Books published by Faber & Faber

Winner of a Betty Trask AwardShortlisted for the Dylan Thomas Prize and the Commonwealth Book PrizeLonglisted for the Desmond Elliot PrizeThe Spider King's Daughter is a modern-day Romeo and Juliet set against the backdrop of a changing Lagos, a city torn between tradition and modernity, corruption and truth, love and family loyalty. Seventeen-year-old Abike Johnson is the favourite child of her wealthy father. She lives in a She lives in a sprawling mansion in Lagos, protected by armed guards and ferried everywhere in a huge black jeep. But being her father's favourite comes with uncomfortable duties, and she is often lonely behind the high walls of her house. A world away from Abike's mansion, in the city's slums, lives a seventeen-year-old hawker struggling to make sense of the world. His family lost everything after his father's death and now he runs after cars on the roadside selling ice cream to support his mother and sister.When Abike buys ice cream from the hawker one day, they strike up an unlikely and tentative romance, defying the prejudices of Nigerian society. But as they grow closer, revelations from the past threaten their relationship and both Abike and the hawker must decide where their loyalties lie.

The Faber Pocket Guide to Handel offers a detailed but accessible exploration of George Frederick Handel, his composition, and his legacy. A larger-than-life figure in his time, Handel's reputation has been less than steady since his death in 1759. Was he (in the words of Berlioz) just 'a great barrel of pork and beer', or (as Handel himself claimed) truly 'the master of us all'? Now, more than 250 years after his death, there is more interest in Handel than ever before, with his operas (such as Rinaldo and Agrippina) experiencing fantastic renewed popularity. This lively new Pocket Guide goes in search of the composer who wrote the Messiah, Water Music - and much more.Handy for browsing and reference, key features include:- Handel's life: year by year- Handel's operas: a complete guide- Essential Handel- Picturing Handel- Handel on CD and DVD- Handel OnlineEdward Blakeman assesses how Handel's works - incredibly influential in their context of baroque music - have stood the test of time and why they can still speak thrillingly to us today. With recommendations throughout for listening, further reading, and web surfing, this is the ideal guide for music lovers who want to discover the great composer for themselves.

Joseph Haydn is one of the greatest and most innovative of all composers, yet in some ways he is still curiously misunderstood. This engaging new Pocket Guide assesses what Haydn's music means to us today, and challenges some of the myths that have grown up around the composer. With suggestions for further reading and recommended CD recordings, Richard Wigmore's crisp and concise guide presents you with all you need to listen to and enjoy Haydn's music. It explores each of his key works, from his symphonies to his quartets, from his choral works to his sonatas, and invites a new generation of listeners to discover the depth and dazzling ingenuity of this most humane and life-affirming of composers.

The eagerly awaited follow-up to the best-selling Why Beethoven Threw the Stew.What did Haydn's wife use for curling-paper for her hair?What did Schubert do with his old spectacles case?Why was Dvorak given a butcher's apron when he was a little boy?Why did Tchaikovsky spit on a map of Europe?Why did Faure find a plate of spinach on his face?And why did Handel waggle his wig?In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis set out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. In his new book he draws us irresistibly into the world of six more favourite composers, bringing them alive in a manner that cannot fail to catch the imagination of children encountering classical music for the first time. Once again the text is packed with facts, dates and anecdotes, interspersed with lively black-and-white line illustrations, making this an attractive and accessible read for children to enjoy on their own or share with an adult.'If Why Beethoven Threw the Stew does not turn your child into a music lover, the chances are nothing will.' Daily Mail

In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. Witty and informative at the same time, Isserlis introduces us to six of his favourite composers: the sublime genius Bach, the quicksilver Mozart, Beethoven with his gruff humour, the shy Schumann, the prickly Brahms and that extraordinary split personality, Stravinsky. Isserlis brings the composers alive in an irresistible manner that can't fail to catch the attention of any child whose ear has been caught by any of the music described, or anyone entering the world of classical music for the first time. The lively black and white line illustrations provide a perfect accompaniment to the text, and make this book attractive and accessible for children to enjoy on their own or share with an adult.

