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Published in book form four times a year, Granta is respected around the world for its mix of outstanding new fiction, poetry, reportage, memoir, photography and art.
In the past year, the narrator of 10:04 has enjoyed unexpected literary success, been diagnosed with a potentially fatal heart condition, and been asked by his best friend to help her conceive a child. Now, in a New York of increasingly frequent superstorms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water.In prose that Jonathan Franzen has called 'hilarious... cracklingly intelligent... and original in every sentence', Lerner's new novel charts an exhilarating course through the contemporary landscape of sex, friendship, memory, art and politics, and captures what it is like to be alive right now.
Mama's Last Hug opens with the moving farewell between Mama, a dying chimpanzee matriarch, and her human friend, a professor who inspired the author's work. Their parting, the video of which has been watched by millions online, is not only a window into the deep bonds they shared, but into the remarkable emotional capacities of animals. In this groundbreaking and entertaining book, primatologist Frans de Waal draws on his renowned studies of the social and emotional lives of chimpanzees, bonobos and other primates, and personal encounters with many other species, to illuminate new ideas and findings about animal emotions: joy, grief, shame, love, pain and happiness. Exploring the facial expressions of animals, human and animal politics, and animal consciousness, de Waal illustrates how profoundly we have underestimated animals' emotional experiences. He argues that emotions occupy a far more significant place in the way we organise our societies than a more rationalist approach would advocate. His radical proposal is that emotions are like organs: humans haven't a single organ that other animals don't have, and the same can be said of our emotions.
'A scorchingly intelligent first novel' New York Times'Spellbinding' New Yorker'Thrilling' GuardianIn New York, Alice, a young editor, begins an affair with Ezra Blazer, a world-famous, much older writer. At Heathrow airport, Amar, an Iraqi-American economist en route to Kurdistan, is detained by immigration. Somehow their lives are connected, in this unconventional love story that has things to say about all of contemporary life.
Montaigne (1533-92) is commonly regarded as an early modern sceptic, standing at the threshold of a new secular way of thinking. He is also known for his ground-breaking exploration of the 'subject' or the 'self'. Terence Cave discusses these and other key aspects of the Essais (Montaigne's major work) not as philosophical themes but as features in the mapping of a mental landscape: the project of the Essais is cognitive rather than philosophical. Similarly, he reads the Essais not as 'essays' in the literary sense but as 'trials' or 'soundings' in which the manner of writing - the shape of the sentences, the use of metaphors and other figures - is crucial. Taking passages from many different chapters of the Essais, this book guides the reader through Montaigne's investigation of the 'subtle shades and stirrings' of the mind.
Never in recorded history has there been a group of murderers as deadly as the Thugs. For nearly two centuries, groups of these lethal criminals haunted the roads of India, slaughtering travellers whom they met along the way with such efficiency that over the years tens of thousands of men, women and children simply vanished without trace. Mike Dash, one of our best popular historians, has devoted years to combing archives in both India and Britain to discover how the Thugs lived and worked. Painstakingly researched and grippingly written, Thug tells, for the first time the full story of the Thugs' rise and fall from the cult's beginnings in the late seventeenth century to its eventual demise at the hands of British East India Company officer William Sleeman in 1840.
Our 2021 winter issue features Rory Gleeson on an Italian doctor who was at the epicentre of the coronavirus outbreak; Lindsey Hilsum, author of the award-winning In Extremis, on cholera in Hutu refugee camps; and photography by Gus Palmer of an Islamic morgue in London, with an introduction by Poppy Sebag-Montefiore. Even more memoir comes from Ian Jack on the toxic slag heaps of Glasgow and the aristocratic lives built on them and Vidyan Ravinthiran on the civil war in Sri Lanka. A photoessay by Fergus Thomas of bareback horse racing in the Colville Reservation is accompanied by an interview with its subject, Duane Hall. Plus, an excerpt from Eva Baltasar's Permafrost, translated from the Catalan by Julia Sanches; a new story by Paul Dalla Rosa, previously shortlisted for the 2019 Sunday Times Audible Short Story Award; an extract from the new novel by Gwendoline Riley, author of First Love; fiction by Diaa Jubaili, translated from the Arabic by Chip Rossetti; and fiction set in Philadelphia from Dan Shurley. Plus, poetry by Jason Allen-Paisant, Jesse Darling and Nate Duke.
