Books published by INTELLECT

Examines how scientific objects in museums and other collections act as inspiration to contemporary art practice, its histories, curating and aesthetics. Cross-disciplinary essays from leading arts professionals explore how scientific encounters in museums provoke new modes of creative thinking about art, science and curating. 84 col. illus.

Veganism is so much more than what we eat. It's about striving to live an ethical life in a profoundly unethical world. What does veganism have to do with wider struggles for social justice - feminism, LGBTQ+, anti-racism, environmentalism? This compulsively readable book dives deep into the heart of these questions.

The result of five years of practice-based creative research focused on Nicole Garneau's UPRISING project, Performing Revolutionary presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide.

Few contemporary television shows have been subjected to the critical scrutiny that has been brought to bear on David Lynch and Mark Frost's Twin Peaks since its debut in 1990. Yet the series, and the subsequent film, Fire Walk With Me, are sufficiently rich that it's always possible for a close analysis to offer something new - and that's what Franck Boulègue has done with Twin Peaks: Unwrapping the Plastic.

Imaging the City brings together the work of designers, artists, dancers and media specialists who investigate how we perceive the city, how we imagine it, how we experience it, and how we might better design it. The editors open up the field of urban analysis and thought to the perspectives of creative professionals from non-urban disciplines.

Fan Phenomena: Disney collects essays on Disney fans, spanning a variety of media (such as film, television, novels, stage productions and theme parks) and different fannish approaches (cosplay, fan art), as well as the company's reactions to them. It is a timely intervention that deals with crucial issues such as race and racism within the Disney fandom and in Disney texts, the role of queerness, the impact of the Covid-19 pandemic and the advent of the streaming service Disney+. The authors come from variety of disciplines, such as cultural and media studies, marketing and communications, cultural history or theatre and performance studies, and include both leading experts in fan and Disney studies, as well as emerging voices in these fields, plus interviews with fan practitioners. It will be popular with scholars of cultural studies, cultural history, media studies, fan studies; Disney fans, and students at any level

The patchwork is an apt metaphor for the region not only because of its colourfulness and the making of something whole out of fragments but as an attempt to make coherence out of disorder. The seeking of coherence was the exact process of putting together this book and foregrounds the process of Caribbean societies forging identity and identities out of plural and at times conflicting and contested groups that came to call the region home.Within the metaphor of the patchwork however is the question, where are the vernacular needlework artists within the visual art tradition of the Caribbean? The introduction sets out to both clarify and rectify this situation, and several common themes flow through the following essays and interviews. Themes include that that the land and colonization remain baseline issues for several Caribbean artists who stage and restage the history of conquest and empire in varying ways. That artists in the region amalgamate as part of their practice and seem to prefer an open-endedness to art making as opposed to expressing fidelity to a particular medium. That artists and scholars alike are dismantling long-held perceptions of what Caribbean art is thought to be, and are challenging boundaries in Caribbean art.These are among the issues addressed in the book as it looks at ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers should come away with the sense that questions of race, colour, and class loom large within questions of gender in the Jamaican art scene and that the book, dedicated to Sane Mae Dunkley, aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean.Audience will include researchers and scholars of Caribbean and African diasporic art, college students, those interested in post-colonial studies, Caribbean artists, art professionals interested in a wider, globalized view of contemporary art; students curious to know about the many phases of art production throughout the Caribbean. General readers interested in the culture of the region.

An edited collection of essays and chapters relating to interdisciplinary and multi-disciplinary methods of teaching. It will provide inspiration, a guide for project replication in practice essays, and interdisciplinary and multi-disciplinary teaching topics. For teachers in all stages of education from primary to higher education. 11 b&w illus.

Mina is one of Italy's best-loved pop stars. This book explores the significance of her star status in post-war Italy, and traces how the many meanings of Mina evolve as a result of different media forms she was involved in, which intersect and interact to produce new significances of the star throughout her sixty-year-long career. 12 illus.

This collection of essays addresses the fascinating intersection between nostalgia and videogame music. From Nintendo to PlayStation, Zelda to Bioshock, and cult to classic games - this anthology takes readers on a musical journey into personal, historical and virtual pasts. 15 b/w illus.

Iconic design leaders reflect on current affairs and share their visions for the future. Includes Carole Bilson, Karim Rashid, Bruce Mau, Steven Heller and Don Norman. Foreword by the president of the World Design Organization, Srini Srinisavan. Conclusion by design philosopher, Ken Friedman. 12 b/w illus.

Distillation of Sound traces the beginnings of dub music in Jamaica and how the culture is distilled throughout the world. It focuses on the analysis of some of the most famous full-length albums of dub music and how the engineers, producers, and musicians created a new sound that changed the way that people heard music. 15 b/w illus.