With hit TV shows picking the leads in productions of Oliver! and The Sound Of Music, and smash musicals like Hairspray and Wicked all the West End rage, musical theatre is as popular as it's ever been. James Inverne provides an indispensable guide to his top one hundred greatest shows of all time - and ten of the worst. Whether you know your Pal Joey from The Producers, your West Side Story from your Witch Witch, the Faber Pocket Guide To Musicals is packed with entertaining behind-the-scenes stories, essential songlists and comprehensive recording guides. Did you know, for instance, that one of the best recordings of Les Miserables is in Hebrew? Or that the Mel Brooks wasn't the first person to want to make a musical of The Producers? (That claim goes to Eric Idle.) Or the ridiculous story of the huge purpose-built theatre constructed in Holland to house a flop about Grace Kelly?Key features include:- The hundred greatest musicals- Numbers to listen for- Snapshot plot summaries- Ten terrible musicals- Recommended recordingsJames Inverne has been writing about musical theatre for years and brings copious knowledge, passion for the subject and a sense of fun to a genre that continues to entertain us all. Make the most of the musicals with this vital book.

Knute is a twenty-four-year-old single mother who returns home to Algren with her daughter to look after her father Tom, who has suffered a heart attack. Meanwhile, Hosea Funk, a friend of Tom's and the mayor of Algren has a lot on his mind. The prime minister has promised to pay a visit to whichever town in Canada has the smallest population. Algren has held this position for some time but recent baby booms and returning families, like Knute, threaten to tip Algren over the magic 1500 . . .

Meet the Troutmans. Hattie is living in Paris, city of romance, but has just been dumped by her boyfriend. Min, her sister back in Canada, is going through a particularly dark period. And Min's two kids, Logan and Thebes, are not talking and talking way too much, respectively. When Hattie receives a phone call from eleven-year-old Thebes, begging her to return to Canada, she arrives home to find Min on her way to a psychiatric ward, and becomes responsible for her niece and nephew. Realising that she is way out of her league, Hattie hatches a plan to find the kids' long-lost father. With only the most tenuous lead to go on, she piles Logan and Thebes into the family van, and they head south . . .

A work of fierce originality and brilliance, Miriam Toews' novel explores the ties that bind families together and the forces that tear them apart. It is the world according to Nomi Nickel, a heartbreakingly bewildered and wry young woman trapped in a small Mennonite town that seeks to set her on the path to righteousness and smother her at the same time.'Half of our family, the better-looking half, is missing,' Nomi tells us at the beginning of A Complicated Kindness. Left alone with her father Ray, her days are spent piecing together the reasons her mother Trudie and her sister Tash have gone missing, and trying to figure out what she can do to avoid a career at Happy Family Farms, a chicken abattoir on the outskirts of East Village - not the neighbourhood in Manhattan where Nomi most wants to live but the small town in southern Manitoba. East Village is ministered by Hans, Nomi's pious uncle, otherwise known as The Mouth.As Nomi gets to the bottom of the truth behind her mother's and sister's disappearances, she finds herself on a direct collision course with her uncle and the only community she has ever known. In this funny, compassionate and moving novel, Miriam Toews has created a character who will stay in the hearts of readers long after they've put the book down.

1944. After the fall of Russia and the failed D-Day landings, half of Britain is occupied . . . Young farmer's wife Sarah Lewis wakes to find her husband has disappeared, along with all of the men from her remote Welsh village.A German patrol arrives in the valley, the purpose of their mission a mystery. Sarah begins a faltering acquaintance with the patrol's commanding officer, Albrecht, and it is to her that he reveals the purpose of his mission - to claim an extraordinary medieval art treasure that lies hidden in the valley. But as the pressure of the war beyond presses in on this isolated community, this fragile state of harmony is increasingly threatened.

Great Britain. 1984. The miners' strike. The government against the people.In a bloody and dramatic fictional portrait of the year that left an indelible mark on the nation's consciousness, David Peace brings Britain's social and political past shockingly to life.

