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Jerome McGann's manifesto argues that the history of texts and how they are preserved and accessed for interpretation are the overriding subjects of humanist study in the digital age. Theory and philosophy no longer suffice as an intellectual framework. But philology--out of fashion for decades--models these concerns with surprising fidelity.
Two essays and a set of original diagrams consider the parameters of the ¿something beyond¿ in James Carpenter¿s projects. Photographs and extended captions from Carpenter complete this book¿s documentation of key projects.
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