A self-proclaimed 'myth buster by trade', over her long-ranging career as a journalist and political activist Barbara Ehrenreich has delved with devastating wit and insight into the social and political fabric of America.Had I Known gathers together Ehrenreich's most significant articles and excerpts from the last four decades - some of which became the starting point for her bestselling books - from her award-winning article 'Welcome to Cancerland', published shortly after she was diagnosed with breast cancer, to her groundbreaking investigative journalism in 'Nickel and Dimed', which explored living in America on the minimum wage. Issues she identified as far back as the 80s and 90s such as work poverty, rising inequality, the gender divide and medicalised health care, are top of the social and political agenda today.Written with remarkable tenderness, humour and incisiveness, Ehrenreich's describes an America of struggle, inequality, racial bias and injustice. Her extraordinarily prescient and relevant perspective announces her as one of most significant thinkers of our day.
Comic Timing, Holly Pester's extraordinary debut collection of poems, chronicles the experience of living and working as a radical and resistant act. These poems shunt a reader between the political and personal via unique, fragmentary and illusory turns of phrase. Holly tackles marginal bodies, landlords, bog butter, desire, domestic and civic spaces in an unique and illusory voice. She chronicles the prevailing mood of our times, mining radical and anarchic histories to offer a collection of political resistance with both absurdity and seriousness. These poems interrogate and poke fun at the expectations of people in a commodified culture with a wry humour. Combining a beautifully performed naivety with a profound intellect, this collection is a hugely original approach to a number of pressing issues. Worker's rights, feminisms, reproductive rights and marginalised bodies and their positions are all thought through in this startling and innovative voice.
Fear takes root in the women of Manningtree when the Witchfinder General comes to town.Caught amidst betrayal and persecution, what must Rebecca West do to survive?England, 1643. Parliament is battling the King; the war between the Roundheads and the Cavaliers rages. Puritanical fervour has gripped the nation, and the hot terror of damnation burns black in every shadow.In Manningtree, depleted of men since the wars began, the women are left to their own devices. At the margins of this diminished community are those who are barely tolerated by the affluent villagers - the old, the poor, the unmarried, the sharp-tongued. Rebecca West, daughter of the formidable Beldam West, fatherless and husbandless, chafes against the drudgery of her days, livened only by her infatuation with the clerk John Edes. But then newcomer Matthew Hopkins, a mysterious, pious figure dressed from head to toe in black, takes over The Thorn Inn and begins to ask questions about the women of the margins. When a child falls ill with a fever and starts to rave about covens and pacts, the questions take on a bladed edge.The Manningtree Witches plunges its readers into the fever and menace of the English witch trials, where suspicion, mistrust and betrayal ran amok as the power of men went unchecked and the integrity of women went undefended. It is a visceral, thrilling book that announces a bold new talent.
In Bangkok, a plot of land behind a city slum resonates with the hopes, dreams and fears of the local community. For Comrade Aeon, a homeless insurgent who fled to the jungle after a military crackdown on student protestors in 1976, it's a verdant refuge and the place from which he documents the underbelly of the city. For Ida Barnes, an ex-pat whose husband may be cheating on her, it's an inviting retreat. For Witty, an urbane property developer married to one of the city's most famous movie stars, it's a 'Bangkok Unicorn' - that rare chance to make his mark on the Bangkok skyline. But the slum-dwelling spirits who guard its secrets know that it holds a much darker history, that it masks the silent politics at the heart of Thai culture.Written with a tender compassion for Bangkok's people and customs, Comrade Aeon's Field Guide to Bangkok is a masterful, propulsive debut which introduces a fresh new talent in fiction.
When you fill up your car, install your furniture or choose a wedding ring, do you ever consider the human cost of your consumables?There is a war raging in the heartlands of Peru, waged on the land by the global industries plundering the Amazon and the Andes. In Saweto, charismatic activist Edwin Chota returns to his ashaninka roots, only to find that his people can't hunt for food because the animals have fled the rainforest to escape the chainsaw cacophony of illegal logging. Farmer Maxima Acu,a is trying to grow potatoes and catch fish on the land she bought from her uncle - but she's sitting on top of a gold mine, and the miners will do anything to prove she's occupying her home illegally. The awajun community of the northern Amazon drink water contaminated with oil; child labourer Osman Cu,ach,'s becomes internationally famous when a photo of him drenched in petrol as part of the clean-up efforts makes it way around the world.Joseph Z,rate's stunning work of documentary takes three of Peru's most precious resources - gold, wood and oil - and exposes the tragedy, violence and corruption tangled up in their extraction. But he also draws us in to the rich, surprising world of Peru's indigenous communities, of local heroes and singular activists, of ancient customs and passionate young environmentalists. Wars of the Interior is a deep insight into the cultures alive in the vanishing Amazon, and a forceful, shocking expos, of the industries destroying this land.
