Books published by Fordham University Press

The book Chronicle of Separation is an attempt to write on Derrida, to Derrida and from Derrida on the basis of a pathetic experience, which, in various ways, describes and enacts the pathetic experience of deconstruction itself. The book tackles the weight of emotions that is at the heart of deconstructive reading.

A coherent and practical philosophy of interdependence, drawing on vivid examples from the biological sciences.

New Men uncovers the narrative of veteran reentry into civilian life and exposes a growing gap between how former soldiers of the Civil War saw themselves and the representations of them created by late nineteenth-century American society. This gap generated a new conception of the "veteran" still influential today.

Earth, Life & System: Evolution and Ecology on a Gaian Planet explores the multiple themes of Lynn Margulis's science: microbial evolution, ecology and symbiosis, the coupled interactions of environment and life in Gaia theory, and the connections of these newer scientific ideas to cultural and creative productions.

Negative Ecstasies discusses the contribution and significance of the work of Georges Bataille to the contemporary study of religion and theology, collecting essays that examine specific case studies and make connections to other significant scholars in the field.

Negative Ecstasies discusses the contribution and significance of the work of Georges Bataille to the contemporary study of religion and theology, collecting essays that examine specific case studies and make connections to other significant scholars in the field.

Flirtations: Rhetoric and Aesthetics This Side of Seduction, opens by asking a fundamental first question: What is flirtation, and how does it differ from seduction? The essays thereby address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right.

By analyzing many films, by drawing on the philosophy of Lyotard, Nancy, and Derrida, this book suggest that in the apocalyptic genre, cinema is at work on its limit. Apocalypse-cinema is both the end of the world and the end of the film, the consummation and the (self)consumption of cinema.

This book brings together a group of Judith Butler's philosophical essays written over two decades that elaborate her reflections on the roles of the passions in subject-formation through an engagement with Hegel, Kierkegaard, Descartes, Spinoza, Malebranche, Merleau-Ponty, Freud, Irigaray and Fanon.