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Features popular show tunes arranged for easy piano, including songs from "Grease", "Chicago", and "My Fair Lady".
Jazz Trumpet Studies brings together 78 of James Rae’s pieces from his successful method Progressive Jazz Studies into a single great-value book, suitable for Grade 1 to 5. •Part 1 introduces the beginner to jazz rhythms including swing quavers, syncopation and anticipation •Part 2 contains fully graded melodic jazz studies •Part 3 develops confidence within common jazz tonalities: whole-tone, diminished and blues scales, modes and the II-V-I chord sequence. **ABRSM selected pieces (Trumpet, Cornet & Flugelhorn from 2009): Study No. 31 or No. 33 (Rae) Study No. 37 or No. 43 (Rae) Study No. 44 or No. 48 (Rae) Study No. 61 (Rae)
Jazz Piano Studies 1 is a great collection of original Jazz studies and study pieces, spanning a host of jazz idioms from blues, trad. and ‘big band’ to gospel, ballad and more reflective styles. These carefully-graded studies explore systematically a broad range of techniques including left and right-hand chord shapes, large hand stretches, more complex rhythms, blue notes, ornaments and chromatic phrasing. Whether you are learning on your own or with a teacher, Jazz Piano Studies is the ideal route to stylish piano playing! For piano players at Grade 3 and above.
Very Easy Little Peppers is the first book in a five-part series by Elissa Milne, Australian-based composer, teacher, and writer. Each book is filled with fun jazz pieces that can be used both as pedagogical studies and as repertoire pieces. Very Easy Little Peppers starts at Pre-Grade 1-Grade 1 and progresses to the standard required for the first exam. The pieces have been written with the young pianist in mind, avoiding leaps that are difficult for small hands and incorporating suitably short and lighthearted pieces, and introduces a range of keys, rhythms and performance techniques. Technique is developed alongside musicality, helping young players to move towards grade exams and the other books in the series.  
Technique Takes Off! Cello presents fourteen original, imaginative studies for solo cello, specially designed to lead on from elementary studies for younger players to more advanced material by Dotzauer and Popper. Each piece concentrates on one or two aspects of technique, and the whole set covers a wide range of left and right hand skills, including spicatto bowing, string-crossing, moto perpetuo, cantible, and easy double stops.Teachers and pupils will find this invaluable, yet light hearted, collection both enjoyable and stimulating."I have been meaning to write to say how much pleasure Technique Takes Off has given me and my students. Beautifully conceived, imaginative and great fun to teach. I have been using it at higher levels with more detail too. All power to your elbow!" William Bruce (Head of Strings and ABRSM examiner)**Trinity College London selected piece (Cello 2010-2012): Village Bagpipes (Cohen)
Technique Takes Off! Viola presents fourteen original, imaginative studies for solo viola, specially written with the timbre and register of the instrument in mind and designed to lead on from elementary studies for younger players to those of Mazas and Kreutzer. Each piece concentrates on one or two aspects of technique, and the whole set covers a wide range of left and right hand skills, including spiccato bowing, string-crossing, moto perpetuo, cantabile, and easy double stops.Teachers and pupils will find this invaluable, yet light hearted, collection both enjoyable and stimulating."I have been meaning to write to say how much pleasure Technique Takes Off has given me and my students. Beautifully conceived, imaginative and great fun to teach. I have been using it at higher levels with more detail too. All power to your elbow!" William Bruce (Head of Strings and ABRSM examiner)
This method, which can be used for any size of instrument, from 12 to 120 bass takes the student rapidly through the fundamentals in a manner to establish self-confidence from the first lesson. This book presents a new and scientifically correct program for mastering finger technique, enabling the accordionist to acquire the brilliant technique of the professional player far more rapidly than by indiscriminate and haphazard practice. Included also is an easily understood course in Keyboard Harmony and its adaptation in harmonizing melodies and playing effectively from piano and violin music. Finally, this method contains a series of carefully graded and edited solos embracing all forms of music from Swing-Boogie to the Classics.
Over seventy original progressive studies in a variety of jazz styles, by James Rae. A systematic, methodical approach that helps you to play stylish Jazz right from the beginning. The book is divided into three sections: Part One introduces the beginner to jazz rhythms, including swing quavers, syncopation and displaced accents. Part Two contains twenty carefully graded melodic jazz studies to assist in the formulation of physical techniques and skills. Part Three Improvisation and Blues encourages the budding Jazz flautist to use these studies as the basis for further creative jazz improvisation.
Paul Harris's Clarinet Basics Repertoire (Teacher's part) is a fantastic addition to the Clarinet Basics Series, offering supplementary material for the Grade 1-4 clarinetist, including a range of pieces from pop to classical. Each stage focuses on a specific technique with exercises and pieces to help consolidate new skills. There is plenty of opportunity for ensemble playing with the inclusion of duets as well as approachable piano accompaniments to suit every teacher. Â
80 Graded Studies for Saxophone brings together in two books a broad selection of 18th and 19th century repertory, with studies by Arban, Baermenn, Blatt, Brod and others. Also included are a number of specially composed studies by Paul Harris. The studies are arranged in increasing difficulty from elementary level to early intermediate, according to a carefully planned technical progression.
Offers your favourite jazz standards. This title contains works that are arranged for the Grade 4-6 pianist.
Helps the player overcome problems, by building up a picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of sight-reading pieces.
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