The Sultan secretly commissions a great book: a celebration of his life and the Ottoman Empire, to be illuminated by the best artists of the day - in the European manner. In Istanbul at a time of violent fundamentalism, however, this is a dangerous proposition. Even the illustrious circle of artists are not allowed to know for whom they are working. But when one of the miniaturists is murdered, their Master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror? With the Sultan demanding an answer within three days, perhaps the clue lies somewhere in the half-finished pictures . . . From Turkey's winner of the Nobel Prize and author of Istanbul and The Museum of Innocence, this novel is a thrilling murder mystery set amid the splendour of Istanbul and the Ottoman Empire. Part fantasy and part philosophical puzzle, My Name is Red is also a stunning meditation on love, artistic devotion and the tensions between East and West.

'I read a book one day, and my whole life was changed.' So begins The New Life, Orhan Pamuk's fabulous road novel about a young student who yearns for the life promised by a dangerously magical book. On his remarkable journey, he falls in love, abandons his studies, turns his back on home and family, and embarks on restless bus trips through the provinces, in pursuit of an elusive vision. This is a wondrous odyssey, laying bare the rage of an arid heartland, from the bestselling author of My Name is Red and Snow. In coffee houses with black-and-white TV sets, on buses where passengers ride watching B-movies on flickering screens, in wrecks along the highway, in paranoid fictions with spies as punctual as watches, the magic of Pamuk's creation comes alive. From a writer compared to Kafka, Nabakov, Calvino and Garcia Marquez, The New Life documents the spiritual journey of a young student, who leaves his family behind in the name of love, life and literature.

From a Turkish writer who has been compared with Joyce, Nabokov, and Gabriel Garcia Marquez comes a dazzling novel that is at once a captivating work of historical fiction and a sinuous treatise on the enigma of identity and the relations between East and West. In the 17th century, a young man sailing from Venice to Naples is taken prisoner by pirates and delivered to the Ottoman Empire in Constantinople. There he is forced into slavery and left in the custody of a brilliant Turkish inventor known as Hoja--"e;master"e;--a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities. Set in the Ottoman Empire, a world of pirates, slavery, magnificent scholarship and terrifying savagery, The White Castle is a colourful and intricately patterned triumph of the imagination.

Maria Tambini is a 13-year-old girl with an amazing singing voice. Growing up above her mother's chip shop on the Scottish island of Bute, living at the centre of her family's dream of fame, Maria is an extraordinary girl making ready to escape the ordinary life.We first meet her amidst the faded grandeur of the seaside resort of Rothesay, with the Argyll hills and the Eighties in front of her, and behind her a long shadow: the secret story of her Italian-immigrant family. When Maria wins a national TV talent show she is taken to London and becomes an instant star of what used to be called light entertainment; she sings with Dean Martin and tours America, can fill the London Palladium, yet all the while 'the girl with the giant voice' is losing herself in fame and begins a private war against her own body. Maria becomes a living exhibit in the modern drama of celebrity: is it possible that she can be saved by love? Or is she to be consumed by an obsessive culture, by family lies and her number one fan?The cast of characters is so vivid and complex that they seem to encompass within their enthralling stories a portrait of a whole society, its history and its spirit.

Hugh Provan was a Modernist hero. A dreamer, a Socialist, a man of the people, he led Scotland's towerblock programme after the war. Now he lies on a bed on the eighteenth floor. The times have changed. His flats are coming down. The idealism he learned from his mother is gone. And even as his breath goes out he clings to the old ways. His wife sings her Scots ballads to soothe him, yet his final months are plagued by memory and loss, by a bitter sense of his family and his country, who could not live up to the houses he built for them. Meanwhile the corruption hearings bring their hammer down on the past.Hugh's grandson, Jamie, comes home to watch over his dying mentor. The old man's final months bring Jamie to see what is best and worst in the past that haunts them all, and he sees the fears of his own life unravel in the land that bred him. He tells the story of his own family - a tale of pride and delusion, of nationality and strong drink, of Catholic faith and the end of the old Left. It is a tale of dark hearts and modern houses, of three men in search of Utopia. Andrew O'Hagan has written a story which is a poignant and powerful reclamation of the past and a clear sighted gaze at our relationship with history, personal and public.

