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Monologues from Shakespeare's First Folio for Any Gender: The ComediesCurated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike.
Favorite examples of cross-dressing or cross-gender performances include Dustin Hoffman in Tootsie, Vesta Tilley as Burlington Bertie, Maxine Peake as Hamlet, and Drag Queen RuPaul outrageously fronting the RuPaul Drag Race. Cross-Dressing in Performance tells the story of the different ways performers cross-dress. Janet Tennant looks at many of the memorable performers over the years who have adopted the characters and dress of others, and why they have done so: to tell stories, to amuse, to create memorable alter-egos, to rebel or call attention to social and political issues or merely for reasons of expediency.Tennant examines cross-dressing at different periods of theatrical history in the Western canon, predominantly in Britain and North America. Not following a conventional historical timeline, Tennant instead examines the different types of cross-dressing/cross-gender performance: Boys in Shakespeare, Heroes in Opera, Pantomime Dames, and Drag Queens being just a few. And no study of cross-dressing can, of course, forget its origins in Ancient Greece.It''s a Drag: Cross-Dressing in Performance discusses the present and attempts to predict the future of cross-dressing in performance. How will the drive towards equality affect the use of cross-dressing and cross-gender role casting? Will gender-blind roles become as prevalent as color-blind casting? Will audiences continue to be amused and impressed, or will gender differences in entertainment cease to be important?
The Power and the Glory is the third novel in the historical, nautical fiction series from William C. Hammond. It follows in the wake of A Matter of Honor and For Love of Country, and features the adventures of the seafaring Cutler family of Hingham, Massachusetts, and an ever expanding cast of characters. Set during the Quasi-War against the French Republic during the late 1790s, The Power and the Glory offers the reader a stirring and authentic look at the birth of the modern United States Navy during the Age of Fighting Sail. Whether confronting French pirates off the coast of Nantucket or heavily armed French frigates in the Caribbean, Capt. Thomas Truxtun, Capt. Silas Talbot, Lt. Richard Cutler, and other early naval heroes-most real, some fictional-personify the best of American honor and courage. Beyond electrifying sea battles and the challenge to French colonial rule in Haiti and in the French West Indies, The Power and the Glory provides intriguing glimpses into everyday life of the era, be they in the bedroom of the Cutler clapboard home in Hingham, on the island of Barbados where the Cutlers own a sugar cane plantation and run a far-reaching commercial enterprise, or aboard Adm. Sir Hyde Parker''s flagship in Port Royal, Jamaica. And at the center of all the excitement, passion, and intrigue are two of the finest "super frigates" ever constructed: USS Constellation and her sister ship, USS Constitution. As with all books in the series, the author''s careful research and attention to detail, coupled with his thorough knowledge of sailing and the ways of the sea, bring history alive in a refreshing and entertaining fashion.
Credited with vividly recreating an early chapter in American history with his first novel, A Matter of Honor, William C. Hammond continues the seafaring adventures of the prominent Cutler family of Massachusetts. Set in the years following the American Revolution, this second novel offers an exciting look at the young republic at a time when America remained a weak nation with no navy to protect its prosperous merchant fleet from Barbary pirates or nations intent on crippling its shipping.The novel opens with the capture of the Cutler merchant brig Eagle by Barbary pirates. Young Caleb Cutler and his shipmates are taken as prisoners to Algiers, and his brother Richard, the novel''s main protagonist, is sent to North Africa to pay ransoms demanded by the Dey of Algiers. But Richard learns of the Dey''s intent to reject the ransom, as well as threats from the British and French, and fights a fierce battle in the Mediterranean with two Arab xebecs. Victorious at sea, Richard travels to Paris to report to John Paul Jones, his former naval commander who now serves as American emissary to the Barbary States, and finds himself involved in a desperate race to save the beautiful Anne-Marie Helvétian and her two daughters from the guillotine.The author''s careful historical research and thorough knowledge of sailing and the ways of the sea bring an authenticity to the novel without detracting from the entertaining storyline. Hammond''s focus on the American perspective of the Age of Fighting Sail in the years following the American Revolution adds a fresh dimension to historical novels of the period.
Set primarily in the Mediterranean Sea during the First Barbary War (1801-1805), A Call To Arms offers the reader intriguing and often startling insights into a young republic's struggle to promote its principles of liberty, equality, and free trade in a world ravaged by the Napoleonic Wars in Europe and ruthless piracy in both the Mediterranean and Far Eastern waters.
