Books published by Faber & Faber

-You're having some kind of crisis.-It's called being fifty. You must be having it too.Hilary once protested at Greenham. Now her protests tend to focus on persuading her teenage daughter to go out fully clothed. A frank and funny family drama questioning parental anxieties and life after fifty, Jumpy by April De Angelis premiered at the Royal Court Theatre, London, in October 2011.

There was a crooked man and he walked a crooked mileHe made a crooked deal and he blew a crooked pileHe dug a crooked hole And he sank the crooked isleAnd they all went to hell in a stew of crooked bile.The Devil I Know is a thrilling novel of greed and hubris, set against the backdrop of a brewing international debt crisis. Told by Tristram, in the form of a mysterious testimony, it recounts his return home after a self-imposed exile only to find himself trapped as a middle man played on both sides - by a grotesque builder he's known since childhood on the one hand, and a shadowy businessman he's never met on the other. Caught between them, as an overblown property development begins in his home town of Howth, it follows Tristram's dawning realisation that all is not well.From a writer unafraid to take risks, The Devil I Know is a bold, brilliant and disturbing piece of storytelling.

With the eyes of a scientist and the vision of a poet, Barbara Kingsolver explores her trademark themes of family, community and the natural world. Defiant, funny and courageously honest, High Tide in Tucson is an engaging and immensely readable collection from one of the most original voices in contemporary literature.'Possessed of an extravagantly gifted narrative voice, Kingsolver blends a fierce and abiding moral vision with benevolent and concise humour. Her medicine is meant for the head, the heart, and the soul.' New York Times Book Review

The short stories in this collection are spread over landscapes ranging from northern California and the urban Southwest to the hills of eastern Kentucky and the Caribbean island of St Lucia. In every setting the characters are bound by a strong sense of place and the ties of love and family history: a child accepts the impossible responsibility of remembering her Cherokee great-grandmother's dying culture; a quietly dissolving couple must fight ghosts of past expectations to reach one another; a tough Mexican American woman finds herself in jail because of her commitment to a family legacy of 'doing the right thing'. Homeland and Other Stories follows in the tradition of some of the great short story writers of our time, including Alice Munro, Flannery O'Connor and Annie Proulx. With disarming honesty - at times comic but often heartrending - Barbara Kingsolver emerges as a true master of the form.

In this collection of essays, the author of High Tide in Tucson brings to us (out of one of history's darker moments) an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter.Whether she is contemplating the Grand Canyon, her vegetable garden, motherhood, adolescence, genetic engineering, TV-watching, the history of civil rights, or the future of a nation founded on the best of all human impulses, these essays are grounded in the author's belief that our largest problems have grown from the earth's remotest corners as well as our own backyards, and that answers may lie in those places, too. In the voice Kingsolver's readers have come to rely on - sometimes grave, occasionally hilarious, and ultimately persuasive - Small Wonder is a hopeful examination of the people we seem to be, and what we might yet make of ourselves.

Elizabeth I came to the throne at a time of insecurity and unrest. Rivals threatened her reign; England was a Protestant island, isolated in a sea of Catholic countries. Spain plotted an invasion, but Elizabeth's Secretary, Francis Walsingham, was prepared to do whatever it took to protect her.He ran a network of agents in England and Europe who provided him with information about invasions or assassination plots. He recruited likely young men and 'turned' others. He encourage Elizabeth to make war against the Catholic Irish rebels, with extreme brutality and oversaw the execution of Mary Queen of Scots.The Queen's Agent is a story of secret agents, cryptic codes and ingenious plots, set in a turbulent period of England's history. It is also the story of a man devoted to his queen, sacrificing his every waking hour to save the threatened English state.

Edna O'Brien's wonderful, wild and moving novel shocked the nation on its publication in 1960. Adapted for the stage by the author, The Country Girls, the play, is a highly theatrical and free-flowing telling of this classic coming of age story.

