Books published by Getty Trust Publications

While the Baroque style had dominated the previous century, a new sensibility - the Rococo - emerged during the early 1700s. The Rococo style, characterized by delicately curving forms, pastel colour, and a lighthearted mood began in French architectural and interior design. This book explores artists and artistic concepts of the 18th century.

Dutch sculptor Adriaen de Vries (1556-1626) spent much of his life working for the most discerning royal courts of the age. A master of composition and technique, De Vries was relatively unknown until the J Paul Getty Museum's exhibition in 1999. This volume that presents the results of the technical study of 25 bronzes from the exhibition.

Between 1699-1701, Maria Sibylla Merian travelled to the Dutch colony of Suriname in South America to study the area's unique flora and fauna. Many of the drawings and painting she produced on this trip were published in her "Metamorphosis of the Insects of Suriname" (1705). This volume reproduces details of sixteen plates from that volume.

The J Paul Getty Trust is a world-famous philanthropic and cultural institution situated in two stunning locations - the Getty Villa in Malibu, and the Getty Centre in Brentwood - each of which houses collections of some finest works of art, from ancient times onwards. This book features a tour of these two large lively sites.

Explores the ways in which the aesthetics of public art were affected by the social, political, and cultural changes of the Enlightenment. This book chronicles the transformation of public art in eighteenth-century France.

An insightful survey of the field of photograph conservation. It chronicles the emergence and systematic development of photograph conservation as a profession. In 72 essential texts since the 19th century, it collects key writings that have influenced both the philosophical and the practical aspects of conserving photographs.

The effects of war and famine in Europe, in the 14th century, lead to a widespread mystical religiosity, which emphasised both joy and suffering. This in turn inspired the creation of some of the most magnificent religious art of the period. This illustrated work highlights the most important artists, works, concepts and theories of the period.

Examines the painting in relation to the artist's life and works, explores his stylistic development, and considers as well, his often complex relationship with other artists. This work also looks at the subject matter of the piece within the broader historical context of 17th-century Dutch concepts of domesticity and parenthood.

Greek painted pottery from the fourth century BC is one of the largest and most remarkable bodies of theatrically informed material that still survives. This work provides a large body of photographs accompanied by a picture-by-picture discussion of the vases, organized by playwright - including Aeschylus, Sophocles, and Euripides.

Illustrated with masterpieces of western art, this volume explores the rituals, customs, and symbolism of food and dining in art. It describes the importance of food and feasts in art throughout history as told in the Scriptures and in the lives of the saints; food and dining in Greek and Roman mythology; and food in later literature and history.

Offers a detailed overview of the greatest archaeological sites and discoveries from ancient Greece - with contributions from both those who have excavated the sites and scholars who have spent a lifetime studying the monuments.

Presents analysis of occult iconography in many of the masterpieces of Western art - from the astrological symbols that decorated churches and illuminated manuscripts, through the work of a range of Renaissance artists, including Bosch, Brueghel, Durer and Caravaggio, to the visionary works of nineteenth-century artists, such as Fuseli and Blake.

Edward Henry Weston (1886-1958) first started taking photographs at the age of sixteen with a camera given to him by his father. Over the next five decades, he would come to be regarded by his peers as one of the greatest photographers of the twentieth century. This volume is a collection of his photographic studies of the nude form.

Brings together a collection of works relating to the biodeterioration and conservation of art, architecture, and archaeological sites around the world. This book includes such topics as mechanism of biodeterioration, and correlation between biodeterioration and environment. It discusses solutions for the prevention and control of deterioration.

Looks at the art scene in France in the German occupation of WW II. Beginning with Adolf Hitler's staging of the armistice at Rethondes, this title offers a survey of Nazi and Vichy artistic policies, key events and organizations, and individual acts of collaboration and resistance. It examines the official junket by French artists to Germany.

In the sixteenth century, the humanist values and admiration for classical antiquity that marked the early Renaissance spread from Italy throughout the rest of the continent. Part of the "Art through the Centuries" series, this volume is divided into three sections that discuss the important people, concepts, and artistic centres of this period.

Providing profiles of Tunisia's major mosaic sites, this title contains more than 130 full-colour photographs. It offers an introduction this region's mosaic art; also looking at the historical background of Roman Africa. It discusses the development of art in and around the Mediterranean.

The subject of this book, which is the first to be devoted to a single photograph, is Camille Silvy's remarkable River Scene. Hailed as a masterpiece when it was first exhibited in France in 1859, the photograph is accompanied here by newly commissioned color photographs by noted photographerStephen Shore. In a provocative essay, Haworth-Booth discusses the history of the photograph in the context of attitudes of the day toward photography and photographic exhibitions, outlines the influences on Silvy, and examines his eventual influence on others. This is the third book in the GettyMuseum Studies on Art (GMSA) series.