The twin release of John Lennon's and Yoko Ono's Plastic Ono Band albums in December 1970 had a shattering impact on the world of popular music.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare''s works are given new life and purpose for today''s readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books.Titles in the series:Monologues from Shakespeare''s First Folio for Any Gender: The ComediesMonologues from Shakespeare''s First Folio for Any Gender: The HistoriesMonologues from Shakespeare''s First Folio for Any Gender: The TragediesMonologues from Shakespeare''s First Folio for Women: The ComediesMonologues from Shakespeare''s First Folio for Women: The HistoriesMonologues from Shakespeare''s First Folio for Women: The TragediesMonologues from Shakespeare''s First Folio for Younger Men: The ComediesMonologues from Shakespeare''s First Folio for Younger Men: The HistoriesMonologues from Shakespeare''s First Folio for Younger Men: The TragediesMonologues from Shakespeare''s First Folio for Older Men: The ComediesMonologues from Shakespeare''s First Folio for Older Men: The HistoriesMonologues from Shakespeare''s First Folio for Older Men: The Tragedies
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare''s works are given new life and purpose for today''s readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books.Titles in the series:Monologues from Shakespeare''s First Folio for Any Gender: The ComediesMonologues from Shakespeare''s First Folio for Any Gender: The HistoriesMonologues from Shakespeare''s First Folio for Any Gender: The TragediesMonologues from Shakespeare''s First Folio for Women: The ComediesMonologues from Shakespeare''s First Folio for Women: The HistoriesMonologues from Shakespeare''s First Folio for Women: The TragediesMonologues from Shakespeare''s First Folio for Younger Men: The ComediesMonologues from Shakespeare''s First Folio for Younger Men: The HistoriesMonologues from Shakespeare''s First Folio for Younger Men: The TragediesMonologues from Shakespeare''s First Folio for Older Men: The ComediesMonologues from Shakespeare''s First Folio for Older Men: The HistoriesMonologues from Shakespeare''s First Folio for Older Men: The Tragedies
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare''s works are given new life and purpose for today''s readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books.Titles in the series:Monologues from Shakespeare''s First Folio for Any Gender: The ComediesMonologues from Shakespeare''s First Folio for Any Gender: The HistoriesMonologues from Shakespeare''s First Folio for Any Gender: The TragediesMonologues from Shakespeare''s First Folio for Women: The ComediesMonologues from Shakespeare''s First Folio for Women: The HistoriesMonologues from Shakespeare''s First Folio for Women: The TragediesMonologues from Shakespeare''s First Folio for Younger Men: The ComediesMonologues from Shakespeare''s First Folio for Younger Men: The HistoriesMonologues from Shakespeare''s First Folio for Younger Men: The TragediesMonologues from Shakespeare''s First Folio for Older Men: The ComediesMonologues from Shakespeare''s First Folio for Older Men: The HistoriesMonologues from Shakespeare''s First Folio for Older Men: The Tragedies
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare''s works are given new life and purpose for today''s readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books.Titles in the series:Monologues from Shakespeare''s First Folio for Any Gender: The ComediesMonologues from Shakespeare''s First Folio for Any Gender: The HistoriesMonologues from Shakespeare''s First Folio for Any Gender: The TragediesMonologues from Shakespeare''s First Folio for Women: The ComediesMonologues from Shakespeare''s First Folio for Women: The HistoriesMonologues from Shakespeare''s First Folio for Women: The TragediesMonologues from Shakespeare''s First Folio for Younger Men: The ComediesMonologues from Shakespeare''s First Folio for Younger Men: The HistoriesMonologues from Shakespeare''s First Folio for Younger Men: The TragediesMonologues from Shakespeare''s First Folio for Older Men: The ComediesMonologues from Shakespeare''s First Folio for Older Men: The HistoriesMonologues from Shakespeare''s First Folio for Older Men: The Tragedies
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare''s works are given new life and purpose for today''s readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books.Titles in the series:Monologues from Shakespeare''s First Folio for Any Gender: The ComediesMonologues from Shakespeare''s First Folio for Any Gender: The HistoriesMonologues from Shakespeare''s First Folio for Any Gender: The TragediesMonologues from Shakespeare''s First Folio for Women: The ComediesMonologues from Shakespeare''s First Folio for Women: The HistoriesMonologues from Shakespeare''s First Folio for Women: The TragediesMonologues from Shakespeare''s First Folio for Younger Men: The ComediesMonologues from Shakespeare''s First Folio for Younger Men: The HistoriesMonologues from Shakespeare''s First Folio for Younger Men: The TragediesMonologues from Shakespeare''s First Folio for Older Men: The ComediesMonologues from Shakespeare''s First Folio for Older Men: The HistoriesMonologues from Shakespeare''s First Folio for Older Men: The Tragedies
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare''s works are given new life and purpose for today''s readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books.Titles in the series:Monologues from Shakespeare''s First Folio for Any Gender: The ComediesMonologues from Shakespeare''s First Folio for Any Gender: The HistoriesMonologues from Shakespeare''s First Folio for Any Gender: The TragediesMonologues from Shakespeare''s First Folio for Women: The ComediesMonologues from Shakespeare''s First Folio for Women: The HistoriesMonologues from Shakespeare''s First Folio for Women: The TragediesMonologues from Shakespeare''s First Folio for Younger Men: The ComediesMonologues from Shakespeare''s First Folio for Younger Men: The HistoriesMonologues from Shakespeare''s First Folio for Younger Men: The TragediesMonologues from Shakespeare''s First Folio for Older Men: The ComediesMonologues from Shakespeare''s First Folio for Older Men: The HistoriesMonologues from Shakespeare''s First Folio for Older Men: The Tragedies
This is a powerful saga of the American Revolution-a stirring maritime adventure in the epic, true-to-life tradition of Patrick O'Brian.