Here's a story. On the U.S.-occupied island of Okinawa, an American soldier falls in love with a beautiful Japanese woman. He saves her from a life of grinding poverty. They settle in the States, to live out the suburban American Dream with their child. Here's another version. The U.S. military has occupied Okinawa since World War Two, after slaughtering a third of the island's population; the beautiful Japanese woman lives in poverty and marries the soldier as a way to escape. Here's a third version. A little girl grows up with a mother who can't pronounce her name. She meets blood relatives with whom she cannot communicate. She clings to a sense of whiteness that white peers will not let her claim. She is born as the convergence of these conflicting stories and as she grows up she must reclaim her own narrative. Speak, Okinawa is Elizabeth Miki Brina's courageous and heart-breaking testament to the struggle for belonging. It is a story about the immigrant experience; it is a story about how it feels to grow up biracial; it is a story about the island of Okinawa, from its first inhabitants to its colonisation by Japan and the United States. But above all, it is a story about reckoning with your history, and the links that tie you to your heritage and give you a sense of home within yourself.
Brilliantly written and incisive' Colm T,ib,n'An absolute tour de force' Maggie Nelson'From leather parties in the Castro to Gay Liberation Front touch-ins; from disco at Studio One to dark rooms in Vauxhall railway arches, the gay bar has long been a place of joy, solidarity and sexual expression. But around the world, gay bars are closing. In the wake of this cultural demolition, Jeremy Atherton Lin rediscovers the party boys and renegades who lived and loved in these spaces.Gay Bar is a sparkling, richly individual history of enclaves in London, San Francisco and Los Angeles. It is also the story of the author s own experiences as a mixed-race gay man, and the transatlantic romance that began one restless night in Soho. Expansive, vivacious, curious, celebratory, Gay Bar asks: where shall we go tonight?
A young mother speaks to her second born child. Since the drama of childbirth, all feels calm. The world is new and full of surprises, even though dangers lurk behind every corner; a car out of control, disease ever-present in the air, the unforgiving speed of time. She tells of the times before the child was born, when the world felt unsure and enveloped in darkness, of long nights with an older lover, of her writing career and the precariousness of beginning a relationship and then a family with her husband, Bo. A portrait of modern motherhood, THE CHILD is a love story about what it means to be alive and stay alive, no matter how hard the journey.
Karachi. Pakistan's largest city is a sprawling metropolis of 20 million people. It is a place of political turbulence in which those who have power wield it with brutal and partisan force, a place in which it pays to have friends in the right places and to avoid making deadly enemies. It is a society where lavish wealth and absolute poverty live side by side, and where the lines between idealism and corruption can quickly blur. It takes an insider to know where is safe, who to trust, and what makes Karachi tick, and in this powerful debut, Samira Shackle explores the city of her mother's birth in the company of a handful of Karachiites. Among them is Safdar the ambulance driver, who knows the city's streets and shortcuts intimately and will stop at nothing to help his fellow citizens. There is Parveen, the activist whose outspoken views on injustice corruption repeatedly lead her towards danger. And there is Zille, the hardened journalist whose commitment to getting the best scoops puts him at increasing risk. As their individual experiences unfold, so Shackle tells the bigger story of Karachi over the past decade: a period in which the Taliban arrive in Pakistan, adding to the daily perils for its residents and pushing their city into the international spotlight. Writing with intimate local knowledge and a global perspective, Shackle paints a nuanced and vivid portrait of one of the most complex, most compelling cities in the world.
In the first decades of the 20th century, five women - Katherine Routledge, Maria Czaplicka, Winifred Blackman, Beatrice Blackwood and Barbara Freire-Marreco - arrived at Oxford to take the newly created Masters in Anthropology. Though their circumstances differed radically, all were intent on visiting and studying remote communities a world away from their own. Through their work, they resisted the prejudices of the male establishment, proving that women could be explorers and scientists, too. In the wastes of Siberia; in the villages and pueblos of the Nile and New Mexico; on Easter Island; and in the uncharted interior of New Guinea, they found new freedoms - yet when they returned to England, loss, madness and self-doubt awaited them.Frances Larson's masterful group biography is a revelatory portrait of five hidden heroines of British scholarship.
