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Walter Bandazian traces developments which led to the arrest, detention, and ¿nally, the release of Young Turks and their allies accused of committing war crimes during and after World War I against the Christian population of Ottoman Turkey, most notably the Armenians. The primary focus of his work concerns the role played by British authorities in the Near East in addressing the Armenian Genocide and initiating the ¿rst international effort to bring war criminals to trial, even before the Nuremberg trials of 1946-49. However, as Bandazian also shows, the anticipated trials never materialized because of several key factors, including the lack of appropriate legal mechanisms, dif¿culties in securing evidence on the ground, and political opposition from different quarters. Most of the present work is composed of documents which informed British authorities of the guilt of such civil, parliamentary and military functionaries as Memduh Bey in Erzinjan, Arif Fezi Bey in Diyarbakir, Mustafa Abdul Halik in Bitlis, Suleiman Faik Pasha in Harpoot, and others.
Rabia Balkhi was a tenth century Persian language poetess and a contemporary of Rudaki. She is known through the works of other writers, most notably Attar. In love with an outsider, she was murdered by her brothers to preserve the family s honor. This essay examines her work, life and love.
This is a comprehensive guide to reading and writing the script of contemporary Persian. Drawing on years of classroom experience, Mitra Ara introduces and gives detailed instructions to reading, writing, typing, various handwriting forms, cursive writing, vowels, signs, and pronunciation. She also explains the most important scripts, Naskh and Nastaliq. Lesser used styles such as Kufic are also covered. This book is an excellent resource for students and teachers. It includes numerous exercises and writing practices which help reinforce the students ability to learn the language.
"The Cannon" is the first and best of Gholam-Hossein Sa''edi''s novels. It has an unwavering focus on a single character, the independent itinerant Mullah Mir Hashem who is clever and manipulative. Based on historical events, the novel is set in north-western Iran in the early twentieth century. It features tribal supporters of the Constitutional Revolution; Russian Cossacks who are backing the status quo; and Mullah Mir Hashem. The novel offers a glimpse into the tensions and machinations of the revo-lution, where each party is attempting to outwit, out-manoeuvre and otherwise deceive the other. For most of the narrative Mir Hashem seems to have outsmarted the others. The story comes to an intriguing and unpredictable end.
"Alethophobia" revolves around the life of the Iranian-born Professor Pirooz who lives mostly in his own imagination; he is everywhere and yet he is nowhere. He dissimulates and dissimulates, yet loses control of himself and speaks his mind -- in spite of his efforts -- at all costs. He is a whistle blower with a broken whistle and a broken heart and a broken existence. What is the use of being a Professor if you cannot profess and, worse yet, have to pay lip service to academic freedom in order not to be marginalised? "Alethophobia" is eventful, witty and insightful. It is a real story that appears as surreal. How could such events occur on a tranquil university campus in America? How could the love of a gorgeous policewoman and a wondering scientist take root and blossom in such inhospitable soil? The story has many stunning turns and twists inducing laughter and tears.
A work of fiction, most of Vale of Tears takes place in the Haitian capital of Port-au-Prince, where the book''s protagonist, Coralie, is trying to scrounge up enough money during the New Year holiday to pay her rent. Part of the book is set in France, where Coralie spent part of World War 2. Through 14 chapters that alternate between the present and past and seem to correspond with Christ''s passion, the reader learns how Coralie''s fortunes have changed steadily for the worse from childhood to middle age, beginning when she had to endure the spite of her step-mother, a woman who eventually stole her inheritance and separated Coralie from her only child. From being a beautiful light-skinned woman who was happily married and prosperous at one time, Coralie eventually finds herself being forced to sell herself and live apart from her only child, as her fortunes begin to get worse. In the end, she finds herself reduced to begging for money from family members and acquaintances and washing clothes for prostitutes.
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