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What do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics. Authors include Vivian Sobchack, Richard Weihe, Thomas Lamarre, Paul Wells, and Karin Wehn.
Explores the issue of film distribution from the invention of cinema into the 1910s. This collection of essays discusses the question of how films came to meet their audiences.
Genetic studies of the epilepsies are essential for clinical diagnosis, family counselling and as a critical route to understanding the basic biology of epilepsies at a molecular level. The focal epilepsies have been traditionally regarded as predominantly acquired disorders. This perception has now changed and there has been an explosion of interest in inherited forms of focal epilepsy that are emerging as being surprisingly common. This book describes the clinical features of the enlarging group of familial focal epilepsies and highlights recent molecular biological knowledge in understanding these disorders.
Music and sound have become a recognised aspect of film production and film studies. This book is a contribution to the work in this field and is targeted at both cinema studies readers and film music students and aficionados. It comprises a diverse collection of essays on aspects of music, sound and Science Fiction cinema.
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