A fresh approach to contemporary views of luxury focusing on extensive academic research and industry insights, pushing the boundaries by using luxury as a catalyst for innovative research in a variety of domains spanning design, art, craftsmanship, technology, retail, architecture and cultural and social studies. 12 col. illus.

Balabanov's Brother (1997) made a mark on the new Russia's film history as its hero Danila Bagrov quickly gained cult status and the nostalgic rock soundtrack was a hit with the young post-Soviet generation. This study examines the ingenious mixture of genre elements, art narration and almost documentary-style realism. 25 b/w film stills.

Collection of performance texts from the experimental theatre company Lightwork, along with short essays by key participants. Geared around collaborative creation, it covers an array of approaches including devised, multimedia and site-specific work, providing a rich resource for those making or studying contemporary performance. 20 illus.

Fedor Bondarchuk's 2013 blockbuster film Stalingrad shattered box-office records and dazzled viewers with its use of special effects, enhanced by its 3D IMAX format, and transported audiences back to 1942. Examines the production, context and reception of the film, whilst offering a detailed reading of its key themes. 25 b/w film stills, 1 cartoon.

This book is the first to explore, in depth, major painters of the period and the factors that shaped their art. Accessible to both art novice and specialist, it is written in jargon-free, readable language, blending vignettes about the soaring art market of the eighties with illuminating interpretations of paintings by leading artists from around the world. Painting in the 1980s details where and how painting embodied the zeitgeist of the 1980s in original fusions of style and content.Erpf knows each artist's work well, and her discussions of the individual paintings are vivid and insightful. They bring the vitality of the art world in this understudied period to the fore. The individual descriptions and discussions of paintings are lively, engaging and provocative. They infuse each chapter with the author's passion for the subject and carry the reader along. The thematics - painting as puzzle, German history, Italian place - hold each chapter together and set the foundation for the author's original thinking and point of view.This book explores painting by a broad swathe of artists who were at the heart of that painting resurgence. The many books that examine twentieth-century art tend to emphasize painting as part of European Modernism, American Abstract Expressionism, and Pop Art, with late twentieth-century painting often given short shrift. Excellent monographs and exhibition catalogues on individual artists exist, but Erpf's intention is to counter the paucity of literature devoted to a larger group of painters. This is not a comprehensive look at all the artists who contributed to 1980s paintings revival.Gallerists, curators and art historians assigned labels such as New Image Painting, Neo-Expressionism, Italian Transavanguardia, Neo-Geo and the blanket designation Postmodernism to categorize painting in this era. Yet these classifications denote a false sense of homogeneity, which will be made clear in this book. This book's narrative aims to excavate and analyse the art and ideas that shaped each artist's style and their diverse and often ambiguous content.Works by the following artists are included: Nicolas Africano, Georg Baselitz, Jean-Michel Basquiat, Joseph Beuys, Francesco Clemente, Sandro Chia, George Condo, Enzo Cucchi, Marlene Dumas, Eric Fischl, Denise Green, Philip Guston, Peter Halley, Mary Heilmann, Neil Jenney, Donald Judd, Anselm Kiefer, Gordon Matta-Clark, Robert Moskowitz, Mimmo Paladino, A.R.Penck, Lari Pittman, Sigmar Polke, Gerhard Richter, Susan Rothenberg, David Salle, Julian Schnabel, Joel Shapiro, Frank Stella and David True.The artists discussed are all well known, but the surprises are in the innovative ways the artists insisted on returning to painting in a decade when it had been pronounced dead. Their courage and creativity comes through in the text.This will appeal to artists, art and cultural historians more broadly, and is suitable as a textbook for undergraduate and postgraduate courses in twentieth-century and contemporary art history.Novice art historians, art enthusiasts and collectors will also find much to enjoy here - it has appeal well beyond simply those professionally involved in the art world.

An academic reader bridging the disciplines of aesthetics and film studies by focusing on cinematic sublimity. Original essays by contemporary film scholars and philosophers with topics and case studies ranging from early cinema and classical Hollywood to avant-garde film and contemporary digital cinema.

Andrei Tarkovsky's 1962 Ivan's Childhood marked a pivotal moment for Soviet 'poetic cinema' and launched the career of an artist now considered a towering figure of Russian culture. A thorough analysis of this debut film through a close examination of the narrative structure, stylistic approach and philosophical underpinnings 25 b/w film stills.

New exploration of how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists' film and video and draws on work from the 1970s to the present day. An informed, personal view from a high profile author considering if appreciation of nature's aesthetics undermines commitment to ecology. 30b/w illus.

Popularly known as Bollywood, Bombay cinema conjures up song, dance and starry-eyed romance. Where do those conventions come from? Many derive from the historical influence of Muslim cultures interacting with other traditions in the Indian subcontinent. Contributions by major scholars of South Asian cultural history and Indian Cinema 105 b&w illus.