Books published by Faber & Faber

Andre and Madeleine have been in love for over fifty years. And why does Andre feel like he isn't there at all?Christopher Hampton's translation of Florian Zeller's The Height of the Storm was first performed at Richmond Theatre, London, and opened in the West End at Wyndham's Theatre in October 2018.

Soon to be adapted for the screen as a Netflix OriginalEvery year on Leila's birthday Shalini kneels by the wall with a little yellow spade and scoops dry earth to make a pit for two candles.

First published in 1984, this book of prose-linked animal poems won both the Guardian Children's Fiction Award and the Signal Poetry Award. This new, illustated edition remains 'a very beautiful book: God and his son go to visit mankind and ask a few simple questions . . . the poems are pure enchantment' (The School Librarian).

Set against an eerie landscape, awash with secrets, The Vogue is a grimly poetic dance through the intertwined stories of a deeply religious community, an abandoned military base, and a long-shuttered children's Care Home.

Approaching his sixtieth birthday, the poet explores where he finds himself, geographically and in life, treating with wit and compassion such universal themes as ageing and memory, place, and the difficulty for the individual to exist at all in an ever bigger and more bestial world.

Between 2005 and 2009, in a remote religious Mennonite colony, over a hundred girls and women were knocked unconscious and raped, often repeatedly, by what many thought were ghosts or demons, as a punishment for their sins.

Sylvia Plath (1932-1963) was one of the writers that defined the course of twentieth-century poetry. Alongside a selection of photographs and Plath's own drawings, they masterfully contextualise what the pages disclose. This later correspondence witnesses Plath and Hughes becoming major, influential contemporary writers, as it happened.

In the City of Love's Sleep reveals love in all its inscrutable complexity: the raw nature of feeling and its uncontrollable, inconsistent, unsettling truths.

The past won't stay buried forever.November, 1957: Six teenage girls walk in the churning Derbyshire mists, the first chills of winter in the air.

Driven off the desert road and left for dead, Claire DeWitt knows that it is someone from her past trying to kill her, she just doesn't know who.

The bard looks up at the three figures who now surround him. It is here that the bard is ordered to retell the tale that has got him in so much trouble, and set a contract on his life . and so to the next instalment in the astonishing tale of Podkin One-Ear . But as they flee into the forest depths, it seems they have been betrayed .

But for those whose call deserts home, the 'hideous blanks' described by explorers are rich in resources and significance. Travelling to five continents over three years, visiting deserts both iconic and little-known, William Atkins discovers a realm that is as much internal as physical.

Courageous dogs, cats, birds, horses, and even a bear have shown courage and devotion, and this book tells you their extraordinary stories. Includes the story of Jet the Alsatian who became a hero of the Blitz, pulling survivors from burning rubble, night after night.

When Jordan Bishop set himself on fire at Haver High school as a result of internet bullying, it triggered a nationwide crackdown. Approached by two mysterious hackers, Eli is recruited into a group that wants justice for Jordan the way Jordan would've wanted it. Revenge on Jordan's bullies could be classed as bullying itself...

When night falls my bed is an air balloon. I sail through the slipsiverse, close by the moon. I float above treetops where fluttertufts are sleepingAnd flowering hills where the whifflepigs go creeping;Ponds strung with starlight that glitter like glass,A floog with her velvet nose bent to the grass.

How many words are there now for the different kinds of pain, the different kinds of love?Matthew Lopez's The Inheritance premieres in two parts at the Young Vic Theatre, London, in March 2018.

Over the course of the weekend, several generations of domestic tension are brought to boiling point . Recalling some of America's most celebrated novelists - this is John Updike's Rabbit for a new generation - Benjamin Markovits' writing reminds us of the heights that social realism can reach.

Andrew Motion's prose memoir In the Blood (2006) was widely acclaimed, praised as an act of magical retrieval and a hymn to familial love. Now, twelve years later and three years after moving to live and work in the United States, Motion looks back once more to recreate a stunning biographical sequel - but this time in verse.

He and his wife move to South Africa to live in a house he has developed an obsession with-a house built by a South African architect inspired by Le Corbusier.

Whether playing to 10,000 fans in Ibiza or in a local pub function room, this is a cautionary tale for the rave generation whose days of pills, thrills, and bellyaches are behind them.

In the language of fan fiction, a 'Mary Sue' is an idealised and implausibly flawless character: a female archetype that can infuriate audiences for its perceived narcissism.Such is the setting for this brilliant and important debut by Sophie Collins. In a series of verse and prose collages, Who Is Mary Sue? exposes the presumptive politics behind writing and readership: the idea that men invent while women reflect; that a man writes of the world outside while a woman will turn to the interior.Part poetry and part reportage, at once playful and sincere, these fictive-factive miniatures deploy original writing and extant quotation in a mode of pure invention. In so doing, they lift up and lay down a revealing sequence of masks and mirrors that disturb the reflection of authority.A work of captivation and correction, this is a book that will resonate with anyone concerned with identity, shame, gender, trauma, composition and culture: everyone, in other words, who wishes to live openly and think fearlessly in the modern world. Who Is Mary Sue? is a work for our times and a question for our age: it is a handbook for all those willing to reimagine prescriptive notions of identity and selfhood.

I'm as mad as hell, and I'm not going to take this anymore.Howard Beale, news anchorman, isn't pulling in the viewers. In his final broadcast he unravels live on screen. But when the ratings soar, the network seize on their newfound populist prophet, and Howard becomes the biggest thing on TV.Adapted for the stage by Lee Hall from the Paddy Chayefsky film, Network premiered at the National Theatre, London, in November 2017.

After months pass without a culprit in her daughter's murder case, Mildred Hayes pays for three signs challenging the authority of William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon, a mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement threatens to engulf the town.Three Billboards Outside Ebbing, Missouri is a darkly comedic drama from Martin McDonagh.The film won Best Motion Picture - Drama and Best Screenplay at the Golden Globes 2018, and Best Film and Best Original Screenplay at 2018 BAFTAs.

'Exquisite' (New Yorker), 'breathtaking' (Los Angeles Times), 'baroque and moon-lit' (Boston Globe) - House of Lords and Commons enthralled readers in the Americas when it recently appeared, winning the National Book Critics Circle Award in Poetry and being widely applauded in 'books of the year'. No wonder this first British publication is a significant and much anticipated event. Ishion Hutchinson's book is a profound engagement with culture and landscape, seascape and language, inheritance and race. It speaks - as its title implies - to a pursuit of justice and rebalance of a world in which lords and commoners must live side by side, and where the distance between those who 'have' and those who 'have not' is a more breaching and surprising journey than we perhaps once thought. The poems convey the complex allure of Hutchinson's native Jamaican landscape, and the violent forces that shaped its history, with remarkable lyric precision. But they speak far beyond Caribbean experience, thanks to the author's uncanny ability to reach the universal within the local. House of Lords and Commons is a skilfully crafted and tender expression of human experience in a world of prejudice and danger that is also a world of intense colour, remarkable music, indefatigable love.'Ishion Hutchinson's darkly tinged yet exuberant new poems are the strongest to come out of the Caribbean in a generation.' William Logan, New York Times Book Review

Kismet [n.] /'kismet/ Destiny; Origin: 19th century: from Arabic, qisma 'division, portion, lot', qasama 'to divide'.Anna [n.] /'aene/ Journalist and Community Shed entrepreneur, rent-a-sheep developer; Having a glass of wine. Whether Kismet means destiny or division, Anna is about to test it to its very limits.