Books published by Faber & Faber

The Leopard and the Cliff has been out of print for a long time with second-hand copies being elusive; nonetheless it has a grim resonance with today demonstrating the futility of fighting in that part of the world.'Wallace Breem is a writer who never disappoints one. He has an extraordinary power of treating military disaster in depth and yet with pace, whether on the frontiers of Rome or British India, and of analysing the tensions of command. Gripping as an action story, deeply moving on the individual level, it involves one as an eye-witness from beginning to end.' Mary Renault'I found the book gripping. I am not a Frontier man but the account of the tribal situation on the Frontier and of the atmosphere accords with all I have read or heard about it. The author brings out movingly and with skill several points of vital importance to an understanding of British India and the Frontier in particular. Everything depended on India (in this case Pathan) co-operation; this broke down once the British showed lack of confidence and began to retire. The clash of loyalties which then arose was highly dramatic and painful for those involved. The loneliness of such a man as Sandeman is also brought out with skill.' Philip Mason, author of A Matter of Honour: An Account of the Indian Army, Its Officers and Men

Hoping It Might Be So brings together all of Kit Wright's previous collections for adults as well as three dozen new poems. The collection, first published in 2000, was described by Christina Patterson in the Sunday Times as 'funny and profoundly humane' and by Sophie Hannah in the PN Review as 'full of verve and energy, with a strong musical quality that makes you want to read on and hear more'. Sean O'Brien in the Times Literary Supplement described Kit Wright as 'a masterly yet modest poet' while Ruth Padel in the Independent on Sunday said that 'all through his work there is that poignancy, darkness, brush with despair, which marks great comic work.' The poet Anthony Wilson said that Wright 'can be funny, serious and moving, and sometimes all three in the space of a single poem'.Hoping It Might Be So is a rewarding collection from an interesting, prolific and lively poet whose poems range from ribald to grief-stricken, elegiac to rambunctious

Grow Your Own Fruit and Vegetables is Lawrence D. Hills's ground-breaking book on all aspects of fruit and vegetable growing. It was widely praised on its publication and remains a classic text in the world of organic gardening.'Its great merit is that one feels that every operation described has been personally carried out by the author and selected as the most satisfactory after due consideration of traditional methods. The treatment of each plant is described from start to finish with sense, relish and humour; there are many fascinating analyses of vitamin and mineral contents and nutritional values, of different vegetables and fruits; and there is excellent advice on picking, harvesting, as well as on cooking ... it is the best practical guide to the subject that has appeared for years, and the author is not concerned with argument or philosophy, only with growing produce well.' Country Life'There is no better guide to non-chemical gardening than Lawrence D. Hills ... He is exceptionally well read and a good practical gardener into the bargain, not a very common combination, and no doubt because of his wide-ranging knowledge he is more balanced in his views than some advocates of all-organic gardening ... Where I find Mr Hills most stimulating is in his highly personal approach to fruit and vegetable varieties and his recommendations based on such commercially unfashionable criteria as flavour and food value. There is a wealth of information here which would be difficult to find in any other single book.' A. G. L. Hellyer in the Financial Times

It was the legendary traveller Wilfred Thesiger who first introduced Gavin Young to the Marshes of Iraq. Since then Young has been entranced by both the beauty of the Marshes and by the Marsh Arabs who inhabit them, a people whose lifestyle is almost unchanged from that of their predecessors, the Ancient Sumerians.On his return to the Marshes some years later Gavin Young found that the twentieth-century had rudely intruded on this lifestyle and that war was threatening to make the Marsh Arabs existence extinct. Return to the Marshes, first published in 1977, is at once a moving tribute to a unique way of life as well as a love story to a place and its people. 'A superbly written essay which combines warmth of personal tone, a good deal of easy historical scholarship and a talent for vivid description rarely found outside good fiction.' Jonathan Raban, Sunday Times