When an English priest takes over a small Scottish parish, not everyone is ready to accept him. He makes friends with two local youths, Mark and Lisa, and clashes with a world he can barely understand. The town seems to grow darker each night. Fate comes calling and before the summer is out his quiet life is the focus of public hysteria. Meanwhile a religious war is unfolding on his doorstep . . .Be Near Me is a briliantly moving story of art and politics, love and change and the way we live now.

A frightening and impressive portrait of evil by one of Latin America's leading contemporary novelists.'A monumentally engrossing novel.' Los Angeles Times

A visitor from Peru, happening upon an exhibition of photographs from the Amazon jungle in an obscure Florentine picture gallery, finds his attention drawn to a picture of a tribal storyteller seated among a circle of Michiguenga Indians. There is something odd about the storyteller. He is too light-skinned to be an Indian. As the visitor stares at the photograph, it dawns on him that he knows this man. The storyteller is his long-lost friend, Saul Zuratas, his classmate from university who was thought to have disappeared in Israel.The Storyteller is a brilliant and compelling study of the world of the primitive and its place in our own modern lives.

In Who Killed Palomino Molero? Mario Vargas LLosa has turned to detective fiction. The setting is Peru in the 1950s. Near an air force base in the northern deserts, a young airman is found brutally tortured and murdered. Two local policemen, Lieutenant Silva and Officer Lituma, set out to investigate. But they are not glamorous detectives with modern resources at their disposal; they don't even have a squad car and have to hitch rides on chiken trucks and cajole a local cabdriver to take them out to the scene of the crime.Not that anyone seems eager for Silva and Lituma to capture Palomino Molero's killer. But the two policemen persevere, and the slow and haphazard pace of the investigation only serves to intensify the high-pitched narrative tension, as the novel comes to haltingly rest on the very question with which it began. Who killed Palomino Molero? is an entertaining and brilliantly plotted mystery. It is also serious fiction. Deftly, unobtrusively, the book takes up some of the great themes of all of Vargas Llosa's novels: guilt and innocence, the impossibility of justice in a society grounded in inequality and the eternally elusive nature of the truth.

This delightful farce opens as the prim and proper Captain Pantoja learns he is to be sent to Peru's Amazon frontier on a secret mission for the army-to provide females for the amorous recruits. Side-splitting complications arise as world of Captain Pantoja's remarkable achievements start to spread.

With meticulous observation and the seductive skill of a great storyteller, Vargas Llosa lures the reader into the shadow of perversion that, little by little, darkens the extraordinary happiness and harmony of his characters. The mysterious nature of happiness and above all, the corrupting power of innocence are the themes that underlie these pages, and the author has perfectly met the demands of the erotic novel, never dimming for an instant the fine poetic polish of his writing.

In 1844, Flora Tristan embarked on a tour of France to campaign for workers' and women's rights. In 1891, her grandson set sail for Tahiti, determined to escape civilisation and seek out inspiration to paint his primitive masterpieces. Flora died before her grandson was born, but their travels and obsessions unravel side by side in this absorbing novel.Flora, the illegitimate child of a wealthy Peruvian father and French mother, grows up in poverty, and after fleeing a brutal husband, journeys to Peru to demand her inheritance. On her return, she makes her name as a popular writer and a champion of the dispossessed, setting herself the arduous task of touring the French countryside to recruit members for her Workers' Union.Paul, struggling, profligate painter and stubborn visionary, abandons his wife and five children for life in the South Seas, where his dreams of paradise are poisoned by poverty, syphilis and the stifling forces of French colonialism, though he has his pick of teenage Tahitian lovers and paints some of his greatest works.A rare study of passion, ambition and the determined pursuit of greatness in the face of illness, death and conservative forces, The Way to Paradise shows a contemporary master at the peak of his powers.

Don Rigoberto - a rather grey insurance executive by day, a dedicated pornographer and sexual enthusiast by night - misses Lucrecia, his estranged second wife. He desperately compensates for her absence by filling his notebooks with a steamy mix of memory and sexual fantasy. Husband and wife have been separated for a year because of a sexual encounter between Rigoberto's pre-pubescent son Alfonso and his stepmother. Alfonso is a strange fey creature of angelic appearance and apparently diabolical impulses - more seducer than seduced despite his age. He visits Lucrecia's house without his father's knowledge and insists that he wants his parents to make up, having apparently forgotten the incident that caused the original break-up. Meanwhile, Rigoberto and Lucrecia are each receiving highly erotic letters which each believe to have been sent by the other but may well have been written by Alfonso. Add to all this the notebooks at the core of the novel and the reader is drawn into Don Rigoberto's own confusion between imagination and physical reality. The Notebooks of Don Rigoberto is a funny, sexy, disquieting and very compelling novel that is one of Vargas Llosa's finest works.

