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A key paradigm in The Tango of Ethics is the conflict and interplay between two fundamentally different ways of seeing and being in the world -- that of the intuitive human being who wants to lead a meaningful life and thrive, and that of the detached, rational agent who wants to prevent unbearable suffering from occurring.
The purpose of The Corporeal Turn is to document in a single text the impressive array of investigations possible with respect to the body and bodily life, and to show that, whatever the specific topic being examined, it is a matter of fathoming and elucidating complex and subtle structures of animate meaning. The corporeal turn is envisioned as an ever-expanding, continuous, and open-ended spiral of inquiry in which deeper and deeper understandings are forged, understandings that in each instance themselves call out for deeper and deeper inquiries. The first thirteen essays have already been published as distinct articles. The two new essays constituting the final two chapters are testimony to this open-ended spiral of inquiry.
This book tells the incredible story of the cross-correspondence automatic writings, described by one leading scholar of the field, Alan Gauld, ''as undoubtedly the most extensive, the most complex and the most puzzling of all ostensible attempts by deceased persons to manifest purpose, and in so doing to fulfil their overriding purpose of proving their survival''. It is an intensely personal and passionate story on so many levels: May Lyttelton trying to convince her lover Arthur Balfour of her continued existence; Myers with indomitable persistence trying to produce evidence to prove survival generally; Gurney and Francis Balfour striving from beyond the grave to influence the birth of children who would work for world peace; Gerald Balfour and his lover Winifred Coombe-Tennant believing that their child, Henry, would be the Messianic leader of this group of children.
This fourth and final volume of writings by Elizabeth Anscombe reprints her Introduction to Wittgenstein's Tractatus, together with a number of later essays on thought and language in which she explores issues of reason, representation, truth and existence.
The Scottish Enlightenment provided the fledgling United States of America and its emerging universities with a philosophical orientation. This volume in the Library of Scottish Philosophy demonstrates the remarkable extent of this philosophical influence.
More treasures from the archive of papers left by philosopher Elizabeth Anscombe, edited by her daughter and son-in-law, philosophers Mary Geach and Luke Gormally.
This volume examines historical and contemporary engagements of anarchism and literary production. Anarchists have used literary production to express opposition to values and relations characterizing advanced capitalist (and socialist) societies while also expressing key aspects of the alternative values and institutions proposed within anarchism. Among favoured themes are anarchist critiques of corporatization, prisons and patriarchal relations as well as explorations of developing anarchist perspectives on revolution, ecology, polysexuality and mutual aid. A key component of anarchist perspectives is the belief that means and ends must correspond. Thus in anarchist literature as in anarchist politics, a radical approach to form is as important as content. Anarchist literature joins other critical approaches to creative production in attempting to break down divisions between readers and writer, audience and artist, encouraging all to become active participants in the creative process.
This book presents a narrative of Scottish politics since devolution in 1999.
In this volume a distinguished set of authors explore various economic, philosophical, and ethical ideas from historical, contemporary, and future-looking perspectives.
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