Helen Grant is a mystery to her daughter. An extrovert with few friends who has sought intimacy in the wrong places; a twice-divorced mother-of-two now living alone surrounded by her memories, Helen (known to her acquaintances as 'Hen') has always haunted Bridget.Now, Bridget is an academic in her forties. She sees Helen once a year, and considers the problem to be contained. As she looks back on their tumultuous relationship - the performances and small deceptions - she tries to reckon with the cruelties inflicted on both sides. But when Helen makes it clear that she wants more, it seems an old struggle will have to be replayed.From the prize-winning author of First Love, My Phantoms is a bold, heart-stopping portrayal of a failed familial bond, which brings humour, subtlety and new life to the difficult terrain of mothers and daughters.
'Mariana Enriquez is a mesmerizing writer who demands to be read. Like Bola,o, she is interested in matters of life and death, and her fiction hits with the full force of a train' Dave EggersWelcome to Buenos Aires, a city thrumming with murderous intentions and morbid desires, where missing children come back from the dead and unearthed bones carry terrible curses. These brilliant, unsettling tales of revenge, witchcraft, fetishes, disappearances and urban madness spill over with women and girls whose dark inclinations will lead them over the edge.
You might have heard the saying 'you're in a pickle' meaning you're in a difficult situation. This is just one example of Rotwelsch, an ancient language of the road influenced by Yiddish and written in rudimentary signs, and spoken by vagrants and refugees, merchants and thieves since the European Middle Ages.Martin Puchner grew up knowing that Rotwelsch was of unusual interest to his family. When he inherited a family achive, it led him on a journey not only into the history of this extraordinary language but also into his family's connections to the Nazi Party, for whom Rotwelsch held a particular significance. The Language of Thieves is a compelling story of the mindset and milieu of Central Europe and of the way language can be used to evade oppression. It is also a deeply moving reckoning with a family's buried past.
'Never has there been a greater need for writers who can communicate about the environment in such clear, immediate and powerful ways, who can envisage the past as well as the future. The knowledge is already out there. We just have to listen. The contributors to this issue all have a deep understanding of how nature works. Some are scientists; others, environmental journalists exploring the latest thinking about ecosystems and how to repair them; or poets, novelists and activists examining our responses to the current crisis. These stories will, I hope, be both enlightening and empowering, galvanising us to bring about change.'Isabella Tree, guest-editorPatrick BarkhamTim FlanneryCal FlynJessie GreengrassCaoilinn HughesAmy LeachDino J. MartinsRod MasonCharles MassyRebecca PriestleyCallum RobertsJudith D. SchwartzSamanth SubramanianKen ThompsonManari UshiguaSheila Watt-CloutierAdam Weymouth Photography: Xavi Bou, introduced by Tim Dee, and Merlin SheldrakePoetry: Nate Duke and John Kinsella
SHORTLISTED FOR THE TS ELIOT PRIZE FOR POETRY 2020"e;Whip-smart, sonically gorgeous"e; - Rae Armantrout, author of the Pulitzer Prize winning VersedWhen Louis Pasteur observed the process of fermentation, he noted that, while most organisms perished from lack of oxygen, some were able to thrive as 'life without air'. In this capricious, dreamlike collection, characters and scenes traverse states of airlessness, from suffocating relationships and institutions, to toxic environments and ecstatic asphyxiations. Both compassionate and ecologically nuanced, this innovative collection bridges poetry and prose to interrogate the conditions necessary for survival.
'Austin Duffy's uniquely dry, laconic style adds a subversive and compelling charge to this moving and intense story of the relationship between a father and daughter. A terrific novel' - William BoydWhen Wolf's recently-estranged wife Miriam dies from cancer, his entire world is turned upside down. Wolf and his daughter, Ruth, travel to New York from London to scatter Miriam's ashes in the Hudson River. During the ten High Holy Days of Rosh Hashanah and Yom Kippur they connect up with Miriam's conservative Jewish family, who are adamantly against Miriam's choice of burial. Battling the antagonism of Miriam's Orthodox family, Wolf is also coming to terms with his own hopes to put right wrongs before it's too late.A tenderly written story of time, grief and memory, Ten Days delves deep into the complicated love between a father and daughter and the bonds of marriage over older family ties.
