Books published by Faber & Faber

Think 'Woodstock' and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs and rock 'n' roll. But Woodstock itself was over 60 miles from the site to which the fabled half a million flocked. So why the misnomer? Quite simply, Woodstock was already a key location in the Sixties rock landscape, the tiny Catskills town where Bob Dylan had holed up after his 1966 motorcycle accident.In Small Town Talk, Barney Hoskyns recreates Woodstock's community of brilliant dysfunctional musicians, opportunistic hippie capitalists and scheming dealers drawn to the area by Dylan and his sidekicks The Band. Central to the book's narrative is the broodingly powerful presence of Albert Grossman, manager of Dylan, The Band, Janis Joplin and Todd Rundgren - and Big Daddy of a personal fiefdom in Bearsville that encompassed studios, restaurants and his own record label. Intertwined in the story are the Woodstock experiences of artists as diverse as Van Morrison, Jimi Hendrix, Paul Butterfield, Tim Hardin, Karen Dalton and Bobby Charles.Drawing on first-hand interviews with the remaining key players in the scene, and on the period when he lived there himself in the 1990s, Hoskyns has produced an East Coast companion to his bestselling L.A. Canyon classic Hotel California - a richly absorbing study of a vital music scene in a revolutionary time and place.

'Here is a vivacious account of how in the 1950s, under Eden and Lloyd at the Foreign Office, some 5,000 young men doing national service were quietly siphoned off from their units, secluded in Cornwall and Fifeshire, or, more boldly, next door to the Guards depot at Coulsdon in Surrey, and put through crash courses in Russian till they could speak it fluently ...' M. R. D. Foot, SpectatorLambasted by the Soviets as a 'spy school', the Joint Services School for Linguists (JSSL) was a major Cold War initiative, which pushed 5000 young National Servicemen through intensive training as Russian translators and interpreters, primarily to meet the needs of Britain's signals intelligence operations. Its pupils included a remarkable cross-section of talented young men who went on to a diversity of glittering careers: professors of Russian, Chinese, ancient philosophy, economics; the historian Sir Martin Gilbert; authors such as Alan Bennett, Dennis Potter and Michael Frayn; screenwriter Jack Rosenthal; stage director Sir Peter Hall; and churchmen ranging from a bishop to a displaced Carmelite friar. Geoffrey Elliot and Harold Shukman, both of whom emerged from JSSL as interpreters, have drawn on many personal recollections and interviews with fellow students, as well as once highly classified documents in the Public Record Office, in order to reveal this fascinating story for the first time.'A highly entertaining read ... No one interested in late 20th century theatre or literature can afford to ignore this book.' Spectator'Elliott and Shukman write with style and wit ... They record something more than a byway in the history of the cold war, a true contribution to British history.' Michael Bourdeaux, Times Higher Education Supplement'An engaging, quirky account of this strange offshoot of the Cold War ... a kind of Virgin Soldiers for clever clogs.' Michael Leapman, Independent

Correlli Barnett described his Audit or War as an 'operational study' to 'uncover the causes of Britain's protracted decline as an industrial country since the Second World War.' First published in 1986, the book swiftly became one of the most controversial and influential historical works of its time.'[The Audit of War] argued that British industry during the Second World War was scandalously inefficient, a situation Barnett blamed on an establishment more concerned with welfare than with industry, technology or the capacity of the nation to fight a war... Alan Clark records approvingly that Mrs Thatcher herself read it...' David Edgerton, London Review of Books'A stimulating polemic.' Times Literary Supplement'A formidable book, essential reading.' Asa Briggs, Financial Times

A. E. Housman, romantic poet and classical scholar, is best-known as the author of A Shropshire Lad and the meticulous editor of Manilius, the Latin poet of astronomy.In this first full biography, Richard Perceval Graves convincingly reconciles the two apparently conflicting sides of Housman's personality, and reassesses the reputation of a man who was something of a mystery even to his closest friends.'This is bound to become the standard life.' John Carey, Sunday Times'Dispassionate and well-researched.' Philip Larkin, Guardian

'I have tried to write my life as if I were confessing to a priest, a philosopher, and a wise old woman. I have tried to write as if I were going to be executed when it was finished. I have tried to write it as if I were both God and Devil.' One is tempted to say only John Cowper Powys could have written that, and, beyond doubt, only John Cowper Powys could have written the idiosyncratic and spellbinding work we have here. Yes, he was influenced by Yeats and Rousseau, especially the latter's Confessions, but there is no other work quite like this. It seems almost too pedestrian to say it covers the first sixty years of his life (he lived for another thirty years) and to say anything about them, as J. B. Priestley memorably put it, 'would be like turning on a tap before introducing people to Niagara Falls.' J. B. Priestley also said 'It is a book which can be read, with pleasure and profit, over and over again. It is in fact one of the greatest autobiographies in the English language. Even if Powys had never written any novels, this one book alone would have proved him to be a writer of genius.'

