Books published by La Fabrica

Tracing the history of documentary photography, from Walker Evans to Xavier RibasThe medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography--from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans' foundational influence on the genre and culminating in the 1980s with the experimental color work of Anthony Hernández and Tod Papageorge, Sculpting Reality presents a careful selection of work from 18 of the most influential figures in 20th-century North American documentary photography.Photographers include: Walker Evans, Helen Levitt, Robert Frank, Louis Faurer, Ricardo Rangel, Garry Winogrand, Susan Meiselas, Tod Papageorge, Anthony Hernández, Mike Mandel, Lee Friedlander, David Goldblatt, Ed Ruscha, Bernd and Hilla Becher, Lewis Baltz, Bleda Y Rosa, Xavier Ribas and Ian Wallace.

For this artist's sketchbook, Spanish painter, author and set designer Eduardo Arroyo (born 1937) created 20 drawings and then mailed them to 20 international artists, such as Bruno Bruni, William Klein and Peter Blake, to make pairs for them. This volume reproduces all 40 works. Text in Spanish only.

Perrin's beautiful photographs, wrapped in black, dive into the very soul of Justo Gallego's work, into its heartbeat, and allow the mystery of the place to unfold.

The Soviet Century is a major and comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain's Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. Photographs by both well-known and little-known artists including Max Alpert, Mikhail Grachev, Yakov Khalip, Fedor Kislov, Ivan Kobozev, El Lissitzky, Gyorgy Petrusov, Aleksandr Rodchenko, Ivan Shagin, Aleksander Ustinov and Giorgi Zelma are grouped into thematic sections surveying the 1917 Revolution, the artistic avant-garde, peasant life, World War II and more. This 600-page volume includes three historical essays that examine the complex artistic and ideological status of photography throughout the period, caught between state-led imperatives to achieve political ends and formal, artistic experimentation, especially with the 1920s avant-garde.

Wannabe is a photographic project about doll-like girls in Japanese culture, about the objectification of these women to serve societal customs that lead to android-like behaviour.

This is a unique volume in the guise of an artist's book which captures 45 years of work by an indispensable author.