Books published by Harvard University, Asia Center

A reference work from one of the world's preeminent linguists, A Comprehensive Manchu-English Dictionary substantially enlarges and revises Jerry Norman's 1978 Concise Manchu-English Lexicon. With hundreds of new entries and a new introduction on pronunciation and script, it will become the standard English-language resource on the Manchu language.

A groundbreaking study of prison religion, Karma and Punishment introduces a form of chaplaincy rooted in the Buddhist concept of doctrinal admonition. Through research and fieldwork, Adam Lyons uncovers a dimension of Buddhist modernism that developed as Japan's religious organizations carved out a niche as defenders of society by fighting crime.

Grace C. Huang reconsiders Chiang Kai-shek's leadership and legacy in an intriguing new portrait of this twentieth-century leader. Comparing his response to imperialism to those of Mao, Yuan Shikai, and Mahatma Gandhi, Huang widens the implications of her findings to explore alternatives to Western expressions of nationalism and modernity.

The central argument of this study of the development of a communications network linking the far-flung parts of the Japanese imperium is that modern telecommunications not only served to connect these territories but, more important, made it possible for the Japanese to envision an integrated empire in Asia.

Earthquake Children is the first book to examine the origins of modern Japan's infrastructure of resilience. Janet Borland vividly demonstrates that Japan's contemporary culture of disaster preparedness-and its people's ability to respond calmly in times of emergency-are the results of learned and practiced behaviors inspired by earlier tragedies.

Chinese Ways of Seeing and Open-Air Painting chronicles the life of a modern art form. In the late 1910s Chinese painters began working outdoors. They also adopted linear perspective and Cartesian optics. Yi Gu reflects on the complex interaction of local and Western aesthetics within the new form and on the nature of visual modernity in China.

With the ascension of a new emperor and the dawn of the Reiwa Era, Kenneth J. Ruoff expands upon and updates The People's Emperor, his study of the monarchy's role as a political, societal, and cultural institution in contemporary Japan.

In this groundbreaking study, Maram Epstein identifies filial piety as the dominant expression of love in Qing dynasty texts. By decentering romantic feeling as the dominant expression of love during the High Qing, Orthodox Passions calls for a new understanding of the affective landscape of late imperial China.