Books published by Inanna Publications and Education Inc.

(M)othering is a universally understood phenomenon that speaks to the act of becoming something unexpected and entirely outside ourselves. And this book is a collection of writing and art about that. 56 contributors illuminate the kind of gritty, body mind soul transformations that only the mothering myth can evoke. Their work will take you to wonder and wildness, kindness, beauty, grief, love.These writers and artists show us what it means to create, to birth something, to love it, and to suffer loss. They share their truths about being persecuted, fleeing. About trans-generational trauma. Some write of broken women, mothering their mothers and sisters, choosing not to be mothers. Having many mothers. Mothering grown children. Men who want to be mothered. They tackle identity, adoption, abortion, addiction, self-care, sacrifice, nature and nurture, making art, unravelling, invention, loneliness, anger, laughter, and joy. They are queer, Metis, indigenous, French, male, Jewish, Mennonite, descendants of the Blackfoot and the Cree, settlers and immigrants. In unison, they speak about experiences far beyond the pathologizing of the pregnant female body.

Gilda Peterborough has always worried about her twin, but when Pete deletes his Facebook page, she goes to red alert. Meanwhile, Pete and Gilda's mother Beth frets about both of her twins, neither of whom seem to be thriving. When Pete abruptly decides to move away from Edmonton to Montreal, Gilda decides to track him down. Beth tries to help by befriending Pete's former co-worker.Pete (a.k.a. Philippa, a.k.a. Phil) is intersex, a biological fact Gilda believes is the root of all Pete's social problems. As far as Pete is concerned, however, the problems all lie with his twin, who is always on his case. Both Beth and Gilda hope to find Pete and somehow reconcile the family's unresolved past, which is haunted by the influence of Ralph Peterborough, a father who has never accepted his children for who they are.In Montreal, Pete meets Philip McDonald, owner of the bed and breakfast where he and Beth lived when they were on the lam more than twenty years ago. Through Philip, Pete meets members of the LGBTQIA+ community and expands his quest for liberation in ways he never expected..

These twelve short stories dive deep into imaginary worlds where everyday life is marked and marred by war. They speak of wounded love, captured women, confinement, talismans, borders, wolves. They give expression to the voices of Afghan women who would like to change the fate of people like Nâzboo, Khorshid, Hamid and so many others.Originally published by Éditions Le Soupirail in 2019, this collection was the first volume of short stories by Afghan women to appear in France. This edition from Inanna Publications brings these stories-and their unique perspectives-to English-speaking readers for the first time. The collection includes stories by Wasima Badghisi, Batool Haidari, Alia Ataee, Sedighe Kazemi, Khaleda Khorsand, Masouma Kawsari, Mariam Mahboob, Toorpekai Qayum, Manizha Bakhtari, Homeira Qaderi, Parween Pazhwak and Homayra Rafat.

In Dusk in the Frog Pond, Rummana Chowdhury presents new narratives about the lived realities of Muslim women as they navigate life, be it in Bangladesh, on the shores of Lake Ontario in Toronto or along the riotous waves of the Atlantic in New York. These eight powerful stories follow a series of intrepid Bangladeshi women as they confront the issues of migration, displacement, nostalgia, cultural assimilation, marriage and-above all-identity and loneliness. Despite the challenges facing them, these compelling characters seek out happiness, whether in arranged marriages, romantic relationships or in shaping their individual destinies. Each tale is a depiction of the tensions, active as well as simmering, between culture, tradition and history and the modern world. The collection is a compendium of both joy and sorrow, never forgetting the eternally burning fire of hope that lives and dies within all of us.

Set in 1990s New York, Slow Reveal paints an extraordinary portrait of artists who defy the arbiters of culture and challenge social norms. Art, addiction and family dynamics capsize the Kanes when they discover the parallel life of Katharine, film editor, mother, lover and wife."A poem is never finished, only abandoned," wrote Paul Valéry, an outcome echoed in her decade-long affair with Naomi, a lesbian poet. Katharine's marriage to Jonathan collapses in his struggle with sobriety when he's ostracized for politicizing art and abandons his career for advertising. Faced with confrontations from her two grown daughters, an installation artist and an aspiring writer, Katharine hangs onto her former life. When unforeseen tragedy strikes, devotion and commitment are not the guardrails that keep their work or relationships on track but rather a form of entrapment.A captivating story about relevance at the end of the 20th century, the novel questions the voracious demands of contemporary society through a riveting portrayal of turbulent family life, impacted by art shaped by the media and influenced by social and political injustice. Success is redefined by the courage to embark on the artistic process, as risky, messy and unpredictable as building intimacy and trust in love.

