Books published by Goldsmiths, Unversity of London

"An original interpretation of the neoliberal order's origins, The Marketizers is essential reading for anyone seeking to understand the marketization of politics since the 1980s. The Marketizers traces the origins of the neoliberal order to public choice theory. It argues that the reinvention of government on the model of the market would have been unimaginable without the emergence of this body of thought. The separation of provision and production in public services, the introduction of competition between service providers, the treatment of citizens as customers, and the use of performance incentives all derive from the writings of public choice theorists. From the 1940s through the 1980s, these marketizers gradually eroded the differences between politics and the market as they applied the tools of economics to problems usually considered the purview of political scientists and political philosophers. In response to the extraordinary postwar growth in American public expenditures, they reimagined politics as a marketplace, redefined the relationship between the state and its citizens as a commercial transaction between a firm and its customers, and argued for the marketization of government." -- Book jacket.

A science-fiction novel involving clones, a psychic, and empathy as a recreational drug.We have always been we. Then they forced us to become you and I…Empathy consists of two stories told in parallel. Vuong is one of five Vietnamese clones that have come of age at 25. The Department in Hanoi is allowing them to meet after being separated for twenty years. Lian has murdered her foster father after being forced to eat meat. Geraldine is dying of cancer in Australia. Giang and Khanh were brought up together as twins in New Zealand and are telepathic. They have been used for research over their lifetimes. Vuong discovers that the data kept on all of them has been used to develop empathy, the latest party drug.My meets Truong in Berlin who introduces her to empathy which makes the user supersensitive to other people's feelings. My's mother is a cleaner at CHESS, a multinational chemical company, and My comes to believe her mother is ex-Stasi and an industrial spy for Vietnamese government. My comes down from the drug after hearing about the saturation point when the penetration of empathy would be such that the world's population would be pacified. She discovers that Truong is actually the one who is in the pay of the Vietnamese government and her mother is just a cleaner. She tries to out the conspiracy in the media but no one believes her…

The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period.This book considers the politics of race in British screen culture over the last thirty years, addressing the institutional, textual, cultural, and political shifts that have occurred during this period. An edited collection of essays by Bidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Oslem Koskal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford, it offers a diverse range of responses from emerging and established scholars and practitioners. They explore these topics through the optic of film, TV, moving image, from the perspectives of media and communications, sociology, politics and cultural studies.ContributorsBidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Oslem Koskal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford

A visually striking intercultural exploration of the use of mobile phones in Aboriginal communities in Australia. Yuta is the Yolngu word for new. Phone & Spear: A Yuta Anthropology is a project inspired by the gloriously cheeky and deeply meaningful audiovisual media made with and circulated by mobile phones by an extended Aboriginal family in northern Australia. Building on a ten-year collaboration by the community-based arts collective Miyarrka Media, the project is an experiment in the anthropology of co-creation. It is a multivoiced portrait of an Indigenous society using mobile phones inventively to affirm connections to kin and country amid the difficult and often devastating circumstances of contemporary remote Aboriginal life.But this is not simply a book about Aboriginal art, mobile phones, and social renewal. If old anthropology understood its task as revealing one world to another, yuta anthropology is concerned with bringing different worlds into relationship. Following Yolngu social aesthetics—or what Miyarrka Media translate as "the law of feeling”—the book is a relational technology in its own right: an object that combines color, pattern, and story to bring once distant worlds into new sensuously mediated connections.