Books published by Farrar, Straus & Giroux Inc

The old distinctions - between natural and artificial, dystopia and utopia, science fiction and science fact - have blurred, losing all meaning. We inhabit an uncanny landscape of our own creation. From Odds Against Tomorrow to Losing Earth to the film Dark Waters (adapted from the first chapter of this book), Nathaniel Rich''s stories and reporting have come to define the way we think of contemporary ecological narrative. In Second Nature, he asks what it means to live in an era of terrible responsibility. The question is no longer, How do we return to the world that we''ve lost? It is, What world do we want to create in its place?

A Stonewall Honor BookFrom the author of the critically acclaimed novel For Black Girls Like Me, Mariama J. Lockington, comes a coming-of-age story surrounding the losses that threaten to break us and the friendships that make us whole again. Thirteen-year-old Andi feels stranded after the loss of her mother, the artist who swept color onto Andi's blank canvas. When she is accepted to a music camp, Andi finds herself struggling to play her trumpet like she used to before her whole world changed. Meanwhile, Zora, a returning camper, is exhausted trying to please her parents, who are determined to make her a flute prodigy, even though she secretly has a dancer's heart.At Harmony Music Camp, Zora and Andi are the only two Black girls in a sea of mostly white faces. In kayaks and creaky cabins, the two begin to connect, unraveling their loss, insecurities, and hopes for the future. And as they struggle to figure out who they really are, they may just come to realize who they really need: each other.In the Key of Us is a lyrical ode to music camp, the rush of first love, and the power of one life-changing summer.

A New York Times Book Review Editors'' Choice | One of Esquire''s 125 best books about HollywoodAward-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her.“Wherever you look in the period between 1925 and 1941,” Robert Gottlieb writes in Garbo, “Greta Garbo is in people’s minds, hearts, and dreams.” Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world’s subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world—and that indescribable, transcendent presence she possessed—was rivaled only by Marilyn Monroe’s. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world’s most famous actress.In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world—her desperate, futile striving to be “left alone.” He takes us through the films themselves, from M-G-M’s early presentation of her as a “vamp”—her overwhelming beauty drawing men to their doom, a formula she loathed—to the artistic heights of Camille and Ninotchka (“Garbo Laughs!”), by way of Anna Christie (“Garbo Talks!”), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York—“a hermit about town”—and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee—were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know—and still wants to know.In addition to offering his rich account of her life, Gottlieb, in what he calls “A Garbo Reader,” brings together a remarkable assembly of glimpses of Garbo from other people’s memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere—in Hemingway’s For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures—250 or so ravishing movie stills, formal portraits, and revealing snapshots—all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went.Includes Black-and-White Photographs