Books published by Fordham University Press

Deals with the history that consists in a paradoxical tendency to contest one's own foundations - whether God, truth, origin, humanity, or rationality - as well as to found itself on the void of this contestation. This book includes discussion with Nancy himself, who contributes a substantial Preamble and a concluding dialogue with volume editors.

What is strange? Or better, who is strange? When do we encounter the strange? We encounter strangers when we are not at home: when we are in a foreign land or a foreign part of our own land. From Freud to Lacan to Kristeva to Heidegger, the feeling of strangenessΓÇödas UnheimlichkeitΓÇöhas marked our encounter with the other, even the other within our self. Most philosophical attempts to understand the role of the Stranger, human or transcendent, have been limited to standard epistemological problems of other minds, metaphysical substances, body/soul dualism and related issues of consciousness and cognition. This volume endeavors to take the question of hosting the stranger to the deeper level of embodied imagination and the senses (in the Greek sense of aisthesis). This volume plays host to a number of encounters with the strange. It asks such questions as: How does the embodied imagination relate to the Stranger in terms of hospitality or hostility (given the common root of hostis as both host and enemy)? How do we distinguish between projections of fear or fascination, leading to either violence or welcome? How do humans ΓÇ£senseΓÇ¥ the dimension of the strange and alien in different religions, arts, and cultures? How do the five physical senses relate to the spiritual senses, especially the famous ΓÇ£sixthΓÇ¥ sense, as portals to an encounter with the Other? Is there a carnal perception of alterity, which would operate at an affective, prereflective, preconscious level? What exactly do ΓÇ£embodied imaginariesΓÇ¥ of hospitality and hostility entail, and how do they operate in language, psychology, and social interrelations (including racism, xenophobia, and scapegoating)? And what, finally, are the topical implications of these questions for an ethics and practice of tolerance and peace?

The zombie is ubiquitous in popular culture: from comic books to video games, to internet applications and homemade films, zombies are all around us. Investigating the zombie from an interdisciplinary perspective, with an emphasis on deep analytical engagement with diverse kinds of texts, Better Off Dead addresses some of the more unlikely venues where zombies are found while providing the reader with a classic overview of the zombieΓÇÖs folkloric and cinematic history.What has the zombie metaphor meant in the past? Why does it continue to be so prevalent in our culture? Where others have looked at the zombie as an allegory for humanityΓÇÖs inner machinations or claimed the zombie as capitalist critique, this collection seeks to provide an archaeology of the zombieΓÇötracing its lineage from Haiti, mapping its various cultural transformations, and suggesting the post-humanist direction in which the zombie is ultimately heading.Approaching the zombie from many different points of view, the contributors look across history and across media. Though they represent various theoretical perspectives, the whole makes a cohesive argument: The zombie has not just evolved within narratives; it has evolved in a way that transforms narrative. This collectionannounces a new post-zombie, even before the boundaries of this rich and mysterious myth have been completely charted.

Designed to aid visual artists in furthering their careers through unfiltered information about the business practices and idiosyncrasies of the contemporary art world, this book demystifies practices through testimonials, interviews, and commentary from leading artists, curators, gallerists, collectors, critics, art consultants, and others.