Books published by Johns Hopkins University Press

Mountain Gorillas features stunning photos and four appendices documenting key biological and ecological information, habitat vegetation, milestones in mountain gorilla conservation, and travel information.

As we watch the chimpanzees of Arnhem behave in ways we recognize from Machiavelli (and from the nightly news), de Waal reminds us again that the roots of politics are older than humanity.

A poetic vision of power, colonialism, and gender in North Africa, The Sand Child has been justifiably celebrated around the world as a daring and significant work of international fiction.

It includes an extensive glossary.

The secret of the process by which consciousness invests history with meaning resides in "the content of the form,in the way our narrative capacities transform the present into a fulfillment of a past from which we would wish to have descended.

In "General Psychopathology", perhaps his most important contribution to the Heidelberg school, Jaspers critiques the scientific aspirations of psychotherapy, arguing that the realm of the human must be supplemented by an understanding of the "meaning-relations" experienced by human beings.

"In Play, Marc Malmdorf Andersen argues that playing is not just for kids and the young at heart; rather, it is a scientific process. Through tinkering with one hare-brained idea after another, we become better, more creative adults. Malmdorf Andersen charts the evolution of play and evaluates research in developmental psychology and biology that shows how play helps us develop trust and intimacy, solve problems, and explore the world around us. "--Back cover.

The "second stateera, Hoffer contends, offers valuable insight into how conceptions of American uniqueness contributed to the shape of the federal government.

Winner, Outstanding Publication Award, American Educational Research AssociationEtched into America's consciousness is the United Negro College Fund's phrase "A mind is a terrible thing to waste." This book tells the story of the organization's efforts on behalf of black colleges against the backdrop of the cold war and the civil rights movement.Founded during the post-World War II period as a successor to white philanthropic efforts, the UNCF nevertheless retained vestiges of outside control. In its early years, the organization was restrained in its critique of segregation and reluctant to lodge a challenge against institutional and cultural racism. Through cogent analysis of written and oral histories, archival documents, and the group's outreach and advertising campaigns, historian Marybeth Gasman examines the UNCF's struggle to create an identity apart from white benefactors and to evolve into a vehicle for black empowerment.The first history of the UNCF, Envisioning Black Colleges draws attention to the significance of black colleges in higher education and the role they played in Americans' struggle for equality."A vivid and comprehensive account of the history of the United Negro College Fund."--Teachers College Record"So many issues are imbedded in the intersection of race and philanthropy, yet so few researchers have tried to probe them. Gasman is to be admired for being bold enough to examine the 'double consciousness' that existed for both Blacks and Whites in leading and supporting the UNCF."--Nonprofit and Voluntary Sector Quarterly"A thoughtful, incisive history of the UNCF."--Diverse Issues in Higher Education"A solid basis for continued consideration of the intersections of race, philanthropy, and higher education."--Journal of American History"Gasman convinces the reader that agency is complex and compelling, and as a result she reminds the reader that the historical and contemporary ironies of opportunity in this democracy deserve exploration and discussion."--Review of Higher Education"Envisioning Black Colleges is a worthy addition to the larger field of philanthropic history, and it brings new depth to the study of the history of African American higher education in the US."--NEA Higher Education Journal"Marybeth Gasman has provided an excellent study of the United Negro College Fund."--Register of the Kentucky Historical Society"Professor Gasman fills an important and neglected gap in the history of black higher education and its ongoing relationship with philanthropy in the mid- to late-twentieth century."--History of Education"Gasman's book is a very informative history of the founding and the evolution of the UNCF during the period examined. Her use of visual images from UNCF campaign advertisements is powerful, underscoring their strong symbolism reflective of the times and each story deftly told."--Oral History Review

In the first book to focus on civil-military tensions after American wars, Thomas Langston challenges conventional theory by arguing that neither civilian nor military elites deserve victory in this perennial struggle. What is needed instead, he concludes, is balance.In America's worst postwar episodes, those that followed the Civil War and the Vietnam War, balance was conspicuously absent. In the late 1860s and into the 1870s, the military became the tool of a divisive partisan program. As a result, when Reconstruction ended, so did popular support of the military. After the Vietnam War, military leaders were too successful in defending their institution against civilian commanders, leading some observers to declare a crisis in civil-military relations even before Bill Clinton became commander-in-chief.Is American military policy balanced today? No, but it may well be headed in that direction. At the end of the 1990s there was still no clear direction in military policy. The officer corps stubbornly clung to a Cold War force structure. A civilian-minded commander-in-chief, meanwhile, stretched a shrinking force across the globe. With the shocking events of September 11, 2001, clarifying the seriousness of the post-Cold War military policy, we may at last be moving toward a true realignment of civilian and military imperatives.

For this book, Jay Schulkin mined six decades of Richter's archived research data, personal documents, and interviews to flesh out an engaging portrait of a "laboratory artisanin the context of his work.

Winner, Professional/Scholarly Publishing Award in Architecture, Association of American PublishersGrand Central Terminal, one of New York City's preeminent buildings, stands as a magnificent Beaux-Arts monument to America's Railway Age, and it remains a vital part of city life today. Completed in 1913 after ten years of construction, the terminal became the city's most important transportation hub, linking long-distance and commuter trains to New York's network of subways, elevated trains, and streetcars.In Grand Central Terminal, Kurt C. Schlichting traces the history of this spectacular building, detailing the colorful personalities, bitter conflicts, and Herculean feats of engineering behind its construction. Completed in 1871, the first Grand Central was the largest rail facility in the world and yet--cramped and overburdened--soon proved thoroughly inadequate for the needs of this rapidly expanding city. William Wilgus, chief engineer of the New York Central Railroad, conceived a new Grand Central Terminal, one that would fully meet the needs of the New York Central line. Schlichting concludes with an account of the public outcry that prevented the proposed demolition of the terminal in 1969 and the meticulous 1990s restoration project that returned Grand Central Terminal to its original splendor. More than a history of a train station, this book is the story of a city and an age as reflected in a building aptly described as a secular cathedral."Grand Central Terminal is celebrated for its Beaux-Arts style, but Kurt C. Schlichting looks behind the facade to see the hidden engineering marvels . . . [His] book will deepen anyone's appreciation for New York's most magnificent interior space."--New York Times Book Review"Schlichting writes with deep understanding of Grand Central's engineering feats and artistic qualities."--Wilson Quarterly"Schlichting's history of New York's Grand Central Terminal gathers many actors and events into a clearly written and amply illustrated narrative of American commercial initiative."--Journal of the Society of Architectural Historians

In Drawing Blood, medical historian Keith Wailoo uses the story of blood diseases to explain how physicians in this century wielded medical technology to define disease, carve out medical specialties, and shape political agendas. As Wailoo's account makes clear, the seemingly straightforward process of identifying disease is invariably influenced by personal, professional, and social factors -- and the result is not only clarity and precision but also bias and outright error. Drawing Blood reveals the ways in which physicians and patients as well as diseases are simultaneously shaping and being shaped by technology, medical professionalization, and society at large. This thought-provoking cultural history of disease, medicine, and technology offers a perspective that is invaluable in understanding current discussions of HIV and AIDS, genetic blood testing, prostatespecific antigen, and other important issues in an age of technological medicine.

Mellon Foundation, the National Endowment for the Humanities, and the National Historical Publications and Records Commission, and is sponsored by The American University.