1957. War widow Dorothy lives in a London suburb with her 15-year-old daughter Victoria and her older bachelor brother Edwin. More and more isolated from her married friends with their successful children, Dorothy tries to cope with Victoria's increasingly hostile behaviour. But is she doing her best, as she thinks, or is she in fact responsible for what threatens to become an unendurable situation?'A exquisitely observed, profoundly quiet slice of 1950s suburban life.' The Sunday Times'Meticulously evocative' Independent'Manville is magnificent in this broodingly muted family drama.' Sunday Express'Leigh makes you laugh and laugh - until you cry.' Time Out'A haunting portrait of loss and loneliness, exquisitely acted throughout and led by a riveting performance by Manville.' Financial Times'Leigh's meticulous production potently captures the pain that lurked behind stiff upper lips in the England of the Fifties.' Daily Telegraph'Nobody gets more truthful performances from actors than Mike Leigh.' The Times'The acting is superb.' Guardian'Leigh directs with sensitivity.' Evening Standard'Extraordinarily poignant' Independent on Sunday

The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.Edna O'Brien's haunting spectre of a novel, Night, is narrated by one of her most memorable characters, Mary Hooligan. Lying on a four-poster bed, unable to sleep, she recounts her (mis)adventures, courtships, and sexual encounters of the most transgressive kind in a narrative voice of blistering, radical originality.This ebook features the first chapter of Edna O'Brien's stunning new novel, Girl, published by Faber in September 2019 and available to pre-order now.

Duck Macatarsney cares for her biker dad, Duke, whose MS is getting worse. Duke is a spliff-smoking (for medicinal reasons you understand), bike-riding, heavy-metal- and horror-movie-loving, pizza-eating widower who has brought up Duck since the death of her mum in a crash. The two of them are just about surviving when one morning the Duke wakes up blind and the Duck hears Social Services are coming to take her away.The Monster in the Hall follows Duck as she tries to protect her world from the terrifying prospect of change.David Greig's The Monster in the Hall premiered at the Citizens Theatre, Glasgow, in autumn 2010, and was staged at the Traverse Theatre, Edinburgh in 2011 as part of the Edinburgh Festival Fringe.

Franz Schubert's Winterreise is at the same time one of the most powerful and one of the most enigmatic masterpieces in Western culture. In his new book, Schubert's Winter Journey: Anatomy of an Obsession, Ian Bostridge - one of the work's finest interpreters - focusses on the context, resonance and personal significance of a work which is possibly the greatest landmark in the history of Lieder. Drawing equally on his vast experience of performing this work (he has performed it more than a hundred times), on his musical knowledge and on his training as a scholar, Bostridge unpicks the enigmas and subtle meaning of each of the twenty-four songs to explore for us the world Schubert inhabited, bringing the work and its world alive for connoisseurs and new listeners alike. Originally intended to be sung to an intimate gathering, performances of Winterreise now pack the greatest concert halls around the world. Though not strictly a biography of Schubert, Schubert's Winter Journey succeeds in offering an unparalleled insight into the mind and work of the great composer. 'Usually great singers cannot explain what they do. Ian Bostridge can. Whether or not you know Schubert's 'Winter Journey', the book is gripping because it explains, in probing, simple words, how a doomed love is transformed into art.' Richard Sennett

In Psychedelia and Other Colours, acclaimed author Rob Chapman explores in crystalline detail the history, precedents and cultural impact of LSD, from the earliest experiments in painting with light and immersive environments to the thriving avant-garde scene that existed in San Francisco even before the Grateful Dead and the Fillmore Auditorium. In the UK, he documents an entirely different history, and one that has never been told before. It has its roots in fairy tales and fairgrounds, the music hall and the dead of Flanders fields, in the Festival of Britain and that peculiarly British strand of surrealism that culminated in the Magical Mystery Tour. Sitars and Sergeant Pepper, surfadelica and the Soft Machine, light shows and love-ins - the mind-expanding effects of acid were to redefine popular culture as we know it. Psychedelia and Other Colours documents these utopian reverberations - and the dark side of their moon - in a perfect portrait.