This novel was first published by Faber in August 1940 under the title, The Loss of Eden. It was then reissued by the British Publishers Guild (a wartime cooperative venture), in March 1941, with the more arresting and overt title, If Hitler Comes: A Cautionary Tale. It was a work of speculative fiction with a moral purpose. It was a counterblast to the waverers, to those of a defeatist mien who could convince themselves an arrangement between Great Britain and Nazi Germany wouldn't be such a bad thing after all. The original Faber book description asks, 'What would it be like in England, if, after a premature peace on plausibly equal terms, we found that this ''peace'' had merely delivered us completely into Hitler's hands?' It continues, 'The imaginary New Zealand journalist, writing retrospectively as an eye-witness from the security of the Antipodes, tell us what happened - or rather what might have happened. And so precise and logical does he make the narrative, so real the characters, so vivid the scenes, that in reading we are almost persuaded that it did happen. Then we say: ''Nothing could be worse than that!''In their foreword and dedication, the authors, Douglas Brown and Christopher Serpell, write:'This is no fanciful picture. It is painted from life, with England as the background instead of Bohemia or Poland or any other country now under the Nazi heel. It is not intended to cause despondency or alarm, but to confirm and justify that resolution with which we are now fighting.If such a tale is to have a dedication it can only be to:THOSE WILL NOT LET THIS HAPPEN''It is a work of fiction, but the authors write so convincingly and have so keenly observed recent events and the men who have helped to fashion them that their narrative reads like a true historical picture of England with Hitler and the Nazis in control. This remarkable book should be widely read, not merely as an awful warning, but also because it is so movingly and skilfully written.' Education 'The events it describes are so appallingly life-like that I found it difficult to remember that I was only reading a 'novel' . . . If the Ministry of Information want to attack defeatism, they should distribute free copies throughout Whitehall and the country houses of England.' New Statesman and Nation

In his preface to the 1998 reissue, Michael Foot wrote, 'Guilty Men was conceived by three London journalists who had formed the habit of meeting on the roof of the Evening Standard offices in Shoe Lane, Fleet Street, just after the the afternoon paper had been put to bed and, maybe, just before the Two Brewers opened across the road.'The book's genesis and publication could hardly have been swifter. Its writing took four days from the 1st to the 4th June 1940: it was published on the 5th July. It is an angry book, indeed, a devastatingly effective polemic. Its target was the appeasers of the 1930s, the leading culprits being Baldwin, Chamberlain and Halifax who had left the country so ill-prepared, and who, by their pusillanimity, had emboldened Hitler and Mussolini; and in the case of the last two still favoured some accommodation with the fascist dictators. In today's parlance, it would be called a wake-up call. It was very successful selling about 200,000 copies. Kenneth Morgan, Michael Foot's biographer, describes the book as consisting of 'a series of brief vignettes of key episodes or personalities, the latter invariably foolish or dishonest.' Michael Foot wrote eight of the chapters, the first and most powerful one being on Dunkirk. Although Michael Foot was the main contributor, and the one who suggested 'Cato' as the umbrella pseudonym, the other two, as Michael Foot would be the first to admit, Peter Howard and Frank Own should not be forgotten. Seventy years on, Guilty Men has not lost its readability and power to enrage.

'The Gardeners of Salonika' as Clemenceau contemptuously labelled them, could well be called the forgotten army of the First World War. Yet the Macedonian Campaign was, in Lord Hankey's words, 'the most controversial of all the so-called sideshows.' In his definitive The First World War (1999) Sir John Keegan hailed Alan Palmer for having written 'the best study of the Macedonian Front in English.' Palmer tells the story of this extraordinary polyglot army (it included, at various times, contingents from seven countries) from the first landing at Salonika in 1915 to the peace in 1918. He also illuminates the political and strategic background: the ceaseless argument in London and Paris over the army's future and the maze of Greek politics within which it and its commanders were enclosed. 'A masterly and colourful account of this, the most controversial and neglected sideshow of them all.'Guardian'Not only a valuable contribution to history, but also an enthralling book' Sunday Times

With a foreword by the legendary accompanist, Gerald Moore, Eric Sams' study (Faber 1961, revised 1983) is a notable landmark in the establishment of Wolf as one of the supreme masters of German song. Comprehensively revised and enlarged in 1983, the main subject matter remains the 242 published songs that Wolf wrote for voice and piano, though the Ibsen songs for voice and orchestra are also discussed.English translations are provided and the backgrounds to the original poems by Morike, Eichendorff and Goethe, as well as the Italian and Spanish sources from which the songbooks were drawn, are fully explored. Each song is dated, its keys identified and vocal range determined.'This is the most important book in the English language on the songs of Hugo Wolf since Ernest Newman proclaimed the composer's genius in 1907 . . . To the English-speaking student this work is a treasure to which he will find himself returning again and again: it is indispensable to those of us anxious to gain a deeper knowledge of Wolf.' Gerald Moore

