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A survey of the architecture and history of the Tao-Klarjeti region. This book, comprising the proceedings of a 2014 symposium at Koç University's Vehbi Koç Ankara Studies Research Center, fills an important gap in the research surrounding the historical principality of Tao-Klarjeti. This political entity founded by the Georgian Bagrationis dynasty in the early ninth century covers the modern-day provinces of Artvin, Erzurum (partially), Ardahan in Turkey, and the provinces of Samtskhe-Javakheti and Ajara in Georgia. This volume explores the religious and secular buildings, decor programs, facade articulations, stone reliefs of monastic and Cathedral churches, mason builders, and donors of Tao-Klarjeti's architecture. A particular focus is placed on recent archaeological discoveries in Şavşat Castle and the heritage of manuscripts produced in scriptoriums and literary centers of the region.
Sephardic Trajectories brings together scholars of Ottoman history and Jewish studies to discuss how family heirlooms, papers, and memorabilia help us conceptualize the complex process of migration from the Ottoman Empire to the United States. To consider the shared significance of family archives in both the United States and in Ottoman lands, the volume takes as starting point the formation of the Sephardic Studies Digital Collection at the University of Washington, a community-led archive and the world's first major digital repository of archival documents and recordings related to the Sephardic Jews of the Mediterranean world. Contributors reflect on the role of private collections and material objects in studying the Sephardi past, presenting case studies of Sephardic music and literature alongside discussions of the role of new media, digitization projects, investigative podcasts, and family memorabilia in preserving Ottoman Sephardic culture.
280 s, monokrom fotograflar, Ingilizce.This remarkable work of scholarship offers a rarely-examined view of Orientalism that of Ottoman and Turkish observers from over a century ago until the 1930s whose critique of the Western gaze anticipated that of Said and other modern authors. Europe Knows Nothing about the Orient constitutes a valuable addition to the slim library of responses to Orientalism from the Orient itself.Rashid KhalidiEdward Said Professor of Modern Arab StudiesDepartment of History, Columbia UniversityEurope Knows Nothing about The Orient is essential reading, compiled by Celik with magisterial scope and erudition, and preceded by an introduction that will be a guide to scholars for generations to come. Celiks volume reveals a worldly, intellectual, cosmopolitan late Ottoman world, one engaged both in projects of modernity, and in sharp critical assessment of the assumptions of the European scholars regarding the Orient. It thus has the effect of both contesting Orientalist theorists of the 19th century, as well as disrupting those of the 21st century, who tend to locate the enterprise of theoretical salvation of the Orient in the realm of Euro-American intellectual thought.Jerrilynn DoddsHarlequin Adair Dammann Professor of Islamic StudiesSarah Lawrence CollegeEurope Knows Nothing about the Orient brings together eye-opening critical texts on Orientalism by angry Ottoman and Turkish intellectuals. The collection is astutely introduced by Zeynep Celik, whose work is essential to understand the cultural modernization of the Ottoman Empire and the Middle East.Orhan PamukSince Edward Saids germinal work defined Orientalism as a key technique of imperialism, few studies have considered local expressions of resistance to it. Framed around five themes, along with a definitive introduction, Zeynep Celiks masterful volume curates stories, articles, and commentaries from Turkish language-texts that lend voice to imperial and nationalist dreams. Beyond providing primary sources from the Ottoman East that add nuance to understandings of Orientalism as merely imposed upon unsuspecting and compliant subjects, the texts Celik explores offer fascinating reading as the selections display the richness and vigor of intellectual debates about Western cultural hegemony in late Ottoman Empire and early Turkish Republic.Selim KuruAssociate ProfessorNear Eastern Languages and Civilization, ChairUniversity of Washington
"This volume collects research presented at the Koðc University Research Center for Anatolian Civilizations (ANAMED) 2018 international annual symposium. It brings together researchers engaged in the study of the decoration and technology of glazed pottery, ranging from the early Byzantine era to the end of the Ottoman period. Topics explored include pottery production in Constantinople, glazed ceramic production and consumption in medieval Thebes, pottery imports in Algiers during the Turkish Regency, considerations of trading routes and their influences, the relationships between Italy and the Byzantine and Ottoman world through pottery, and more." -- From publisher's website.
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