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The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychromewood sculpture.
The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas.
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth, trade routes, and agricultural land led to distinct regional variations. Heavily illustrated with ancient Etruscan art and cultural objects, the text is organized both chronologically and thematically, interweaving archaeological evidence, analysis of social structure, descriptions of trade and burial customs, and an examination of pottery and works of art.
"This volume publishes Yukio Lippit's lecture of the same title, held at the Getty Center on 23 September 2014."
In August 1576, in the midst of an outbreak of the plague, the Spanish Franciscan friar Bernardino de Sahagun and 22 indigenous artists locked themselves inside the school of Santa Cruz de Tlaltelolco in Mexico City with a mission: to create the first illustrated encyclopedia in the New World. This title deals with this manuscript.
Looks at the work of three artists who paved the way for ceramics to be considered fine art. This title focuses on artists John Mason (b 1927), Kenneth Price (b 1935), and Peter Voulkos (1924-2002) and their radical early work in post-war Los Angeles where they formed the vanguard of a new California ceramics movement.
The first English collection of writings by Henry van de Velde, one of the most influential designers and theorists of the twentieth century.
An in-depth exploration of the history, authentication, and modern relevance of Códice Maya de México, the oldest surviving book of the Americas.
This richly illustrated book is the first monograph to explore the prolific career of the celebrated photographer Anthony Barboza.
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures.
Images in the Margins is the third in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world.
This innovative volume is the first to address the conservation of contemporary art made from biological materials such as plants, foods, and bodily fluids.
An illuminating study of Persia's interactions and exchange of influences with ancient Greece and the Roman Empire.
The story of Seville's Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s.
This book offers the most detailed investigation thus far of the materials and methods of this key American Abstract Expressionist artist.
This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form.
This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.
Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation.
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV.
Abundantly illustrated, this essential volume examines depictions of the Underworld in southern Italian vase painting and explores the religious and cultural beliefs behind them.
Marking the three hundredth anniversary of Jean Antoine Watteau's death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise.
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