Comfrey is noted by both organic gardeners and herbalists for its great usefulness and versatility. Of particular interest is the 'Bocking 14' cultivar of Russian Comfrey. This strain was developed during the 1950s by Lawrence D. Hills, who founded the organic gardening organization now known as Garden Organic.Lawrence D. Hills was the world authority on comfrey. In this book, he wrote for farmers and gardeners in all countries, showing how this useful plant could be cultivated in both tropical and temperate zones to produce a crop equally rewarding for gardener, smallholder and mechanized farmer. Subtitled 'Past, Present and Future,' on its publication in 1976, this was the most comprehensive survey of the properties and cultivation of comfrey ever, and Comfrey remains undoubtedly the essential book on the subject, as well as a lasting testament to Lawrence D. Hills's indefatigable efforts to achieve a better understanding of it.

The Chelsea Murders (1978) was Lionel Davidson's seventh novel, earning him the Crime Writer's Association Gold Dagger Award and prompting the Daily Telegraph to declare, 'Lionel Davidson is one of the best and most versatile thriller writers we have.' A terrifying, grotesque figure bursts into a young art student's room. Head covered with a clown's wig, face concealed by a smiling mask, it wears the rubber gloves of a surgeon. The girl is seized, chloroformed, suffocated and - horrifyingly - beheaded. This is only the beginning of a series of murders terrorising London's fashionable bohemia. The police target three avant-garde filmmakers. One of them is mocking the other two, and openly taunting the police as well. But which of them is behind these appalling crimes? Fast paced, terrifying and gripping, this is a page-turning thriller from a master.

W. H. Auden disapproved of literary biography. Or did he? The truth is far more equivocal than at first seems apparent. There is no denying he delivered himself of such unambiguous pronouncements as 'Biographies of writers are always superfluous and usually in bad taste.'; and that he asked for his friends to burn his letters at his death, but, against that, Auden himself often reviewed literary biographies and normally with enthusiasm. Moreover he argued for biographies of writers such as Dryden, Trollope, Wagner and Gerard Manley Hopkins as their lives would tell us something about their art.Humphrey Carpenter himself nicely summarizes Auden's ambiguity on this question. 'Here (referring to literary biography), as so often in his life, Auden adopted a dogmatic attitude which did not reflect the full range of his opinions, and which he sometimes flatly contradicted.'Although the biography was not authorized it did receive the co-operation of the Auden Estate which gave permission for letters and unpublished works to be quoted. The result is a biography that was widely praised on first publication in 1981 and which continues to hold its own. Now is the obvious time to reissue it with the character of Humphrey Carpenter playing an important role in Alan Bennett's The Habit of Art. In his introduction Alan Bennett writes 'When I started writing the play I made much use of the biographies of both Auden and Britten written by Humphrey Carpenter and both are models of their kind. Indeed I was consulting his books so much that eventually Carpenter found his way into the play.' 'Carpenter is a model biographer - diligent, unspeculative, sympathetic, and extremely good at finding out what happened when and with whom . . . admirably detailed and researched study.' John Bayley, The Listener'an illuminating book; full of information, unobtrusively affectionate, it describes with unpretentious elegance the curve of a great poet's life and work' Frank Kermode, Guardian'sharpens and usually lights up even the most canvassed parts of the Auden life and myth . . . a deeply interesting book about a deeply interesting life' Roy Fuller, Sunday Times' . . . the story of a remarkable man told by one of the best living biographers' David Cecil, Book Choice