Deeply unhappy at the recent divorce of her parents, Mary is sent away to live by the sea with her distant grandfather and the detestable Aunt Alice. Feeling abandoned, without even the company of her beloved pet cat Noakes, the summer looks set to become one long stretch of unendurable loneliness. But suddenly she is dragged, half unwittingly, into a situation that will force her to come to the aid of others more vulnerable than herself. So begins her runaway summer, as she sets about helping Simon, the son of a local policeman, and a young illegal immigrant boy arrived from Kenya, frightened and all alone.The Runaway Summer was first published in 1969 to typically universal acclaim. It is, in the words of the Times Educational Supplement, an 'unputdownable gem of a book. The tale is beautifully constructed in diamond-hard language.'

Erik Tawaststjerna embarked on his monumental and acclaimed study of Jean Sibelius's life and music in 1960 and it occupied him for over a quarter of a century. His study differs from other work on the composer in one important respect: he had unrestricted access to the composer's papers, diaries and letters as well as the advantage of numerous conversations with the composer's widow and other members of the family. Thus his researches can justifiably claim to have thrown entirely fresh light on the great Finnish composer. Far from the remote personality of the Sibelius legend, Sibelius emerges as a highly colourful figure. This second volume covers the crucial period from 1904 and the beginning of the Third Symphony through to the outbreak of the First World War ten years later. During this period Sibelius began keeping a diary which, together with his letters to his wife, Aino, and to his friend, Axel Carpelan, helped the author give us a day-by-day, intimate account of the turbulent years that saw the gestation and completion of many of his finest works, culminating in the Fourth Symphony. Translated by Robert Layton, himself a Sibelius specialist, this is a compelling and insightful account of the music of one of the twentieth century's greatest composers.

Norman Del Mar (1919-1994) was universally recognised as a leading authority on the music of Richard Strauss, and his masterly three-volume study of his life and works remains a classic.Volume I deals with the years from the composer's birth (1864) to Der Rosenkavalier (1912), discussing the early orchestral and chamber music, the tone poems and the operas Guntram, Feuersnot, Salome and Elektra.'Deploying a well-nigh encyclopaedic knowledge, Mr Del Mar acquits himself brilliantly of his task of disentangling and reassembling the numerous strands that make up the backcloth of poetry and philosophy which Strauss, while not always understanding every intricacy, yet needed as a constant reference map for his composing. The three volumes of this magnificent book should be studied by all lovers of the late-romantic music, amateurs and professionals alike...a monumental achievement.' Times Literary Supplement'A brilliant and copiously analytical study ... a constant fascination.' Guardian

R. F. Christian's editions of Tolstoy's Diaries and Letters, both in two volumes, are definitive. Volume 1 of the Diaries covers the years 1847-1894, and Volume 2 the years 1895-1910. Passages have been chosen to reflect Tolstoy's preoccupations as a writer - his views on his own work and that of others - and his development as a person and as a thinker. The passages also show his attitude to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions.R. F. Christian has grouped the diary entries chronologically, introducing each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is something much more than source material for Tolstoy's life and thought, though it could hardly be richer in that respect, it is a unique, direct and unhindered portrait of a great man and a very great writer in the variegation of his everyday existence.'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess'Professor Christian's work, a fitting companion to his two-volume edition of the Letters, is an important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday Times'What Professor R. F. Christian has done is to provide us with a huge two-volume digest, punctiliously edited and translated . . . It is a model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, The Spectator 'R. F. Christian's engagement for some fifteen years with (Tolstoy's) letters and diaries has been a notable service to the English-speaking public.' Henry Gifford, Times Literary Supplement

