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The original, classic, Dark Shadows books from the Paperback Library, return with Hermes Press' archival reprint of all 32 titles in the series beginning with the first novel which first saw print in December, 1966.> Professor Gerald Collins returns to Collinwood from an archaeological expedition to Mexico with several crates of animals -- giant rats, poisonous snakes and rare lizards. His daughter, Irma, turns to Barnabas for help. She fears her father also brought back a Quetzalcoatl, the terrible, cursed feathered serpent of Aztec legend. Suddenly, a mysterious murderer strikes at Collinwood, and a feathered serpent is reported flying over the area. The townspeople, already angered by the presence of Barnabas at Collinwood, now demand that Professor Collins turn his specimens over to a zoo before anyone else is killed. Irma, with the help of Barnabas, tries desperately to clear her father's name, and in doing so, stumbles upon a monster even more dreadful than the Quetzalcoatl.
The original, classic, Dark Shadows books from the Paperback Library, return with Hermes Press' archival reprint of all 32 titles in the series beginning with the first novel which first saw print in December, 1966.> Knocked unconscious in an auto accident, Carolyn awakens in 1870 and meets Barnabas and Quentin. Suffering under the curse of the werewolf, Quentin arranges to be assassinated but later changes his mind. Once the die is cast however, the assassin may be unstoppable.
Steve Ditko was the last of a sturdy generation ofAmerican comic book artists who produced iconic, modern day mythology and wasamong the most influential and original creators of the 20th Century. A primearchitect, together with Jack Kirby and Stan Lee, of a universe of heroiccharacters that took Marvel Comics from an underdog New York publisher in the1960s to the world-recognized brand of comic book superheroes andmulti-million-dollar movies of today, Ditko co-created Spider-Man but walkedaway from the character he designed over 50 years ago, to never again return tothe enduring superhero and retreating completely from the public eye thereafter. Seeking his own individualistic paths for creative and personal expression wouldlead to condemnation from some, restricted work opportunities from others and areclusive life peppered with memories of interfering editors; original artworkthat had been stolen from him and a life-long adherence to his Objectivistconvictions. With the book sourcing a decade-long correspondence between SteveDitko and its author David Currie, the history of the formative years ofAmerican comic books and the rise of Marvel Comics is revealed, illuminatedfurther by interviews with many other comic book creators from all periods. It'san intrigue-filled story of heroes and villains, both fictional and real;visionary artists on zero-hour contracts and one man's artistically productiveand diligently uncompromising life.
Back in the 1950s during the ΓÇ£Cold WarΓÇ¥ every new day beckoned the possibility of the end of the world. Kids grew up in the shadow of bomb shelters and were treated to daily lessons at school on what to do in the event of a nuclear attack. Americans were besieged by constant reminders to police our borders, to carefully watch out for ΓÇ£foreignersΓÇ¥ who might be spies, and to be ever vigilant in preparing to combat the ΓÇ£redΓÇ¥ menace of communism. Comic books of this era played on these fears with stories of atomic war and world war III. This new historic reprint looks back at those good ole days, which can be viewed in the perspective of todayΓÇÖs political climate. This volume reprints the complete runs of Atomic War! and World War III and can be read merely as great action/adventure stories, classic ΓÇ£warΓÇ¥ comics or as an eerie, unanticipated commentary on todayΓÇÖs tribulations. SPECIAL NOTE: if these extremely rare books were purchased at your local comic shop they would cost well over $1000 in low grade condition!
Featuring a collection of comic book stories, this book chronicles the work of various Golden Age artists.
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