Books published by Inanna Publications and Education Inc.

Winner of the 2020 International Book Award for Multicultural Fiction; Winner of the 2020 Ippy Gold Medal for Multicultural Fiction.It is 1970. The evergreens are thick with snow despite it being the month of April. In an Ottawa hospital, another daughter is born to the Azar family. The parents are from Kfarmichki, a village in Lebanon but their daughters were born in Canada. Four daughters, to be precise. No sons. Youssef is the domineering father. Samira is the quiescent mother. Rima, Katrina and Mona are the traditional daughters. Then there is Adele, the newest member. "You should've been born a boy," Samira whispers to Adele shortly after her entrance into the world. As she grows, Adele learns there are certain rules Lebanese girls must follow in order to be good daughters. First off, they must learn to cook, master housework, learn Arabic and follow the traditions of their culture. Above all, they must save themselves for marriage. But Adele dreams of being an artist. When she is accepted to the University of Toronto, this is her chance to have a life outside the confines of her strict upbringing. But can she defy her father?When Youssef surprises her with a family trip to her ancestral home, Adele is excited about the journey. In Lebanon, she meets Elias. He is handsome and intelligent and Adele develops feelings for him until Elias confides to her that her unexpected meeting with him was actually a well-devised plan that is both deceitful and shocking.Will this unravel the binding threads of this close-knit Lebanese family? Crisscrossing between Ottawa, Toronto and Lebanon, The Allspice Bath is a bold story about the cultural gap and the immigrant experience.

Climate change is already under way with unpredictable consequences. Evidence of changes to the earth's physical, chemical and biological processes is obvious everywhere. Greenhouse gas emissions have increased the carbon cycle concentration in the atmosphere. In the past, half of this carbon was stored in forests, while the other half was removed by oceans, but with deforestation and warming oceans, oxygen is at its lowest breathable point. Ecological degradation is global and the earth is becoming increasingly inhospitable with unprecedented weather events. The changing temperature has altered the balance of communities and degraded ecosystems. For example, in May 2016, as a result of a drier winter combined with an unusually hot, dry air mass over Northern Alberta, Canada, the temperature climbed to 32.8 °C (91°F) (Daily Data Report) resulting in 49 active wildfires covering an estimated 522,892 hectares. During the summer of 2017, hundreds of wildfires also razed thousands of hectares in the provinces of British Columbia, Manitoba, and Saskatchewan.More destructive events due to warmer ocean surface temperatures are also taking place. Warmer oceans hold less dissolved gases, including oxygen, which affects marine organisms, particularly mammals. In January 2014, in Peru's Pacific, more than 400 dolphins washed ashore dead (Foley); similarly, in New Zealand, in February 2017, more than 400 whales had beached themselves to die (Farewell). El Niño, which is a cold, low-salinity ocean current that runs along Ecuador, Peru, and Chile, has been heating and altering weather in all Pacific Rim countries. Each of the El Niño and La Niña cycles in the past twenty years have occurred with increased frequency and violence.In sum, the latest scientific evidence tell us that we are approaching climate catastrophe: global average temperature is rising, if another decade of business-as-usual fossil fuel emissions continues we can reach 2° C, a dangerous warming threshold. Climate change deepens ethical issues explored and discussed by ecofeminists around the world. This book describes the academic field of material ecofeminism, provides an overview of the land question, and explores how reigning discourses of "sustainable development" have led to a commodification of nature and have effaced the multiple visions, uses, and relationships of local human communities. The articles in this book are spaces of political projects and values that nurture anticapitalist, antipatriarchal, and anticolonial oppressions. We argue that the centrality of resisting the colonization of Mother Earth and Pachamama is supreme.

Finalist for the 2019 Golden Crown Literary Society Awards for General FictionThe Heart Begins Here is the story of the ever-optimistic, earnest Sara Requier and her disintegrating seven-year relationship with the cynical Wanda Wysoka. Along with her relationship struggles, Sara must contend with the drastic changes in the book industry that threaten her feminist bookstore, as well as a mother who refuses to accept her daughter's lesbianism. Then, just as Wanda decides to leave Sara, Wanda's new young lover, Cindy, is murdered. The story takes place in a western Canadian city in 2001 -- much of it in Sara's bookstore, Common Reader Books -- in the shadow of the disturbing political climate that followed the 9/11 attacks in the U.S. This is a transitional point in the Canadian book industry: the proliferation of big box stores, the expansion of the Internet -- and Sara is caught up in the concomitant changes in her community. The book explores themes of love and loss, of the lingering effects of a dysfunctional childhood, of misogyny, of personal and societal homophobia, and especially the challenge of integrating the personal with the political.

It is The War to End All Wars, and Ena Connelly, a keenly sensory and extraordinary woman, is newly married and living on an Ontario farm. The shock of violence in far-off battlefields is echoed in a terror much closer to hand. With bold perception and remarkable self-reliance, Ena faces a dramatically altered world. Ena is self-contained, and careful not to reach too far into the turbulent emotional lives of others. As the war progresses, Ena forms a fierce bond of loyalty for Blain, the delightful but (necessarily) duplicitous boy who comes to work for her. Through Blain, she learns to extend herself in unexpected ways-- to reach outside of herself, and to risk. Ena also grows closer to her sister-in-law, Sarah, a gifted painter. Sarah is unafraid of confronting emotional turmoil and passion but she doesn't have Ena's absolute clarity of purpose and aim. Ena helps Sarah move closer to the life she wants, while Sarah opens Ena to a terrible and essential kind of beauty. When studying Sarah's paintings, Ena comments that it is not the surface that matters, but rather what is underneath. The same is true of this novel -- underneath the meticulous detail of daily life is the emotional landscape of persistent, courageous women, watching the violence of war in Europe (World War I) and domestic violence closer to home.

Almost True is the story of an extraordinary friendship among four women living in a small village in Burgundy during World War II. Madeleine, the eccentric village beauty, is a spinner of stories and dreams. Léa, the doctor's daughter, is brave and resourceful. Simone, the outsider from Paris, has a secret of her own to hide, and the hardworking and practical Eugénie struggles to keep her vineyard alive. When Eugénie's younger brother, the reckless and handsome Gaston, is suddenly missing, the village buzzes with rumour. All four women think they know the true story of Gaston's fate, and each of them is wrong. But the truth will bind them together forever.

Finalist for the 2019 Rasmussen, Rasmussen and Charowsky Indigenous Peoples' Writing AwardHiraeth is about women supporting and lending strength and clarity to other women so they know that moving forward is always possible-- and always necessary. It documents a journey of struggle that pertains to a dark point in Canadian history that few talk about and of which even fewer seem aware. Poems speak to the 1960's "scoop up" of children and how this affected the lives of (one or thousands) of First Nations and Métis girls-- girls who later grew to be women with questions, women with wounds, women who felt like they had no place to call home. That is, until they allowed themselves to be open to the courage others have lived and shared. "Hiraeth" is a word that is Celtic in origin and it means looking for a place to belong that never existed. But this place does exist -- in the heart.