Friday, February 12 1993. Two outwardly unremarkable ten-year-old boys, Robert Thompson and Jon Venables, began their day playing truant and ended it running an errand for a local video shop. In between they abducted and killed the toddler James Bulger. The Sleep of Reason is the harrowing, sensitive, definitive account of this terrible crime and its consequences.In a new Preface (which considers the re-arrest of Jon Venables in February 2010) David James Smith writes: 'It is as true now as it was then that the murder has never really been explained and the motive for the crime remains a mystery. This book, the result of considerable research and a painstaking, sometimes distressing assembly of the facts, was my attempt to offer some insight and understanding.''Surprisingly evocative, even moving... immensely valuable.' Times'Dramatic and disturbing.' Anita Brookner, Observer'Compelling and compassionate.' Times Educational Supplement

The Silver Darlings is a tale of lives hard won from a cruel sea and crueller landlords. It tells of strong young men and stronger women whose loves, fears and sorrows are set deep in a landscape of raw beauty and bleak reward. The dawning of the Herring Fisheries brought with it the hope of escape from the brutality of the Highland Clearances, and Neil Gunn's story paints a vivid picture of a community fighting against nature and history and refusing to be crushed.

'Going to law courts is a good education for a novelist. It provides you with the most extravagant material, and it teaches the near impossibility of reaching the truth.'Sybille Bedford, Paris Review (1993)For The Faces of Justice (1961) Sybille Bedford journeyed through Europe to sit in the press box of the courts of law - high courts, low courts, police courts. In England, Germany, Austria, Switzerland, France, she watched the prisoners at the bar, the accusing community arrayed against them, the advocates, the jurors, the judges on the bench. She saw justice being attempted under the law - the best we can do, the worst we can do - varying in subtle yet astonishing ways from country to country. The result is a story about justice, humanity and the individual - moving, dramatic, superbly observed, splendidly told.

In the last eight years of his life - and he died when he was only thirty-three - Denton Welch wrote three novels, umpteen short stories, hundreds of poems, and - between 1942 and 1948, a profoundly personal and moving journal that recorded his swift maturity into a writer of genius. Therein he wrote of his battle with ill-health, his life lived in claustrophobic rooms, and (in frank, erotic terms) his frustrated pursuit of the 'ideal friend.' And yet he encountered some of the foremost writers of his time - Edith Sitwell, Herbert Read, Harold Nicolson, Vita Sackville West - and recorded every aspect of life with a fresh and arresting sensitivity.

Born in 1917 into an aristocratic Boston family Robert Lowell was not yet thirty when his first major collection of poems, Lord Weary's Castle, won the Pulitzer Prize. With Life Studies, his third book, he found the intense, highly personal voice that made him the foremost American poet of his generation. He held strong, complex and very public political views. His private life was turbulent, marred by manic depression and troubled marriages. But in this superb biography (first published in 1982) the poet Ian Hamilton illuminates both the life and the work of Lowell with sympathetic understanding and consummate narrative skill. 'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force... The critical prose, in particular, still sets a standard that nobody else comes near.' Clive James

Alan Hackney's first novel, Private's Progress tells the story of the hapless Stanley Windrush. Called up in 1942 after his first year at Oxford, and despite his best efforts to avoid any kind of work or action, Stanley wanders from one mishap to the next, causing mayhem and meeting a host of unscrupulous characters along the way. First published in 1954, Private's Progress was later made into a Boulting Brothers' film of the same name, and is the prequel to I'm All Right Jack, also published by Faber Finds.