Not a Novel gathers together the best of Jenny Erpenbeck's non-fiction. Drawing from her 25 years of thinking and writing, the book plots a journey through the works and subjects that have inspired and influenced her. Written with the same clarity and insight that characterize her fiction, the pieces range from literary criticism and reflections on Germany's history, to the autobiographical essays where Erpenbeck forgoes the literary cloak to write from a deeply personal perspective about life and politics, hope and despair, and the role of the writer in grappling with these forces.Here we see one of the most searching of European writers reckoning with her country's divided past in all its complexity, and responding to the world today with insight, intelligence and humanity.
Dinslaken, Germany. July 1945. The war is over, and the allied forces are beginning to assess the damage. Among them, is a war photographer. As the rest of the press corp return home, he finds himself reluctant to leave and, in the company of the young and sensitive driver he has been assigned, he sets out to photograph ordinary German people in front of their homes. As the pair continue their journey, it becomes clear that the young driver has his own reasons for not wishing to return home.Told with Mingarelli's trademark restraint and elegance, this is a tense, tender story of the emotional and moral repercussions of violence.
Natsuki isn't like the other girls. As youths, she and her cousin Yuu spent the summers in the wild Nagano mountains, hoping for a spaceship to transport her home. When a terrible sequence of events threatens to part the cousins for ever, they make a promise: survive, no matter what.Now, Natsuki is grown. She lives quietly in an asexual marriage, pretending to be normal, and hiding the horrors of her childhood from her family and friends. But dark shadows from Natsuki's past are pursuing her. Fleeing the suburbs for the mountains, Natsuki prepares for a reunion with Yuu. Will he still remember their promise? And will he help her keep it? Dark, sharp and with a deeply unexpected twist, Earthlings is an exhilarating cosmic flight that will leave you reeling.
Granta's spring issue, guest-edited by award-winning writer Rana Dasgupta, explores membranes of the tissue, self, collective, nation, species and cosmos. It features new poetry by Andrew McMillan, Tishani Doshi and Ida B,rjel, a new translation of Vladimir Mayakovsky by Ilya Kaminsky and Katie Farris, as well as photography from Anita Khemka, Arturo Soto and M,nica de la Torre. Granta 151: Membranes showcases cutting-edge fiction from Lydia Davis, Fatin Abbas, Steven Heighton, J. Robert Lennon, Mahreen Sohail and Chloe Wilson, plus a host of thought-provoking essays: - Emanuele Coccia on birth, metamorphosis and the very strange miracle of life- Mark Doty on gentrification and homelessness in New York City- Anouchka Grose on infidelity and the idea of the unwanted third- Ruchir Joshi on all those kids his son once was- Kapka Kassabova on Lake Ohrid- Anita Roy on the great crested newt- Esther Woolfson on the relationship between humans and animalsPlus: Eyal Weizman in conversation with Rana Dasgupta, on contemporary architectural strategies for repelling and dividing people.
In 1979, Bill Buford, a young American graduate, revived an old Cambridge university magazine and created a new home for good writing of all kinds - reportage, fiction, memoir, poetry - as well as photography. In the years (and decades) that followed, Granta established itself as the one of the most prestigious literary publications in the English-speaking world. In that time Granta has published 26 Nobel Prize for Literature winners, defined new literary genres and paved the way for generations of young novelists. To celebrate forty years of brilliant publishing, Granta 147 brings together our best fiction and non-fiction from the last four decades, along with a selection of letters from behind the scenes. This will be a collector's issue and is not to be missed.Featuring...Angela Carter Kazuo Ishiguro Todd McEwen Bruce Chatwin James Fenton Primo Levi Amitav Ghosh Raymond Carver Philip Roth John Gregory Dunne Ryszard Kapuscinski Joy Williams Don DeLilloJohn Berger Gabriel Garc,a M,rquez Bill Buford Lindsey Hilsum Lorrie Moore Hilary Mantel Ian Jack Edward Said Diana Athill Edmund White Ved Mehta Alexandra Fuller Binyavanga Wainaina Mary Gaitskill Lydia Davis Jeanette Winterson Herta M,ller
August is an average twelve year old - he likes dogs and fishing, and doesn't even mind early morning chores on his family's farm. When his parents' marriage falls apart and he has to start over in a new town, he tries hard to be an average teen - playing football and doing his homework - but he struggles to form friendships, and when a shocking act of violence pushes him off course once more, he flees to rural Montana. There, as he throws himself into work on a ranch, he comes to learn that even the smallest of communities have secrets and even the most broken of families have a bond. Beautifully written and unfolding against an epic American landscape, August is a compelling, authentic and poignant story of the joys and traumas that irrevocably shape us all.