In Humphrey Carpenter's own words, 'This is the story of the longest-ever literary party, which went on in Montparnasse, on the Left Bank, throughout the 1920s.''This book', to continue to quote Carpenter himself, 'is chiefly a collage of Left-Bank expatriate life as it was experienced by the Hemingway generation - "e;The Lost Generation"e;, as Gertrude Stein named it in a famous remark to Hemingway.'There are brief portraits of Gertrude Stein, Natalie Clifford Barney and Sylvia Beach, who moved to Paris before the First World War and provided vital introductions for the exiles of the 1920s. The main narrative, however, concerns the years 1921 to 1928 because these saw the arrival and departure of Hemingway and most of his Paris associates.'He is a compelling guide, catching the kind of idiosyncratic detail or incident that holds the readers' attention and maintains a cracking pace. Anyone wanting an introduction to the constellation of talent that made the Left Bank in Paris during the Twenties a second Greenwich Village would find this a useful and inspiring book.' Times Educational Supplement

Zelda Fitzgerald, along with her husband F. Scott Fitzgerald, is remembered above all else as a personification of the style and glamour of the roaring twenties - an age of carefree affluence such as the world has not seen since. But along with the wealth and parties came a troubled mind, at a time when a woman exploiting her freedom of expression was likely to attract accusations of insanity. After 1934 Zelda spent most of her life in a mental institution; outliving her husband by few years, she died in a fire as she was awaiting electroconvulsive therapy in a sanatorium. Zelda's story has often been told by detractors, who would cast her as a parasite in the marriage - most famously, Ernest Hemingway accused her of taking pleasure in blunting her husband's genius; when she wrote her autobiographical novel, Fitzgerald himself complained she had used his material. But was this fair, when Fitzgerald's novels were based on their life together? Sally Cline's biography, first published in 2003, makes use of letters, journals, and doctor's records to detail the development of their marriage, and to show the collusion between husband and doctors in a misdirected attempt to 'cure' Zelda's illness. Their prescription - no dancing, no painting, and above all, no writing - left her creative urges with no outlet, and was bound to make matters worse for a woman who thrived on the expression of allure and wealth.

Written between the late 1930s and the late 1950s, Epoch and Artist represents those essays that David Jones wished to see preserved in his lifetime.Beginning with his most personal reflections upon Welsh culture, the selection turns next to Jones's thoughts on the position of art and the artist in the twentieth-century, concluding with writings on the nature of epoch and European culture and history.

'I am an outside child. That is what Plato Jones calls me.'Jane Tucker is thirteen years old when she discovers she has a half-brother and sister, a revelation which promises to bring both excitement and succour to her ordinary life.But obstacles lie in her path when, for unknown reasons, she is prevented from meeting them. Aided by her friend Plato, Jane tracks down her brother and sister to their home in the East End of London. There she finds still more surprises lie in store for her.Can Jane at last be part of a 'proper' family, or must she always remain the outside child?This is the story of a girl and her family and the secrets they keep from one another. Both funny and poignant, The Outside Child is a beautifully drawn study of adolescence from one of Britain's most skilled writers for children.

The description 'definitive' is too easily used, but Donald Rayfield's biography of Chekhov merits it unhesitatingly. To quote no less an authority than Michael Frayn:'With question the definitive biography of Chekhov, and likely to remain so for a very long time to come. Donald Rayfield starts with the huge advantage of much new material that was prudishly suppressed under the Soviet regime, or tactfully ignored by scholars. But his mastery of all the evidence, both old and new - a massive archive - is magisterial, his background knowledge of the period is huge; his Russian is sensitive to every colloquial nuance of the day, and his tone is sure. He captures a likeness of the notoriously elusive Chekhov which at last begins to seem recognisably human - and even more extraordinary.'Chekhov's life was short, he was only forty-four when he died, and dogged with ill-health but his plays and short stories assure him of his place in the literary pantheon. Here is a biography that does him full justice, in short, unapologetically to repeat that word 'definitive'.'I don't remember any monograph by a Western scholar on a Russian author having such success. . . Nikita Mikhalkov said that before this book came out we didn't know Chekhov. . . The author doesn't invent, add or embellish anything . . . Rayfield is motivated by the Westerner's urge not ot hold information back, however grim it may be.' Anatoli Smelianski, Director of Moscow Arts Theatre School 'It is hard to imagine another book about Chekhov after this one by Donald Rayfield.' Arthur Miller, Sunday Times 'Donald Rayfield's exemplary biography draws on a daunting array of material inacessible or ignored by his predecessors.' Nikolai Tolstoy, The Literary Review'Donald Rayfield, Chekhov's best and definitive biographer.' William Boyd, Guardian

'[The Brideshead Generation] has both style and substance, and is above all an enjoyable companion. It has a wildly amusing cast, here controlled by a skilful director.' Evening Standard'Jovial and entertaining, full of the sort of stories that your friends will tell you if you don't read it before them.' Independent'Carpenter has read widely and has collected an enormous fund of entertaining stories and facts.' Sunday Telegraph'Hauntingly sad and wonderfully funny and by far the best thing Humphrey Carpenter has done.' Fiona MacCarthy, The Times