Peter Waring (1937) is a full-scale revision of Reid's earlier Following Darkness (1912) in which Peter, a sensitive boy with literary inclinations, grows up unhappily in the household of his father, a cold village schoolmaster in Newcastle, County Down, and among his Belfast relatives whom he finds intolerable.'An acute and subtle story of adolescence.... A delicacy and a grave beauty which make their own quiet appeal.' Times'Reid has written one of the finest studies of the mental, sexual, spiritual life of the adolescent without ever mentioning the words.' Glasgow Herald

Everyone's favourite hamster has another adventure in Room 26 and beyond!In this eleventh book in the bestselling 'According to Humphrey' series, Humphrey and his friends in Room 26 let their imaginations loose! Ahead of a big author visit to Longfellow Elementary School, they try writing their own stories, but Humphrey worries that hamsters don't have any imagination; he's finding creative writing just too hard. While he helps out his friends in Room 26, and the new school pet Gigi, a guinea pig, Humphrey encounters real, live parrots, dragons and even ghosts . . . and finally manages to let his imagination soar.

The next in the bestselling According to Humphrey series, Humphrey and his friends in Room 26 learn about ancient Egypt. Mummies, pharaohs, pyramids and plenty of SHH-SHH-SHH secrets abound! Will Humphrey be able to solve the mysteries of the pharaohs...?From award-winning author Betty G. Birney.

The Big Music tells the story of John Sutherland of 'The Grey House', who is dying and creating in the last days of his life a musical composition that will define it. Yet he has little idea of how his tune will echo or play out into the world - and as the book moves inevitably through its themes of death and birth, change and stasis, the sound of his solitary story comes to merge and connect with those around him. In this remarkable work of fiction, Kirsty Gunn has created something as real as music or as magical as a dream. One emerges at the end of it altered and changed. Not so much a novel as a place the reader comes to inhabit and know, The Big Music is a literary work of undeniable originality and power.

When There's Nowhere Left to Hide . . . When Rob Hale wakes up in hospital after a motorcycle crash he is told that Lena, the woman he claims was travelling with him, doesn't exist. The woman he describes bears a striking resemblance to his recently deceased sister, Laura, but has he really only imagined her? Rob sets out to find the answers to who Lena is and where she has gone. He is aided by Rebecca Lewis, a London-based PI, who has come to the Isle of Man at the behest of his parents to investigate his sister's suicide. But who is Rebecca really and how did she know his sister? Together Rob and Rebecca follow the clues to discover who took Lena. In doing so they discover that even on an island where most people know each other, everyone hides a secret, and that sometimes your best option isn't to hide but to stay and fight.

A man is banished in a soldier's hearing. His daughter is left to wander. In a rash moment, Beatriz offers to take the child back to her father, and so starts an unimaginable journey across continents and in and out of war zones. But in their need to survive, the woman and the child transform in ways that become irreversible.The Wheel by Zinnie Harris premiered at the Traverse Theatre, Edinburgh, in August 2011 in a production by the National Theatre of Scotland.Zinnie Harris is a playwright and screenwriter, her work includes the multi-award-winning play Further than the Furthest Thing, and Spooks.'A glorious luminosity of spirit...really rather special.'Financial Times on Further than the Furthest Thing

One wintry morning academic Prudencia Hart sets off to a conference in the Scottish Borders. Stranded there by snow, she is swept off on a dream-like journey of self discovery, complete with magical moments, devilish encounters and wittily wild music.'You shouldn't miss this for the world . . . Rambunctiously life-affirming and touchingly beautiful.' Herald'More vibrantly alive than any piece of theatre I've seen in Scotland for years.' ScotsmanInspired by the Border ballads, The Strange Undoing of Prudencia Hart toured throughout Scotland in 2011 in a production by the National Theatre of Scotland.

John Donne (1572-1631) forfeited his Parliamentary seat and was briefly imprisoned when his secret marriage to Ann More was uncovered in 1601. He spent the subsequent decade in poverty, trying to rehabilitate his reputation. He entered the Church in 1615, and become Dean of St Paul's. His first volume of poetry was published posthumously in 1633.In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.