First published in June 1941, the original hardback blurb is worth quoting. 'Miss Virginia Cowles has modestly entitled this account of four years as a roving journalist ''Looking for Trouble''. Never was a search more amply rewarded. She has found trouble in Spain - behind the barricades in Madrid, and among the polyglot armies of General Franco. She has found in Russia, in Germany, in Czecho-Slovakia at the time of Munich, in Roumania during the Polish war, in Finland throughout the Finnish war, In Italy during the ''lull'', in Paris a few hours before the Germans moved in, in London during the ''blitz''. Whether this is a world's record in successful trouble-hunting her publishers do not presume to say.' The question must still be left unanswered but it is unlikely that any other journalist in the five crucial years from 1935 to 1940 was so often in the right place at the right time. Anne Sebba devotes a chapter to Virginia Cowles in her Battling for News (also Faber Finds) and writes, 'For Virginia getting to the top man in any situation was both important in itself and valuable for smoothing her path whenever she might need help.' In short, she was blessed with the sort of chutzpah that could secure an interview with Mussolini (browbeating and insecure at the same time) and make sure she was on the last plane in or out of the latest hotspot. To return to the original blurb, 'It is Miss Cowles' outstanding merit that she is magnificently capable of writing a book. Her journalist's eye never fails her; her lucid, human, humorous style is never at a loss. This is a book to which the old clich, 'never a dull line' can be honestly applied. It is as good a first-hand account of the mad world of Hitler's Europe as is ever likely to come off the printing press. And there is something oddly fitting and perhaps prophetic, in the fact that a woman should have written it.' Looking for Trouble is a tour de force fully deserving to be reissued on the 100th anniversary of the author's birth.

'Angus Wilson is one of the most enjoyable novelists of the 20th century... Anglo-Saxon Attitudes (1956) analyses a wide range of British society in a complicated plot that offers all the pleasures of detective fiction combined with a steady and humane insight.' Margaret DrabbleFirst published in 1956, Anglo-Saxon Attitudes draws upon perhaps the most famous archaeological hoax in history: the 'Piltdown Man', finally exposed in 1953. The novel's protagonist is Gerald Middleton, professor of early medieval history and taciturn creature of habit. Separated from his Swedish wife, Gerald is increasingly conscious of his failings. Moreover, some years ago he was involved in an excavation that led to the discovery of a grotesque idol in the tomb of Bishop Eorpwald. The sole survivor of the original excavation party, Gerald harbours a potentially ruinous secret...

Michael Foot's two-volume biography of Aneurin 'Nye' Bevan (1897-1960) - arguably Britain's greatest socialist, indelibly associated with the founding of the National Health Service - is one of the major political biographies of the last century. It is the life of an inspirational politician, written by one who knew and unabashedly admired him. Volume II, first published in 1973, begins with Bevan's role in the founding of a comprehensive National Health Service - this while he was also tasked with addressing the country's severe post-war housing shortage. It takes in his 1951 resignation from the cabinet in protest at the introduction of prescription charges, and his subsequent leadership of a 'Bevanite' Labour left; his publication in 1952 of In Place of Fear; his service as Shadow Foreign Secretary during the Suez crisis in 1956; his controversial reversal of opposition to nuclear weapons in 1957; and his death from cancer in 1960.

Mass Observation was founded in 1937 with the aim of researching the everyday lives of ordinary people in Britain. One of its best-loved publications is The Pub and the People (1943), a unique study of one of Britain's best-loved pastimes, describing how people behaved in pubs, what and how much they drank, and the decor and layout of the average pre-war alehouse. Alongside sociological interest it offers amusing insights into an era when supping pints was only for the roughest customers, and beer was considered helpful not only to general health ('There is no bad ale, so Grandma said') but also (contra the porter in Macbeth) to the act of love. 'The authors of this book have unearthed much curious information.' George Orwell, Listener'Anyone with an interest in the history of beer and pubs in Britain ought to read it.' Boak and Bailey's Beer Blog

Michael Foot's two-volume biography of Aneurin 'Nye' Bevan (1897-1960) - arguably Britain's greatest socialist, indelibly associated with the founding of the National Health Service, - is one of the major political biographies of the last century. It is the life of an inspirational politician, written by one who knew and unabashedly admired him. Volume I, first published in 1962, describes Bevan's life from his birth in Tredegar in the South Wales Valleys, through his abortive schooling, his employment at a colliery and the subsequent embrace of socialism that would make him a leader among South Wales miners. It follows his path to the House of Commons as a Labour MP with a fast-rising reputation as a defender of the working class; and his marriage in 1934 to fellow firebrand MP Jennie Lee. The volume closes with Labour's landslide election victory of 1945, and Bevan's appointment as Minister of Health.