Living the Edges: A Disabled Woman's Reader, the lives of women with disabilities have not changed much. Still Living the Edges provides a timely follow-up that traces the ways disabled women are still on the edges, whether that be on the cutting edge, being pushed to the edges of society, or challenging the edges-the barriers in their way. This collection brings together the diverse voices of women with various disabilities, both physical and mental, from nations such as Canada, the United States, Australia, Russia, the United Kingdom, and Zimbabwe. Through articles, poetry, essays, and visual art, disabled women share their experiences with employment, relationships, body image, sexuality and family life, society's attitudes, and physical, sexual, and emotional abuse. In their own voices, they explore their identity as women with disabilities, showcasing how they continue to challenge the physical and attitudinal barriers that force them to the edges of society and instead place themselves at the centre of new and emerging narratives about disability.

It's not easy "choosing not to choose," especially for a nonbinary teen in 2007.Corey was born intersex, but their father and stepmother didn't make a big deal about it. Then Corey's dad dies suddenly. Now Corey's disapproving mother wants Corey to "pick a side". Corey's old enough to say no to medical intervention-but not old enough to avoid being held in a youth psych ward when their mom makes an issue of Corey's refusal to conform to the gender binary.In the psych ward, Corey makes friends with Kim, a teen girl diagnosed as anorexic-or is she? As they work to unravel their pasts, they discover that Kim's situation is even more dangerous than either of them had ever imagined.

The Becoming is a brutal account of mental illness by a woman who doesn't believe in mental illness. As the author embarks on a PhD at the University of Oxford, a lifetime of addiction, eating disorders, and trauma culminates in an explosive hospital stay that sees her achieve liberation through psychosis. Her journey from terror to acceptance is grueling, and she makes meaning of it by weaving reflexive narrative with classic and nascent scholarship. Part phenomenological recounting, part social critique, the text disrupts biomedical approaches to altered states by exploring their emancipatory potential. It also illuminates how conventional mental health treatment pathologizes human suffering. In doing so, The Becoming contributes to anti-psychiatry and Mad studies projects, each asking, "What does it mean to be normal?" and "Should we be sane in an insane world?"

In these stories seers and vagabonds, addicts and gardeners succeed and sometimes fail at creating new kinds of community against apocalyptic backdrops. They build gardens in the ruins, transport seeds and songs from one world to another and from dreams to waking life. Where do you plant a seed someone gave you in a dream? How do you build a world more free of trauma when it's all you've ever known? Sometimes the seed you wake up holding in your hand is the seed of a new world.

Winner, 2020 National Association of Black Journalists Outstanding Literary Award; Overall Winner, 2020 Shelf Unbound Best Indie Book Award; Winner, 2021 IPPY Gold Medal for Urban Fiction; Finalist for the Foreword INDIES Book of the Year AwardsFeatured on Ms. Magazine's June 2020 Reads for the Rest of Us and Bustle's 23 Debut Books That Are Too Good To Ignore. It is 1971. The fictional city of Bellport, Massachusetts, is in decline with an urban redevelopment project on the horizon expected to transform this dying factory town into a thriving economic center. This planned transformation has a profound effect on the residents who live in Bellport as their own personal transformations take place. Sydney Stallworth steps away from her fellowship and law studies at an elite university to support husband Malachi's dream of opening a business in the heart of the black community of his hometown, Bellport.For Omar Bassari, an immigrant from Senegal, Bellport is where he will establish his drumming career and the launching pad from which he will spread African culture across the world, while trying to hold onto his marriage. Della Tolliver has built a fragile sanctuary in Bellport for herself, boyfriend Kwamé Rodriguez, and daughter Jasmine, a troubled child prone to nightmares and outbursts.Tensions rise as the demolition date moves closer, plans for gentrification are laid out, and the pace of suspicious fires picks up. The residents find themselves at odds with a political system manipulating their lives and question the future of their relationships.The Talking Drum explores intra-racial, class, and cross-cultural tensions, along with the meaning of community and belonging. Examining the profound impact gentrification has on people in many neighborhoods, and the way in which being uprooted affects the fabric of their families, friendships, and emotional well-being, the novel not only focuses on the immigrant experience, but the way in which the immigrant/African American neighborhood interface leads to friction and tension. This book thus provides a springboard to important discussions on race and class differences, on the treatment of immigrants, as well as the government's relationship and responsibility to society.

