Books published by Getty Trust Publications

Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Coleccio n Patricia Phelps de Cisneros, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein.

"Promote, Tolerate, Ban presents the clash between Socialist modern and radical aesthetics shaped by the cultural policies of the Jaanaos Kaadaar regime (1956-1989) and highlights the key protagonists of the scene in Cold War Hungary."--ECIP summary.

"The forty-seven papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World"--Provided by publisher.

Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist's chosen technology often carries with it strong sociological and historical information and meanings. The free online edition of this open-access book is available at www.getty.edu/publications/keepitmoving/ and includes zoomable figures and videos. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

The Academie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)-perhaps the single most influential art institution in history-governed the arts in France for more than 150 years. Christian Michel's sweeping study presents an authoritative in-depth analysis of the Academie's history and legacy.

These essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture.

Lavishly illustrated and exhaustively researched, this volume provides the first-ever comprehensive study-in any language-of this type of view painting. In examining these paintings alongside the historical events depicted in them, Peter Bjorn Kerber carefully reconstructs the meaning and context these paintings possessed for the artists.

In the years following the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions.

Sixty terracottas are investigated here by noted scholar Maria Lucia Ferruzza, comprising a selection of significant types from the Getty's larger collection-life-size sculptures, statuettes, heads and busts, altars, and decorative appliques.

Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, Noemie Etienne combines art history with anthropology and sociology to survey the waning decades of the Ancien Regime and early post-Revolution France.

This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process.

"In a study of sixty neglected panel paintings from Roman Egypt, the authors present evidence for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance"--Provided by publisher.

Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work.

With five essays by experts on Bouchardon's sculpture and graphic arts, more than 140 catalogue entries, and a detailed chronology, this book aims to demonstrate the originality of Bouchardon's art within the cultural and social context of the period.

"A narrative survey of the draftsmanship of the eighteenth-century French artist Edme Bouchardon"--Provided by publisher.

Eminent architectural historian Breisch draws on a wealth of primary source material to tell the story of one of the most important American buildings of the twentieth century. In the process, he presents a richly documented case study illuminating the formation of an indispensable modern public institution: the American public library.

This little book is a narrated assemblage of some of these beautiful views, which transport the reader effortlessly to Italy, rekindling memories, setting intentions, or provoking curiosity.

Founded by Buddhist monks in the late fourth century, Mogao grew into an artistic and spiritual center whose renown extended from the Chinese capital to the far western kingdoms of the Silk Road. Among its treasures are 45,000 square meters of murals, more than 2,000 statues, and some 50,000 medieval silk paintings and illustrated manuscripts.

A transfixing account of some of the most spectacular works of art on paper ever created.

Step back in time to seventeenth-century Paris with Therese, a talented young girl who lives and works at the Gobelins Manufactory, where Europe's greatest artisans make tapestries and luxury objects for King Louis XIV.

A magisterial and wide-ranging volume on the rich visual culture of the Roman Empire

A fascinating look at one of photography's most controversial and beloved icons

This gorgeously illustrated book examines the practice and materials of a prominent Abstract Expressionist The career of the German-American painter and educator Hans Hofmann (1880-1966) describes the arc of artistic modernism from pre-World War I Munich and Paris to mid-twentieth-century Greenwich Village.

Marie-Antoinette (1755-1793) continues to fascinate historians, writers, and filmmakers more than two centuries after her death. She became a symbol of the excesses of France's aristocracy in the eighteenth century that helped pave the way to dissolution of the country's monarchy.

"A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar." What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced.

A revised and expanded edition of a key text for librarians, scholars, and museum professionals