Philip Larkin's second novel was first published in 1947. This story of Katherine Lind and Robin Fennel, of winter and summer, of war and peace, of exile and holidays, is memorable for its compassionate precision and for the uncommon and unmistakable distinction of its writing.'A Girl in Winter is a beautifully constructed, funny and profoundly sad book.' Andrew Motion'One of the finest and most sustained prose poems in the language.' John Bayley

Jill is Philip Larkin's first novel, originally published in 1946. A subtle and moving account of a young English undergraduate from the provinces, this portrait of Oxford during the war is now regarded by many critics as a classic of its kind.'The qualities one has learned to value in his poetry are there: control of emotion and language, keen observation, and in particular the very precise expression of half-success, anticipated failure or sadness.' New Statesman'Jill is, in a sense, a kind of cryptic literary manifesto. It is a novel about writing, about discovering a literary personality, and about the sorts of consolation that art can provide.' Andrew Motion

Fragrant Harbour is the story of four people whose intertwined lives span Asia's last seventy years. Tom Stewart leaves England just before it is hit by the Great Depression to seek his fortune, and finds it in running Hong Kong's best hotel. Sister Maria is a beautiful and uncompromising Chinese nun whom Stewart meets on the boat out from England; their friendship spans decades and changes both their lives. Dawn Stone is an English journalist who becomes the public face of money and power and big business. Matthew Ho is a young Chinese entrepreneur whose life has been shaped by painful choices made long before his birth, and who is now facing his own difficulties, and opportunities, in the twenty-first century. The complacency of colonial life in the 1930s; the horrors of the Japanese occupation during the Second World War; the post-war boom and transformation of Hong Kong into a laboratory of capitalism at its most cut-throat; the growth of the Triads; the handover of the city to the Chinese - all these are present in Fragrant Harbour, an epic novel of one of the world's great cities.

One warm July morning Mr Phillips climbs out of bed, leaving Mrs Phillips dozing. He prepares for his commute into the city - but this is no ordinary Wednesday. It is a day on which Mr Phillips will chat with a pornographer, stalk a tv mini-celebrity, have lunch with an aspiring record mogul, and get caught up in a bank robbery. It is, as Mr Phillips comes to realise, the first day of the rest of his life - whether he wants it to be or not. All this is both better and worse than being at work. So why is Mr Phillips, a cautious middle-aged accountant, not behind his desk calculating the financial consequences of redundancies or recommending the savings to be made from more responsible use of yellow sticky note pads?

The stories in Midnight All Day show a contemporary master at the top of his form, acclaimed by one reviewer for his depiction of 'a lost generation of men: those shaped by the sixties, disoriented by the eighties and bereft of a personal and political map in the nineties'.We are unerring in our choice of lovers, particularly when we require the wrong person. There is an instinct, magnet or aerial which seeks the unsuitable. The wrong person is, of course, right for something - to punish, bully, or humiliate us, let us down, leave us for dead,or, worst of all, give us the impression that they are not inappropriate, but almost right, thus hanging us in love's limbo. Not just anyone can do this.In this astonishing collection of stories, Hanif Kureishi confirms his reputation as Britain's foremost chronicler of the loveless, the lost and the dispossessed. The characters in Midnight All Day are familiar to all of us: frustrated and intoxicated, melancholic and sensitive, yet capable of great cruelty, and, if necessary, willing to break the constraints of an old life to make way for the new.

'It is the saddest night, for I am leaving and not coming back.'Jay is leaving his partner and their two sons. As the long night before his departure unfolds he remembers the ups and downs of his relationship with Susan. In an unforgettable, and often pitiless, reflection of their time together he analyses the agonies and the joys of trying to make a life with another person.