When British immigrant Selena Jones marries Aidan Gilmor, a Sinhalese-Eurasian -- part British -- from Sri Lanka in the 1960s in Toronto, a passionate clash of culture ensues. Selena's mother in Wales is horrified when Selena brings Aidan home to Wales for the wedding. Back in Toronto, Selena faces further prejudice and disapproval of her "mixed marriage," despite Pierre Elliott Trudeau's new "multiculturalism," which was being encouraged but also resented. She is shocked not only by the reaction of neighbours but by the teachers at the all-White school in Toronto where she teaches, and she pretends that Aidan is a White Canadian. When two poor West Indian and two East Indian children from a new government housing project nearby unexpectedly arrive at the school, Selena is forced to take a stand in their defence. Gradually she learns to face her fears and confront racism. She is drawn into a deeper understanding of her Sri Lankan family, and especially of her father-in-law, a former tea planter under the British, who left Ceylon after Independence in 1956. She sees the effect of colonialism on Aidan and his family, trying to be "British" while caught in the middle of the civil war conflict in Sri Lanka. The revelation of her father-in-law's secret guilt about the past leads to an inevitable and shocking climax.

Winner of the 2020 International Book Award for LGBTQ Fiction; Finalist for the Foreword INDIES Book of the Year AwardsMargot Wright has led a deliberate life. At 18, she left her unusual and abusive family situation and never looked back, and then two years later she devoted herself wholly to Estelle Coté, her first and only love. But now, at 45, freshly retired from a career in antique firearms dealing, and settling into a new home with her wife, Margot finds herself feeling restless. Bored. She admits this to herself on the day she visits Le Galopant, a historic carousel that has become bafflingly meaningful to Estelle; and, as with anyone wishing to dodge a midlife crisis, Margot sets her feelings aside, intending to ignore them for as long as possible. At La Ronde, the amusement park where Le Galopant is showcased, Margot is accosted by a 17-year-old girl named Katherine de Wilde. Katy is hyper and unrefined, "rural," everything Margot cannot stand, yet she finds herself thinking more and more about the lisping girl in the Converse sneakers and "Meat is Murder" T-shirt as the days tread on. Even after Estelle discovers a massive secret she's been keeping for a decade, forces her into couples counseling and then on a road trip to confront this secret, Margot is unable to stop Katy from seeping into her thoughts. So when Katy phones her one morning with bad news, "They're taking down Le Galopant for good. It's broken!" Margot yields to impulse and pursues her interest in the girl. Set between Montreal, Quebec and various American cities, Carousel is a story about secrets--secret yearnings, lives, and losses--and the measures we take to protect our loved ones from the monsters we see ourselves to be.

Finalist for the 2020 Lambda Literary Award for Lesbian FictionA Generous Spirit: Selected Work by Beth Brant collects the writing of Beth Brant, Mohawk lesbian poet, essayist, and activist. During her life, Brant's work gave voice to an often unacknowledged Two-Spirit identity, and today, her words represent continued strength, growth, and connection in the face of deep suffering. A Generous Spirit is Brant's portrait of survival and empathy at the intersection of Native American and lesbian experience. Edited by noted Native poet and scholar Janice Gould, A Generous Spirit recounts and enacts the continuance of her people and her sisters with distinct, organic voices and Brant's characteristic warmth. Her work is a simultaneous cry of grief and celebration of human compassion and connection in its shared experience. Through storytelling, her characters wrest their own voices from years of silence and find communion with other souls.

A Harsh and Private Beauty, is about the life and loves of Ruby Grace, now in her 89th year, on a train journey with her granddaughter back to Chicago, the city of her birth. When the book opens, Ruby is living in a retirement care home, but as a young woman, she was a jazz and blues singer, once trained for a career in opera. The novel traces Ruby's grandparent's immigration from Ireland to New York City, her father, Daniel Kenny's life in 1920s Chicago--the era of gangsters, nightclubs, rum-running and Prohibition--and Ruby's subsequent life in Montreal and Toronto. Headstrong and talented, Ruby struggled with the conventions of the times, was trapped in a marriage that forced her to give up her singing career, and in love with another man who shares her passion for music. Now, on the train headed back to a city she cannot remember, to a daughter she hardly knows, Ruby tries to look honestly at herself and the choices she has made, choices that affected not only her children, but her grandchildren. Ruby has a stroke on route, leaving the disconnected story of her life and love in the hands of her granddaughter, Lisa, who must reveal a secret to her father, Ruby's son, that her grandmother guarded all her life.