On the face of it, bracketing Harold Nicolson and Vladimir Nabokov seems unexpected but the latter paid a remarkable tribute to Some People. When speaking to Harold Nicolson's son, Nigel, he confessed that all his life he had been fighting against the influence of Some People.' The style of that book is like a drug', he said. The critic and biographer, Stacy Schiff, has also admitted 'Some People has exerted more influence than I care to admit. I would reread it any day of the week.'Ever since first publication in 1927 it has been attracting this sort of praise. It is an unusual book comprising nine chapters each one being a sort of character sketch: Miss Plimsoll; J. D. Marstock; Lambert Orme; The Marquis de Chaumont; Jeanne de Henaut; Titty; Professor Malone; Arketall; Miriam Codd. The author himself writes, a little disingenuously, 'Many of the following sketches are purely imaginary. Such truths as they may contain are only half-truths.' In fact, it would be difficult to point to one, other than Miriam Codd, that was 'purely imaginary', some were composite portraits, others skilful amalgams of divers traits from a variety of different people, and others much more overtly drawn from one real-life figure, for example Lambert Orme clearly represents Ronald Firbank, and Arketall Lord Curzon's bibulous valet. There is nothing else quite like Some People and in its own playful way is beyond category. To be tedious for a moment, we have to call it fiction but are then immediately thrown by Virginia Woolf's deft summary, 'He lies in wait for his own absurdities as artfully as theirs. Indeed by the end of the book we realize that the figure which has been most completely and most subtly displayed is that of the author . . . It is thus, he would seem to say, in the mirrors of our friends that we chiefly live.' Fiction? Biography? Autobiography? - the category doesn't matter, the result is spellbinding however you choose to read it.

Splendid Isolation? is at once a portrait of British politics and diplomacy at the height of British power and a revisionist account of the First World War. John Charmley argues a powerful and challenging case, forcing a fresh look at a period long held to be part of the glorious British past.

Now a film starring Tina Fey and Paul Rudd'A book you can't put down.' O, The Oprah MagazineFor years, thirty-eight-year-old Portia Nathan has hidden behind her busy career as a Princeton admissions officer and her less than passionate relationship. Then the piece of her past that she has tried so hard to bury resurfaces, catapulting her on an extraordinary journey of the heart that challenges everything she ever thought she believed. Soon, just as Portia must decide on the fates of thousands of bright students regarding their admission to university, so too must she confront the life-altering decisions she made long ago.

The Odd Squad are back! After taming the school's biggest bully, Nick, Molly and Karl expect to bask in Safety Patrol glory. But without a bully to set straight, all they're left with is helping sixth graders cross the hall and reminding everyone that Jell-o meat stains.Enter new kid Simone, who shakes up the team. Soon Nick is facing trouble. Big trouble. Explusion-level trouble. Which would mean repeating seventh grade... He needs help, and fast, because if there's one thing worse than being the shortest seventh grader in the history of the world, it's having to go through it twice.

This new collection of stories offers a candid peek at infidelity in all its guises. These are tales of lust, deceit, resentment and regret - and of the secrets and lies that can chip away at human relationships.In a series of interwoven dramas, we find mothers yearning for adventure, for the exhilaration of the open road or the anonymity of the forest; fathers absent in body or mind; husbands who look the other way; complacency turned to spite and apathy turned to betrayal. At the same time Gunn pursues the glorious rush of a snap decision, the liberty of answering that siren call of a better life elsewhere.Written with Gunn's trademark attention to nuances of behaviour, motive and even landscape, Infidelity is a temptingly beautiful work that asks 'What if?' and dares to find out.

Meet Martha. It's the first day of her new job as intern at Edinburgh'sThe Standard. But all's not well at the ailing newspaper, and Martha is carrying some serious baggage of her own.Put straight onto the obituary page, she takes a call from a former employee who seems to commit suicide while on the phone, something which echoes with her own troubled past.Setting in motion a frantic race around modern-day Edinburgh,The Dead Beat traces Martha's desperate search for answers to the dark mystery of her parents' past. Soundtracked by and interspersed with a series of gigs from the alternative music scene of her parents' generation in the early '90s, Doug Johnstone's latest page-turner is a wild ride of a thriller, and a perfect follow-on to his #1 Kindle bestseller, Hit & Run.

