of an Empire. Together these three works of history trace the dramatic rise and fall of the British Empire, from the accession of Queen Victoria in 1837 to the death of Winston Churchill in 1965. Jan Morris is also world-renowned for her collection of travel writing and reportage, spanning over five decades and including such titles as Venice, Coronation Everest, Hong Kong, Spain, A Writer's World and most recently, Contact!'The British Empire is fortunate in having found in Morris a chronicler and memorialist who can do it justice. . . Morris writes with inspired gusto, firmly rooted in erudition, which carries the book into the realms of literature.' Sunday Telegraph'One of our finest writers on Empire - alive to its glory, yet with a beady eye for the corruptions and failures which were at its heart, along with the dreams.' Observer

In May 1939 Britten and Pears disembarked at Montreal at the start of their American visit, which was to be a period of intense musical activity and new personal relationships. At the same time, the relationship between Britten and Pears deepened into a partnership that was to endure for almost forty years.Their absence from England during the first years of the war led to sharp public comment and controversy, much of it documented here. On their return from America in 1942, hostility to their pacifist convictions and to their homosexuality resurfaced. Prejudice and subterfuge even affected the premiere of Peter Grimes in 1945, although it could not prevent the opera from being an unprecedented success.The letters in this second volume from the years 1939 to 1945 are among the most fascinating of the correspondence, and - supplemented by the editors' detailed commentary and by exhaustive contemporary documentation - offer a unique insight into American history, politics and culture during the Second World War.