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the book offers a detailed commentary on the poetry of Hopkins, exploring the significance of contemporary cultural issues and the poet's life as Catholic convert and Jesuit priest. Part 1 traces Hopkins's life from his early schooldays, his undergraduate years at Oxford and conversion to Catholicism, to his work as a Jesuit scholar and poet-priest. Part 2, explains the core principles of Hopkins's innovative and challenging poetry, including sections on inscape, instress and sprung rhythm. Part 3, provides a detailed critical commentary on most of the major poems, including The Wreck of the Deutschland, God's Grandeur, The Windhover, Pied Beauty, The Caged Skylark, Hurrahing in Harvest, Felix Randal, Spring and Fall, Inversnaid, the six 'Terrible Sonnets', and That Nature is a Heraclitean Fire. Part 4, explores the history of Hopkins criticism from that of his own contemporaries to twentieth century and current critical approaches. John Gilroy is also the author of Reading Philip Larkin: Selected Poms
The Kepesh trilogy spans three decades of Philip Roth's career, beginning with The Breast in 1972, and continuing with the Professor of Desire in 1977 and The Dying Animal in 2001. This study demonstrates that the trilogy is not only worthy of critical analysis in its own right, but also that an appreciation of its themes and strategies deepens our understanding of his entire fictional enterprise, offering an invaluable perspective on one of the world's most important novelists. Paul McDonald works at the University of Wolverhampton where he is Senior Lecturer in American Literature, and Course Leader for Creative Writing. Among his other HEB titles are The Philosophy of Humour (2012), and Reading Beloved (2014). Samantha Roden is a Lead Practitioner for English at North East Wolverhampton Academy. She writes educational resources, digital pedagogical guides and conducts national webinars for Cambridge University Press. Her first full collection of poetry, Catch Ourselves in Glass, is forthcoming.
Part 1 of this book examines the English contribution to the 'American Revolution', and the various models of relationship between Britain and America that existed for writers in the 'American Renaissance'. Part 2 considers the politics of James Fenimore Cooper, and the inspirational role of the English Romantics in the thinking of Emerson and the art of Bryant, Thoreau, Hawthorne and Poe, Melville, Whitman and Dickinson. An epilogue explores how Dickinson and Whitman responded to the seductive music of Alfred Lord Tennyson. "How this study is received will say as much about the recovery of serious interest in literary history as about the work's quality. Learned, rigorous in testing its assertions, mordant and spirited in its expression, Romantic Dialogues makes one wonder how one ever read the American text at all without the British context. .... An extraordinary achievement" -Robert Weisbuch, New England Quarterly
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