R. F. Christian's editions of Tolstoy's Diaries and Letters, both in two volumes, are definitive. Volume 1 of the Diaries covers the years 1847-1894, and Volume 2 the years 1895-1910. Passages have been chosen to reflect Tolstoy's preoccupations as a writer - his views on his own work and that of others - and his development as a person and as a thinker. The passages also show his attitude to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions.R. F. Christian has grouped the diary entries chronologically, introducing each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is something much more than source material for Tolstoy's life and thought, though it could hardly be richer in that respect, it is a unique, direct and unhindered portrait of a great man and a very great writer in the variegation of his everyday existence.'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess'Professor Christian's work, a fitting companion to his two-volume edition of the Letters, is an important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday Times'What Professor R. F. Christian has done is to provide us with a huge two-volume digest, punctiliously edited and translated . . . It is a model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, The Spectator 'R. F. Christian's engagement for some fifteen years with (Tolstoy's) letters and diaries has been a notable service to the English-speaking public.' Henry Gifford, Times Literary Supplement

In 2002 Vernon Scannell wrote the following: 'It has been my firm belief since I first began to attempt the art of poetry that the making of a poem should be, as Yeats asserted, a difficult business. However, I have always felt reservations about what seems to me the only partially true belief , stated by both Eliot and Hopkins in their different ways, that the meaning of a poem is of less significance than its structure and texture, Eliot's 'nice bit of meat for the house-dog.' Ideally the poem should be the perfection of expression of meaning inseparable from the methods by which that expression is achieved. As Paul Valery has said, 'A man is a poet if the difficulties inherent in his art provide him with ideas; he is not a poet if they deprive him if ideas.'That was an important statement, his credo. It can accurately be said that almost every poem in this collected volume bears testimony to it. Although not covering the full span of his career - Scannell didn't die until 2007 and was writing almost literally until the very end - the body of his work is here and how impressive it is. On immaculate display is a conspectus of poems embracing the narrative, lyrical, satirical and contemplative. There are poems of pathos and comedy, intelligence and passion: whatever their form, free verse or rhyming, tenor or subject, they are executed with unfailing craftsmanship.In his obituary of Vernon Scannell, Alan Brownjohn wrote, 'What might have been considered unusual given a colourful, even swashbuckling, personality that spawned innumerable anecdotes, was his fastidious procedure as a poet, his unflinching focus on the age-old themes of love, war and death, his concern for ''a real involvement with living experience''. Craft and care, and for that matter clarity and accessibility, were unquestionable necessities if you were serious about the art; students on Scannell's creative writing courses were liable to be sat down, hangover or not, to write a sonnet after breakfast.'''Scannell is one of what appears to be a vanishing breed, a poet of technical accomplishment who understands that poetry, like the other arts, is a craft as well.' Charles Osborne, Sunday Telegraph'You actually want to go back and revisit the poems many times. Their shrewd structures hold their elements firmly in place and they resonate also with the kind of humanity time is generous to . . . Scannell has earned a place in the tradition of English poetry.' Paul Fussell, Poetry Review '. . . accurate, humane, humorous, often eloquent and always well-made poems.' Anthony Thwaite, Sunday Telegraph

Palace of the Peacock, the first of Wilson Harris's many novels, was published in 1960, just one year after his arrival in Britain from Guyana. In a richly metaphorical style, the book sets out the themes Wilson continues to develop in his writing to this day: the ability of the imaginative consciousness to create worlds where disparate cultures and traditions are fused.Donne, an ambitious skipper, leads a multiracial crew up an unnamed river in the rainforest. He is searching for the indigenous people of the forest to exploit as cheap labour on his plantation. But the journey is beset with obstacles, and as the crew progress and their relationships develop, it takes on a more spiritual significance, culminating with the crew and the forest folk finding sanctuary and resolution in the visionary Palace of the Peacock.

With The Private Sector (1971) Joseph Hone introduced readers to British intelligence officer Peter Marlow, who would be the protagonist of three further novels - all now reissued in Faber Finds. Cairo, May 1967: Marlow is sent from London to find his friend and fellow spy Henry Edwards, who has vanished. In the course of this fool's errand he also finds his former wife, Bridget, now deeply entangled with Edwards. Marlow moves easily between British and Egyptian intelligence branches, attaching allegiance to neither - until he becomes the unwitting victim of a failed plot to topple Nasser. "e;An absolutely terrific espionage novel"e;. (James Dickey). "e;A brilliant and calculated spy story...[Hone's] characters and the quality of the writing are so good that he has transcended the usual limitations of the genre"e;. (Times Literary Supplement).