Thomas Wyatt (1503?-1542) was the first modern voice in English poetry. 'Chieftain' of a 'new company of courtly makers', he brought the Italian poetic Renaissance to England, but he was also revered as prophet-poet of the Reformation. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer.This remarkably original biography is more - and less - than a Life, for Wyatt is so often elusive, in flight, like his Petrarchan lover, into the 'heart's forest'. Rather, it is an evocation of Wyatt among his friends, and his enemies, at princely courts in England, Italy, France and Spain, or alone in contemplative retreat. Following the sources - often new discoveries, from many archives - as far as they lead, Susan Brigden seeks Wyatt in his 'diverseness', and explores his seeming confessions of love and faith and politics. Supposed, at the time and since, to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. Aspiring to honesty, he was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power.Wyatt's life, lived so restlessly and intensely, provides a way to examine a deep questioning at the beginning of the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's dissonant voice and broken lyre, the paradox within him of inwardness and the will to 'make plain' his heart, all of which make him exceptionally difficult to know - and fascinating to explore.

The Alliterative Morte Arthure - the title given to a four-thousand line poem written sometime around 1400 - was part of a medieval Arthurian revival which produced such masterpieces as Sir Gawain and the Green Knight and Sir Thomas Malory's prose Morte D'Arthur.Like Gawain, the Alliterative Morte Arthure is a unique manuscript (held in the library of Lincoln Cathedral) by an anonymous author, and written in alliterating lines which harked back to Anglo-Saxon poetic composition. Unlike Gawain, whose plot hinges around one moment of jaw-dropping magic, The Death of King Arthur deals in the cut-and-thrust of warfare and politics: the ever-topical matter of Britain's relationship with continental Europe, and of its military interests overseas. Simon Armitage is already the master of this alliterative music, as his earlier version of Sir Gawain and the Green Knight (2006) so resourcefully and exuberantly showed. His new translation restores a neglected masterpiece of story-telling, by bringing vividly to life its entirely medieval mix of ruthlessness and restraint.

Baghdad 1917. Captain Jim Stringer, invalided from the Western Front, has been dispatched to investigate what looks like a nasty case of treason. He arrives to find a city on the point of insurrection, his cover apparently blown - and his only contact lying dead with flies in his eyes. As Baghdad swelters in a particularly torrid summer, the heat alone threatens the lives of the British soldiers who occupy the city. The recently ejected Turks are still a danger - and many of the local Arabs are none too friendly either.For Jim, who is not particularly good in warm weather, the situation grows pricklier by the day. Aside from his investigation, he is working on the railways around the city. His boss is the charming, enigmatic Lieutenant-Colonel Shepherd, who presides over the gracious dining society called The Baghdad Railway Club - and who may or may not be a Turkish agent. Jim's search for the truth brings him up against murderous violence in a heat-dazed, labyrinthine city where an enemy awaits around every corner.

Ollie Ewing has forgotten the thing that tells him who he is. The hero of Dermott Healey's Sudden Times has returned to Sligo to recover from "e;a few experiences"e; in London by laying low and listening to "e;complaints and sermons, jibes and asides"e; in his own head. Men are after him. A crowd of them. Or maybe not. He's in hiding, mostly from his own shame. His brother Redmond and his best friend Marty are dead. It seems as though Marty died in a labouring accident but as snippets of Ollie's scatty recollections cohere, it becomes apparent that Marty was murdered, left in the back of a lorry, in a pile of charred bones. Redmond too, was flown home from Luton in a coffin and it isn't until much later in the novel that the details of his manslaughter are revealed. The deaths haunt Ollie and people in the town can see the danger in his eyes. His attempts to reintegrate socially and mentally are slack, confused, painful and absurdly funny. He shifts from job to job, finally getting routine and acceptance as a trolley check-out in Doyle's supermarket. "e;You have to break out before you can learn the laws of the tribe. And you have to break inside before you can learn your true nature."e; Ollie is often uncertain of time or place and dislocation overtakes him without warning, throwing the narrative back to London, forward to France, while Ollie is too frightened to move far at all.