Starting with an understanding that all actors are by nature unconventional, Monologues from the Edge presents performers with a wide range of monologues featuring characters who stand outside social norms and ideas of acceptability. Compiled by dramaturg Steve Marsh, this collection includes many contemporary monologues from plays he had the opportunity to review during his time on the nominating committee of the Drama Desk Awards in NYC. Marsh''s sincere theatrical bliss comes from understanding and working with playwrights and their dramatic structures, and his definition of the "edge" and his choice of dramatic works is sure to inspire all actors who endeavor to understand all of the characters and their motivations completely.
Celebrating the One Hundredth Anniversary of Anita O'Day's Birth.Jazz legend Anita O'Day was one of the most remarkable and unforgettable talents of the jazz world. A swinging, good-humored stylist, O'Day rose to fame as a vocalist with the Gene Krupa Big Band ("Let Me Off Uptown") and the Stan Kenton Band ("And Her Tears Flowed Like Wine") in the 1940s before she became a successful solo act in the 1950s-punctuated by her energetic performance at the 1958 Newport Jazz Festival, as captured in the concert film Jazz on a Summer's Day.Unfortunately, O'Day was as well known for her drug problems as her jazz singing, and in High Times Hard Times, O'Day offers an unvarnished personal account of her life, as well as a behind-the-scenes look at the golden age of jazz. Starting out with her grisly 1966 overdose, then flashing back to tell all from the beginning, High Times Hard Times presents an intimate portrait of a larger-than-life jazz and big-band singer-the success of her early career, the tragedy of heroin addiction, her painful recovery, and her ultimate triumph.Filled with vivid characters, including Gene Krupa, Stan Kenton, Roy Eldridge, Billie Holiday, and other jazz legends, this candid, classic memoir is a must-read for anyone interested in the real details of jazz's golden age.
The Best New Ten-Minute Plays, 2019 presents approximately thirty of the most original and fresh ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theater enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time.
A science nerd with no knowledge of popular music plunges into the dark underbelly of science and fame where new superstars are made and embarks on a hunt for the gods inside of you and me. In the process, he helps build or sustain the careers of over one hundred of the biggest rock-and-roll stars.
Climbing Rejection Mountain is a funny and useful guide for young actors, working actors, and wannabe actors on how to improve your chances for a successful and happy life while attempting to earn a living.
Narrated by Barry Singer?one of contemporary musical theater's most authoritative chroniclers?Ever After was originally published in 2003 as a history of the previous twenty-five years in musical theater, on and off Broadway. This new, second edition extends the narrative, taking readers from 2004 to the present. The book revisits every new musical that has opened since the last edition, with Barry Singer once again as guide. Before Ever After appeared in 2003, no book had addressed the recent past in musical theater history?an era Singer describes as "ever after musical theater's many golden ages.? Derived significantly from Singer's writings about musical theater for the New York Times, New York magazine, and the New Yorker, Ever After captured that era in its entirety, from the opening of The Act on Broadway in October 1977 to the opening of Avenue Q Off-Broadway in March 2003. This new edition brings Ever After up to date, from Wicked through The Book of Mormon to Hamilton and beyond. Once again, Ever After is the first book to cover this new age. And, once again, utilizing his recent writing about musical theater for Huffington Post and Playbill, Barry Singer's viewpoint is comprehensive and absolutely unique.
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