Arthur Seymour John Tessimond - Jack to his family, John in later life - was born in Birkenhead in 1902 and made his living as an advertising copywriter, but his true writing life was in poetry, three volumes of which he published in his lifetime: The Walls of Glass (1934), Voices in a Giant City (1947), and Selection (1958). Tessimond died in May 1962, two months shy of his sixtieth birthday, and it would fall to Hubert Nicholson, his friend and executor, to make a posthumous selection of his work including a number of uncollected and unpublished poems. Not Love Perhaps (1978) has at its heart the memorable title piece which contrasts the idea of romantic love 'that many waters cannot quench' with the notion of a mutual companionship that enables two people to 'walk more firmly through dark narrow places'.

'Donne is perhaps the most intellectual of English poets, and John Carey is perhaps the most intelligent of contemporary English literary critics. The encounter, as one might expect, is fierce and enthralling... This book is sensitive, searching, powerful, exciting, provocative and witty. It is a superb achievement.' Christopher Hill, TLSJohn Donne: Life, Mind and Art is a unique attempt to see Donne whole. Beginning with an account of his life, it takes as its domain not only the whole range of the poetry, but also the sermons, the letters, the spiritual and controversial works, and such highly personal documents as the treatise on suicide. The result is a clearer picture than has hitherto emerged of one of the most intricate and compelling of literary personalities.'The one book we have needed all along... A magnificent exercise in reappraisal. I have never read a critical work which reaches as deeply inside the mind of its subject.' Jonathan Raban, Sunday Times'Carey's book is itself alive with the kind of energy it attributes to Donne.' Christopher Ricks, London Review of Books

'I go in my bedroom and lie on my bed and soon as I set eyes on Nick it's like magic...' (Alison, 14)Starlust is a stunning oral history of pop music fandom in all its glorious, unexpurgated ecstasies and deliriums. Through first-hand accounts collected from interviews, diaries, letters and confessions Fred Vermorel presents an unprecedented, multi-faceted portrait of 1980s-era pop adoration and obsession - from lonely teens love-struck by Nick Heyward, to the androgynous disciples who claim psychic connections with David Bowie, to the housewife-devotees who share 'lashings of Manilust' for Barry Manilow. 'This book, at first glance full of the fantasies of maniacs, is really full of the wonderful dreams of people just like you and me.' Pete Townshend Faber Finds is devoted to restoring to readers a wealth of lost/neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog https://faberfinds.wordpress.com/

Greg is overheard admitting that his girlfriend Steph is no beauty, but that he wouldn't change her for the world. She is devastated; he can't see what he's done wrong. Meanwhile, Greg's friend Kent alternates between boasting about how gorgeous his wife Carlyis and chasing after a hot new colleague.The final part of Neil LaBute's 'beauty trilogy' (following The Shape of Things and Fat Pig) about society's obsession with looks, Reasons to Be Pretty premiered in the UK at the Almeida Theatre, London, in November 2011.'[The Shape of Things] is LaBute's thesis on extreme feminine wiles, as well as a disquisition on how far an artist can go in the name of art . . . Like a chiropractor for the soul, LaBute is looking for realignment, listening for the crack.' Elle'A heart-warming tale from America's master misanthrope.' Independent on Fat Pig

'Other folks get so well known,And nobody knows about my own,'Have you met my sister Jane? She's a great big crow! My Grandpa is an owler and Grandma knits jerseys for wasps! And my other Granny is an octopus...Meet Aunt Flo, Brother Bert and more extraordinary family members in Ted Hughes' irresistible Meet My Folks, his first book for children, illustrated beautifully by George Adamson.

The news that a government inspector is due to arrive in a small Russian town sends its bureaucrats into a panicked frenzy. A simple case of mistaken identity exposes the hypocrisy and corruption at the heart of the town in this biting moral satire.David Harrower's version of Nikolai Gogol's Government Inspector premiered at the Warwick Arts Centre in May 2011 and transferred to Young Vic, London in June.

The residents of Pepys Road, London - a banker and his shopaholic wife, an elderly woman dying of a brain tumour, the Pakistani family who run the local shop, the young football star from Senegal and his minder - all receive anonymous postcards with a simple message: We Want What You Have. Who is behind it? What do they want? As the mystery of the postcards deepens, the world around Pepys Road is turned upside down by the financial crash and all of its residents' lives change beyond recognition over the course of the next year. From the bestselling author of Whoops! and How to Speak Money comes a post-financial crisis, state-of-the-nation novel told with compassion, humour and unflinching truth.

