Books published by Faber & Faber

'Moving, compelling, surprising, funny, explosive, and deeply human - an unforgettable novel.' - Lou Berney, author of November RoadIn 1991 Shawn, a young African-American teen, his sister Ava, and cousin Ray, set out across LA to a screening of New Jack City.

When the four Essinger children gather in Austin for Christmas, they all bring their news. But their parents have plans, too, and invite Dana to stay, hoping to bring the couple back together.

We've got no money but we're still in Waitrose twice a day. Because going to Tesco just makes life not even worth living. Viv has lost a shoe. They're her work shoes, her weekend shoes, her only pair of shoes, and she doesn't know what to do.

Centenary edition of 'modernism's lost masterpiece'.

Anything but analogue, Magic Mobile is the latest offering of comic genius from Michael Frayn, the author of Matchbox Theatre and Pocket Playhouse. 'Michael Frayn is the most philosophical comic writer - and the most comic philosophical writer - of our time.' Daily Mail

Sudden Traveller is Sarah Hall's third story collection. From Turkish forest and coastline to the gorges of the Pacific Northwest and the rain-drenched villages of Cumbria, Hall's characters walk, drive, dream, and fly, trying to reconcile themselves with their journeys through life, death, and love.

This absorbing, ironic, bitter-sweet collection of nine stories marked Lorrie Moore's talented debut. Sharp, cruel and funny, the stories are presented as a highly idiosyncratic guide to female existence: 'How to be an Other Woman', 'How to Talk to Your Mother (Notes)', 'How to Become a Writer', 'The Kid's Guide to Divorce'.

. . and Oisin, who followed his love to her city beneath the waves . . .Featuring beautiful colour illustrations by Irish Children's Laureate and twice Kate Greenaway winner P. Lynch, and a previously unpublished poem by Seamus Heaney, this is a stunning collection to cherish forever.

Konstantin Stanislavsky's reputation is founded on his theory of acting and its application in practice. This volume contains his posthumous work The System and Methods of Creative Art, together with an introductory essay by translator David Magarshack, giving a careful exposition and a critical analysis of his 'system'.

From time to time workers in bogs throughout Europe accidentally expose the sunken and preserved bodies of people who died 2000 or more years ago. This book seeks to cast light on these Iron Age people, their lives, their religion, and the rituals they performed in unfrequented wood and groves.

Translated from the Russian by Frank McGuinness, this play is part of the FABER STAGESCRIPTS series.

Moscow Stations, Venedikt Yerofeev's autobiographical novel, is in many ways the successor to Gogol's Dead Souls. The two works are comic historical bookends, with Gogol's novel portraying the sloth and corruption of feudal Russia and Yerofeev's novel portraying the sloth and corruption of feudal Communism. The truth is that while the streets of Moscow may be clogged with Volvos and Mercedes sedans these days - in keeping with the new capitalism - the anguish and dissipation of the late, coruscating empire are still the real fact of life for most people. Moscow Stations remains a lesson in the current events of the Russian soul.The novel is a mixture of high, drunken comedy - a portrait of a soul filled with wisdom and pickled in Hunter's vodka who spends his days traipsing around Moscow but has never once seen the Kremlin. With this cheerful admission we are off on a hallucinatory ride through the increasingly desperate mind of Venedikt Yerofeev. He once remarked that Moscow Stations was 'ninety pages of funny stuff and ten pages of sad stuff' but it is mostly about a clear-eyed man who can still say, no matter how much he has drunk: 'I, who have consumed so much that I've lost track of how much, and in what order - I'm the soberest man in the world.'

One of European theatre's major plays, Schiller's masterpiece hinges on a brilliantly imagined meeting between Mary, Queen of Scots - focus of simmering Catholic dissent and her cousin Elizabeth, Queen of England, who has imprisoned her. Isolated by their duplicitous male courtiers, the women collide headlong, each wrestling with the rank, ambition and destiny their births have bestowed, against a thrilling background of intrigue, plot and counter-plot.David Harrower's version of Mary Stuart premiered at the Citizen's Theatre, Glasgow, in October 2006.