Roman towns and their history are generally regarded as being the preserve of the archaeologist or the economic historian. In this famous, unusual and radical book which touches on such disparate themes as psychology and urban architecture, Joseph Rykwert has considered them as works of art. His starting point is the mythical, historical and ritual texts in which their foundation is recounted rather than the excavated remains, such texts having parallels not merely in ancient Greece but also further afield Mesopotamia, India and China. To achieve his reading of the Roman town, he has invoked the comparative method of the anthropologists, and he examines first of all the 'Etruscan rite', a group of ceremonies by which all, or practically all, Roman towns were founded. The basic institutions of the town, its walls and gates, its central shrines and its forum are all of them part of a pattern to which the rituals and the myths that accompanied them provide clues. Like in other 'closed' societies, these rituals and myths served to create a secure home for the citizen of Rome and to make him feel part of his city and place it firmly in a knowable universe. 'It is refreshing to look at standard themes of the history of urban design from a nonrational point of view, to see surveyors as quasi priests and orthogonal planning as a sophisticated technique touched by divine mystery . . .. Rykwert's lasting worth will be to wrench us away from rationalist simplicities, and to make us face the fundamental disquietof the human spirit in its claim to a permanent place on the land.' Spiro Kostoff, Journal of the Society Architectural Historians

'Tennyson and Holman Hunt, Carlyles, Rossettis and any number of celebrated Trevelyans people these pages; and Mr Trevelyan's handling of their comings and goings is masterly.' Hilary SpurlingPauline Trevelyan, friend and patroness of so many in the Pre-Raphaelite circle, has long been an intriguing figure to scholars of that period. The daughter of a poor parson, she was married to Sir Walter Calverley Trevelyan, a landowner-cum-scientist twenty years her senior and her opposite in character. Herself an artist, writer and critic, she spotted Swinburne's talents when he was still a schoolboy, and commissioned important works from Rossetti, Woolner and others. From her immense correspondence we learn much about John Ruskin.A Pre-Raphaelite Circle reproduces a late-unearthed letter from Ruskin that is revelatory in respect of his marriage. For this and many other reasons it is a crucial work of reference for students of Ruskin and the Pre-Raphaelites.

Since his precise, potent and subtle portraits of Northern Irish life first came to public attention in the 1970s, Tom Paulin has been an unmissable writer on the contemporary poetry scene. This selection on his work draws on nearly four decades of poetry and translation, updating and expanding upon the Selected Poems 1972-1990, and showcasing the microscopic detail and reinvention of the ordinary with which Paulin writes of place, culture and memory. The Ireland of Paulin's childhood is explored both from a personal and a historical perspective to form a complex picture of a country in turmoil and in recovery. But Paulin's concerns are as international as they are local, as reflected in his long-standing appetite for European writers, histories and languages. Dialectic and lyrical, original and exploratory, ambitious and provocative, Tom Paulin is one of the defining voices of his generation: brilliantly varied and utterly compelling, as apparent from this New Selected Poems.

A young man decides to visit Nigeria after years of absence. Ahead lies the difficult journey back to the family house and all its memories; meetings with childhood friends and above all, facing up to the paradox of Nigeria, whose present is as burdened by the past as it is facing a new future.Along the way, our narrator encounters life in Lagos. He is captivated by a woman reading on a danfo; attempts to check his email are frustrated by Yahoo boys; he is charmingly duped buying fuel. He admires the grace of an aunty, bereaved by armed robbers and is inspired by the new malls and cultural venues. The question is: should he stay or should he leave?But before the story can even begin, he has to queue for his visa..Every Day is for the Thiefis a striking portrait of Nigeria in change. Through a series of cinematic portraits of everyday life in Lagos, Teju Cole provides a fresh approach to the returnee experience.- See more at: http://www.cassavarepublic.biz/products/every-day-is-for-the-thief#sthash.qe7r4oNv.dpuf

This new edition of leading opera critic Rupert Christiansen's perennially popular Pocket Guide has between extensively revised, and incorporates many more operas from all periods, including recent works by Philip Glass, Mark Anthony Turnage, Thomas Ades and George Benjamin. Whether you are a first-timer at La Boheme or a seasoned Wagnerian, every opera-goer can benefit from a little background information, and this book aims to provide just that. Accessible and easy-to-use, it contains entries for over a hundred works, both familiar and unfamiliar.