The story of the French Resistance is central to French identity, but it is a story built on myths. 'La R,sistance fran,aise' was not simply a national effort to free the country from German occupation, but a wider struggle, filled with conflicts and division. It included Spanish republicans, Italian and even German anti-Nazis. The defence against the Holocaust brought in Jewish resisters and Christian rescuers. It involved a civil war for the French Empire in Africa and the Near East. The movement itself was split between those on the far right and the far left, fighting for very different visions of the world.Robert Gildea returns to the testimonies of the resisters themselves, asking who they were, what they believed in and what compelled them to take the terrible risks they did. He brings to the fore the woman resisters, who history neglected. By looking again at the constructions and interplay of the myths surrounding the resistance, Gildea builds a vivid, gripping and entirely new account of one of the most compelling narratives of the Second World War.

'Barcelona is colour, noise, heat, dust, violent traffic and quick-moving people. Many of the men carry rifles slung on their backs...'Tom Wintringham (1898-1949) was a pioneer of the International Brigades in the Spanish Civil War, and commander of the British Battalion in the bloody Battle of Jarama in February 1937, at which he was wounded. English Captain is Wintringham's own startling account of his service to the cause of the Spanish republic.'[Wintringham] was a remarkable man of ideas; the foremost Marxist expert on warfare, a published poet, a brilliant propagandist... He was also a man of action who believed that few things in life could be achieved unless you were prepared to fight for them.' Hugh Purcell, History Today

Two imprisoned young women, one African American and the other white, form a perilous bond. As they serve time they forge a plan for survival. They practice hard. If they don't get it right they'll lose everything: the outside world is even more dangerous to their friendship than the jail itself.Exploring the fierce dreams of youth and the brutal reality of adulthood in 1950's segregated America, Naomi Wallace's And I and Silence premiered at the Finborough Theatre, London, in May 2011.

'I had arrived at the Greek view of nature. In wood and river and plant and animal and bird and insect it had seemed to me there was a spirit which was the same as my spirit...'Born in Belfast in 1875, Forrest Reid would earn a reputation as 'the first Ulster novelist of European stature.' He studied at Cambridge, but it was Belfast where Reid returned to make his home, and where his questing mind seemed to find all that it required of inspiration. As he writes in Apostate (1926), the first of two volumes of autobiography - 'The landscape was the landscape I loved best, a landscape proclaiming the vicinity of man, a landscape imbued with a human spirit that was yet somehow divine.'

By 1914 the Liberal Party had been governing Britain ever since its stunning general election victory of 1906. Four years later the Party was out of office, and so enfeebled it would never again form a government. What prompted the Liberal decline in the years of The Great War, and why did this decline then accelerate? Trevor Wilson's classic study analyses the strains exerted on Liberal principles by war, and the leadership crisis induced in 1916 by Lloyd George's ousting of Asquith.'A good political mystery, and Mr Wilson has told it in fine dramatic style.' A.J.P. Taylor'Offers portraits of those rivals, Asquith and Lloyd George, that are among the best - the most plausible and the most temperate - available.' New Yorker

'This is a fan's eye-view of Paul Gascoigne - and fans, as we know, are expert at reassembling dashed hopes...'In 1987 Ian Hamilton - acclaimed poet, biographer and Tottenham fan - was smitten from afar by the impish skills of Newcastle United's Paul Gascoigne. When 'Gazza' duly signed for Spurs, Hamilton was sure that he and English football had found their new hero. But Gascoigne was destined to be brought low by tragic flaws, and Hamilton was ideally positioned to tell the tale in this, a peerless piece of football literature.'By the final whistle Hamilton has sketched a compelling figure: reckless, cocky, twitchy, hyperactive and half bonkers... but with flashes of implausible grace that connect with the dreams of his audience.' Independent

'You can't imagine what it's like when your youth comes back - and beauty, and more... I found out that if I took the pills I could turn - just like that - into the person I had been. Yes, into me! Eliza! Where had I gone? Who had I been?'Emma Tennant's brilliant re-imagining of Robert Louis Stevenson tells of an impoverished single mother at the bitter end of her tether, who finds dark pharmaceutical means to revive her looks and career ambitions. This splitting of personality, however, leads to disintegration and murder.'Fascinating.' Financial Times'Brilliant... Wittily worked out, perceptive of modern mores and values.' Times Literary Supplement'Reminiscent of Muriel Spark at her very darkest and very best.' Scotland on Sunday