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"When Manjula Martin moved from the city to the woods of Northern California, she wanted to be closer to the wilderness that she had loved as a child. ... But the landscape that Martin treasured was an ecosystem already in crisis. Wildfires fueled by climate change were growing bigger and more frequent. ... In 2020, when a dry lightning storm ignited hundreds of simultaneous wildfires across the West and kicked off the worst fire season on record, Martin ... evacuated her home in the midst of a pandemic. Both a love letter to the forests of the West and an interrogation of the colonialist practices that led to their current dilemma, [this book] follows her ... as she seeks shelter, bears witness to the devastation, and tries to better understand fire's role in the ecology of the West"--
"In 2011, three years after leaving the NFL, Steve Gleason was diagnosed with ALS, a terminal disease that takes away the ability to move, talk, and breathe. Doctors gave him three years to live. He was thirty-three years old. As Steve says, he is now ten years past his expiration date. His memoir is the chronicle of a remarkable life, one filled with optimism and joy, despite the trauma and pain and despair he has experienced. Writing using eye-tracking technology, Gleason covers his pre-ALS life through the highs and lows of his NFL career with the New Orleans Saints, where he made one of the most memorable plays in Saints history, leading to a victory in the first post-Katrina home game, uplifting the city, making him a hero, and reflected in a nine-foot bronze statue outside the Superdome. Then came his heartbreaking diagnosis. Gleason lost all muscle function, he now uses Stephen Hawking-like technology to communicate, and breathes with the help of a ventilator. This book captures Gleason and his wife Michel's unmatched resilience as they reinvent their lives, refuse to succumb to despair, and face his disease realistically and existentially. This unsparing portrait argues that a person's true strength does not reside solely in one's body but also in the ability to face unfathomable adversity and still be able to love and treasure life"--
Lorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heartFrom “one of the most acute and lasting writers of her generation” (Caryn James; The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen. A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all . . .With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.
"Newly-out trans artist's assistant Sammie is invited to an old friend's bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean's international waters--think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie's old friends haven't quite gotten the message--as evidenced by their former best friend Adam asking them to be his 'best man.' Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom's pals--all met with zero pushpack from supposed 'nice guy' Adam. But also, they seem to be the only one who's noticed the mysterious cult that's also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god"--
A Vintage Classics edition of Frost's 1923 collection of poems that won the Pulitzer Prize and contains some of his most famous and beloved poems. Includes the original woodcut illustrations, not in print elsewhere.Robert Frost won the first of his four Pulitzer Prizes with this collection, published in 1923. It contains some of his most enduring and best-known poems, including "Nothing Gold Can Stay," "Fire and Ice," "The Need of Being Versed in Country Things," and "Stopping by Woods on a Snowy Evening." Included in this edition are the original woodcut illustrations of rural scenes, done in the Arts and Crafts style by J. J. Lankes.
A sweeping history of the 1840s, Manifest Destinies captures the enormous sense of possibility that inspired America's growth and shows how the acquisition of western territories forced the nation to come to grips with the deep fault line that would bring war in the near future.Steven E. Woodworth gives us a portrait of America at its most vibrant and expansive. It was a decade in which the nation significantly enlarged its boundaries, taking Texas, New Mexico, California, and the Pacific Northwest; William Henry Harrison ran the first modern populist campaign, focusing on entertaining voters rather than on discussing issues; prospectors headed west to search for gold; Joseph Smith founded a new religion; railroads and telegraph lines connected the country's disparate populations as never before. When the 1840s dawned, Americans were feeling optimistic about the future: the population was growing, economic conditions were improving, and peace had reigned for nearly thirty years. A hopeful nation looked to the West, where vast areas of unsettled land seemed to promise prosperity to anyone resourceful enough to take advantage. And yet political tensions roiled below the surface; as the country took on new lands, slavery emerged as an irreconcilable source of disagreement between North and South, and secession reared its head for the first time.Rich in detail and full of dramatic events and fascinating characters, Manifest Destinies is an absorbing and highly entertaining account of a crucial decade that forged a young nation's character and destiny.
This legendary 1978 collection of comics by Art Spiegelman, Pulitzer Prize-winning author of the best-selling Maus, presents the seminal early works that changed how comics are made and appreciated today—now with a new Afterword by the author.“Some of the smartest criticism of the comics genre ever rendered.” —NPRInnovative, serious, funny, and many decades ahead of its time, Breakdowns is offered here in its entirety: the long-sought-after collection of the artist''s comics of the 1970s, along with an introduction almost as long as the book it introduces—and just as autobiographically intimate and experimentally daring. At once the story of an artist and of his medium, Breakdowns alters the terms of what can be accomplished in a memoir.
Drawing on a collection of original essays, previously published work, conversations, graphics, photos, commissioned art by disabled and Asian American artists, and more, Alice uses her unique talent to share an impressionistic scrapbook of her life as an Asian American disabled activist, community organizer, media maker, and dreamer. From her love of food and pop culture to her unwavering commitment to dismantling systemic ableism, Alice shares her thoughts on creativity, access, power, care, the pandemic, mortality, and the future. As a self-described disabled oracle, Alice traces her origins, tells her story, and creates a space for disabled people to be in conversation with one another and the world. Filled with incisive wit, joy, and rage, Wong's Year of the Tiger will galvanize readers with big cat energy.
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