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Features 33 works of art from the Tia Collection that portray the shape, symbol or ideology of the cross.
Hans Ulrich Obrist is a marathon runner of daily discussions, conversations and exchanges with artists, architects, scientists, thinkers and writers.The elements of language that he accumulates offers a generic lexicon in which he draws alternately words or expressions that are as many vocal punctuations as exclamations of style.Are you here? compiles for the first time the stamp drawings that Hans Ulrich Obrist has composed for years, sometimes organized in clusters or lists, to flirt with concrete poetry.Sometimes rendered illegible, these leitmotivs come to black almost the whole of the page as a result of performances close to trances.This practice, which can be likened to stereotypy, is an outlet for the author, in which he uses, in the manner of a shaman, the elements of language that are his own.
#artselfie opens with an incisive remark by Douglas Coupland: "Selfies are mirrors we can freeze ... Selfies allow us to see how others look at themselves in a mirror making their modeling face when nobody's around ... except these days, everybody's around everywhere all the time." The #artselfie hashtag emerged in 2012 and was subsequently activated by New York-based collective DIS, as an aggregated mode of art-tourism and documentation. These selfies and their dialogue with art are an opportunity to revisit fundamental questions such as: if art is a mirror, what happens when we place ourselves between it and the camera? Including an introduction by Douglas Coupland (author of Generation X and ruthless observer of contemporary society) and a discussion between Simon Castets and DIS, #artselfie allows us to experience how significant--and seductive--this viral phenomenon is.
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