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The illuminating intellectual biography of one of the most controversial Italian figures of the twentieth century.
This book examines the methodological significance of the future in the work of Husserl, Levinas and Derrida. In doing so, it reveals phenomenology to be, in its essence, a promissory discipline.
The book examines how 19th- and 20th-century French-speaking poets have used cinema for cross-medium writing experiments, especially in the aftermath of the two world wars, thereby altering modernist literary imagination.
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