Books published by Goldsmiths, Unversity of London

"An original interpretation of the neoliberal order's origins, The Marketizers is essential reading for anyone seeking to understand the marketization of politics since the 1980s. The Marketizers traces the origins of the neoliberal order to public choice theory. It argues that the reinvention of government on the model of the market would have been unimaginable without the emergence of this body of thought. The separation of provision and production in public services, the introduction of competition between service providers, the treatment of citizens as customers, and the use of performance incentives all derive from the writings of public choice theorists. From the 1940s through the 1980s, these marketizers gradually eroded the differences between politics and the market as they applied the tools of economics to problems usually considered the purview of political scientists and political philosophers. In response to the extraordinary postwar growth in American public expenditures, they reimagined politics as a marketplace, redefined the relationship between the state and its citizens as a commercial transaction between a firm and its customers, and argued for the marketization of government." -- Book jacket.

A science-fiction novel involving clones, a psychic, and empathy as a recreational drug.We have always been we. Then they forced us to become you and I…Empathy consists of two stories told in parallel. Vuong is one of five Vietnamese clones that have come of age at 25. The Department in Hanoi is allowing them to meet after being separated for twenty years. Lian has murdered her foster father after being forced to eat meat. Geraldine is dying of cancer in Australia. Giang and Khanh were brought up together as twins in New Zealand and are telepathic. They have been used for research over their lifetimes. Vuong discovers that the data kept on all of them has been used to develop empathy, the latest party drug.My meets Truong in Berlin who introduces her to empathy which makes the user supersensitive to other people's feelings. My's mother is a cleaner at CHESS, a multinational chemical company, and My comes to believe her mother is ex-Stasi and an industrial spy for Vietnamese government. My comes down from the drug after hearing about the saturation point when the penetration of empathy would be such that the world's population would be pacified. She discovers that Truong is actually the one who is in the pay of the Vietnamese government and her mother is just a cleaner. She tries to out the conspiracy in the media but no one believes her…

The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period.This book considers the politics of race in British screen culture over the last thirty years, addressing the institutional, textual, cultural, and political shifts that have occurred during this period. An edited collection of essays by Bidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Oslem Koskal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford, it offers a diverse range of responses from emerging and established scholars and practitioners. They explore these topics through the optic of film, TV, moving image, from the perspectives of media and communications, sociology, politics and cultural studies.ContributorsBidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Oslem Koskal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford

An alternative view of the North West of England that delves into its stranger past. I Hate the Lake District offers a different vision of the rural environment from those found in much contemporary nature writing. Based on the author's trips around North West England, the book engages with nuclear power and nuclear war, slavery, imperialism, ghosts, love, God, cockroaches, and the sheer violence and contingency of "nature” itself—of which the human presence is merely a part. Each chapter starts with an account of a visit to a place in this remote part of England, the deep north, but digresses and wanders through multifarious themes and subjects. Among the sites Gere visits are the defunct nuclear power station at Sellafield, home of all British nuclear waste; Lake Coniston, where Donald Campbell died trying to break the water speed record; Hadrian's Wall, furthermost reach of the Roman Empire; the mysterious and deathly Morecambe Bay; sites of slavery in the North West; places where UFOs have been sighted, avant-garde artists created work, and Islamic terrorists trained; shantytowns where the navvies who built the railways lived with their families; and even the remains of Blobbyland in Morecambe. In I Hate the Lake District, Gere challenges the bourgeois pastoralism of popular nature writing and reveals the landscape of North West England as profoundly unnatural and strange.