Books published by Hatje Cantz

No question that the Bauhaus was the most influential institution on architecture in the twentieth century. But does this aesthetic legacy live on in buildings? In what shape do we encounter it today, after about 100 years, in changing cityscapes? The photographer Jean Molitor has examined this question in depth all around the world. In his new illustrated volume bau2haus, he tracks the architecture that owes something to the Bauhaus and its special style across the globe. In strongly contrasted black-and-white photographs he draws attention to these fascinating structures. Selected with a meticulous eye, the photos play with perspective, perfectly balancing the openness and existing volume of each building. The result is a vivid history of architecture that readers will hardly be able to get enough of. Previously published by Hatje Cantz:bau1haus - die moderne in der welt (2018)JEAN MOLITOR (*1960) studied fine arts photography at the Hochschule für Grafik und Buchkunst in Leipzig. He is known around the globe as a documentary filmmaker as well as a specialist in street and architectural photography. His works have been seen in many exhibitions worldwide. He is based in Berlin.

Employing the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present - a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema. ROSA BARBA (*1972, Agrigento, Italy) is an acclaimed artist who works with film. She is the recipient of numerous awards, including the renowned Calder Prize. Her work has been exhibited at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the Schirn Kunsthalle, Frankfurt, and the MIT List Visual Arts Center, Cambridge, MA, among others.

Not only were they two of the outstanding artists of the Bauhaus, but also a well-known couple. Their many famous works and the artists they influenced as teachers and role models bear witness to their life and work. But that is not all, as another ingenious couple literally shows us. The photographer duo Lake Verea has joined forces with the Josef and Anni Albers Foundation to trace the material and intellectual traces of their artistic creativity in their estate. Correspondence with Bauhaus colleagues, tubes of paint and fabric fibers are captured with an extraordinary feel and vividness. Seeing the objects gives wings to the imagination. For inevitably, one sees the hands of the artists at work, who formed their very own contribution to 20th century art history from these objects, conversations and trains of thought.ANNI ALBERS (1899-1994) and JOSEF ALBERS (1888-1976) were both Bauhaus artists in Dessau and Berlin. Together they emigrated to the USA in 1933, where their path led them to Black Mountain College and finally to Bethany. With their textile art and his painting and theory, both left behind an oeuvre that was both independent and influential for later generations. FRANCISCA RIVERO-LAKE CORTINA (*1973) and CARLA VEREA HERNÁNDEZ (*1978) always appear together as photographers. This, together with their extraordinary eye, makes them one of the most extraordinary and versatile phenomena in contemporary photography. Their works are accordingly represented in the most renowned exhibitions and collections.

For half a century, Angelika Platen has been photographing mainly black and white portraits of artists, including Georg Baselitz, Josef Beuys, Hanne Darboven, Bridget Riley, Marina Abramovic, Katharina Grosse, and Andy Warhol. Platen's third monograph, Meine Frauen (My Women), is the first to gather together the female art scene (in an art world still dominated by men). With her unmistakable character studies as part of her photo series, Platen Artists-taken in studios and galleries-and in a congruence of image and work, the artist devotes herself this time exclusively to female visual artists. Here, she shows an exciting, varied, photographic panorama of over one hundred female artists. With portraits of:Marina Abramovic, Monica Bonvicini, Sophie Calle, Hanne Darboven, Cecilia Edefalk, Isa Genzken, Asta Gröting, Candida Höfer, Roni Horn, Leiko Ikemura, Joan Jonas, Herlinde Koelbl, Marlena Kudlicka, Annie Leibovitz, Julie Mehretu, Anette Messager, Marzia Migliora, Katharina and Pola Sieverding, Rosemarie Trockel, Jorinde Voigt, and others.ANGELIKA PLATEN (*1942, Heidelberg) became the director of the Gunter Sachs Gallery after studying photography in Hamburg. She began working on her evocative, black-and-white portraits in the late 1960s. Today, she has gathered more than a thousand "Platen Artists" to form a fascinating gallery of personalities from half-a-century of living art history.

The future is now

Social inequality, population growth, climate change. The artist Dawn DeDeaux does not shy away from difficult topics. Since the 1970s, she has been probing humanity's present and future in videos, performances, and installations. This catalogue, published to coincide with her first comprehensive museum exhibition at the New Orleans Museum of Modern Art, presents DeDeaux's work spanning five decades: from early multimedia works using radio and satellite to recent works from her MotherShip series, in which she imagines humanity's escape from a destroyed Earth. In her work, art is always closely intertwined with philosophy, science, and new technologies. Consequently, the text contributions go beyond art to contextualize her work. DAWN DeDEAUX (*1952) is a pioneer in the field of art and new technology. Based in New Orleans, she has had participated in exhibitions at the Whitney Museum of American Art, Mass MoCa, and the Transart Foundation for Art and Anthropology, among others.

Artist Sean Scully and Art Critic David Carrier in Conversation

Garden art in its most beautiful splendour

A person's mien reveals the landscape of a life. In their expressive presence, not only do the eyes speak, but every detail of the face's features and folds tell of a life that has been lived. Therefore, it may not be entirely surprising that Giovanni Segantini, celebrated during his lifetime as a landscape painter and an innovator in Alpine paintings, saw the portrait as the noblest genre of art. It is all the more astonishing that this theme has received very little attention until now. The Segantini Museum in St. Moritz is now closing this gap with an exhibition and this companion catalogue. Assembled from private and public collections, this is the first exhibit to present Segantini's impressive portraits. An enchanting series of pictures, whose views of the models' lives also provides insight into the artist's life as well.GIOVANNI SEGANTINI (1858-1899) began his career at the Brera Art Academy in Milan. He became famous for his pointillist depictions of the Alps, as well as being a pioneer in Symbolism. His portraits are no less superior and open up new facets in the master's oeuvre.

Documentaries by the Dutch Artist Duo