'She turns her head and smiles. Something is wrong with her face. The bones have been recarved. Her lips are thin and her nose is a dark blade. Teeth small and yellow. The lashes of her hazel eyes have thickened and her brows are drawn together, an expression he has never seen, a look that is almost craven.'Mrs Fox is the story of a husband who is shocked out of his complacency when his wife undergoes a remarkable transformation. "e;The poetic use of language, the dexterity and originality of the prose made Sarah Hall's Mrs Fox utterly unique,"e; Mariella Frostrup

Only a year ago, the landowner Nikolai Ivanov was full of energy and optimism, in love with his wife and working hard. Now, for no reason he can understand, Ivanov is overcome with inertia and self-disgust. His wife is dying and he feels nothing. He is drowning in debt and despair, and he does nothing. Is it him? Is it Russia? And is the possibility of happiness with the young woman who loves him just a cruel illusion? Ivanov was the 27-year-old Chekhov's shot at despatching the 'superfluous man' of Russian literature, and in surrounding him with a brilliantly drawn set of provincial types he created some of the best comedy he was ever to write.

The King is missing, presumed dead. His warrior son is braced for inheritance but is betrayed by his heart. Phaedra, the tormented Queen, has a terrifying secret that will shake Athens to its core.Based on Euripides' Hippolytus, Racine's Phaedra reveals the devastating potential of love and the brutality of human nature.Phaedra, in this new version by Frank McGuinness, premiered at the Donmar Warehouse, London, in April 2006.

Nicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald (The Last King of Scotland), Christopher Nolan (The Dark Knight), James Marsh (Man on Wire), and Guillermo Del Toro (Pan's Labyrinth), all acknowledge their debt to the work of Nicolas Roeg.Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don't Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball.Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.

Crow was Ted Hughes's fourth book of poems for adults and a pivotal moment in his writing career. In it, he found both a structure and a persona that gave his vision a new power and coherence. A deep engagement with history, mythology and the natural world combine to forge a work of impressive and unsettling force. 'English poetry has found a new hero and nobody will be able to read or write verse now without the black shape of Crow falling across the page.' Peter Porter

Provence, where Lawrence Durrell lived for thirty years, is the motif of this final work, published just before his death. It is a highly personal and unusual book, part travelogue, part writer's notebook, part autobiography. It preserves memories from his intimate experience of the Midi, and scattered through the evocative text are nineteen poems inspired by the genius of the place.'A richly characteristic bouillabaisse by our last great garlicky master of the vanishing Mediterranean, our old Prospero of the south; poet, travel writer, novelist and fumiste . . .' Richard Holmes, The Times

A GUARDIAN BOOK OF THE YEARAfter the publication of Outline, Transit and Kudos - in which Rachel Cusk redrew the boundaries of fiction - this writer of uncommon brilliance returns with a series of essays that offers new insights on the themes at the heart of her life's work.

In the summer of 1915, the violent death of a young girl brings grief and notoriety to Charleston Farmhouse on the Sussex Downs. Years later, Josephine Tey returns to the same house - now much changed - and remembers the two women with whom she once lodged as a young teacher during the Great War.

From P.D. James, one of the masters of British crime fiction comes the tenth novel to feature commander Adam Dalgliesh. A Certain Justice is a chilling murder mystery packed with forensic detail, set in the treacherous legal world of London. Venetia Aldridge QC is a distinguished barrister. When she agrees to defend Garry Ashe, accused of the brutal murder of his aunt, it is one more opportunity to triumph in her distinguished career as a criminal lawyer. But just four weeks later, Miss Aldridge is found dead at her desk. Commander Adam Dalgliesh, called in to investigate, finds motives for murder among the clients Venetia has defended, her professional colleagues, her family - even her lover. As Dalgliesh narrows the field of suspects, a second brutal murder draws them into greater complexities of intrigue and evil. P.D. James, the bestselling author of Death Comes to Pemberley, Children of Men and Death In Holy Orders, once again explores the mysterious and intense emotions responsible for the unique crime of murder, with authority and sensitivity. A Certain Justice is set in the legal world of London and possesses all of the qualities which distinguish P.D. James as a novelist.

Daddy, what is going on? Last night was just your hair. It also seems this dreadful curse has changed the clothes you wear. Dad usually looks fairly sensible, so it's a bit surprising when he starts appearing with outlandish new hairstyles! Then things get weirder when he turns up in odd and eccentric clothes!

As the story begins, Belacqua - a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba - 'wrestles with his lusts and learning across vocabularies and continents, before a final "relapse into Dublin"' (New Yorker).