Books published by Langaa RPCID

In this thought provoking book, Komla Tsey argues that if governments, NGOs, development donor agencies and researchers are serious about development in Africa, they need to get down to ground level, both metaphorically and literally. They must search deep into Africa's own rich oral traditions by creating space and opportunity for ordinary Africans, whose voices have so far been conspicuously absent in the development discourse, to tell and share their own stories of development. Story-sharing as research methodology acts as a mirror, reflecting the participants' self-evaluation of where they have come from, where they are now, and how to proceed into the future. They are strategies that can empower and enable individuals and communities of people to be agents of their own change which, in Tsey's view, is what development is all about.

This is the fascinating story of a young girl from a very poor family who raised her head high and raised the dignity of women through her own personal and determined effort. She did not yield to the victimizations of corrupt minds, nor to the temptations of apathy and pessimistic thinking; rather she saw everything optimistically and through many hardships achieved her lifeís ambitions.

This novel re-visions history through narrative fiction: the history of his people that has long been silenced and distorted as a colonial strategy, the history of an African community at the crossroads. Asobo-Ntsi, the stubborn yet proud Fon of Nyen, is faced with some challenges amongst which are: his seven- and nine-man council that is not happy with his dictatorship and tax laws, a disgruntled quarter that attempts to secede, and also, the encroaching colonialist, Nwuoupang, with his church and administration. How Asobo-Ntsi handles these challenges is expressed powerfully and movingly with great narrative artistry that absorbs the reader and keeps him/her enthralled to the end.

L'Evadé de K... derives from a true story. The story begins with a flash back showing the hero in jail. Cegalo, an adolescent, lives in a difficult family. His father is a kind of headsman unable to educate his son. He strongly believes in the virtue of violence as a means of educating. The son ends up in delinquency. Robbery of tourists, especially white men is his favourite activity. After a hold-up, he is arrested and kept in custody. Unable to control him, the prison authorities decide to send him to the famous Prison of K...This prison is the most secure of the country and nobody has ever escaped from it. In order to survive, many prisoners are condemned to eat all that they can find, even mice. The law in that jungle is "kill before you are killed". During a nightmare, his late grandmother appears and orders him to return to his village. It's the beginning of a fantastic and dreadful adventure. He decides to escape from the Prison of K... He succeeds and after covering 300 km on foot, disguised as a mad man to avoid policemen. His aim is quite simple. He wants to return to jail in order to be judged normally, according to the new penal procedure code in force. He kidnaps the Senior Divisional Officer, the Attorney at law and the prison chief and returns to the cell. After the judgement, he is set free. He reconciles with his parents and above all finds Rosy, his childhood love.

In beautifully constructed verse, JK Bannavti's Leopard Watch tells the story of a Fon who out of greed and veiled impiety devastates the land over which he rules. The Fon, The King of Bamkov is in a perpetual state of slumber while an illusive beast drives terror into the heart of the kingdom, killing children as well as cattle. Neither the cries of the people nor pressure from the notables seems to have any effect on him. The population of the clan diminishes daily while the Fon sleeps, snores, and drools in the day, and growls, chews, and laps in the night. When finally the notables join the youth vigilante group to hunt down the beast, they come face to face with the devourer who narrowly escapes. A day later, one of the notables, Gwei, in a drunken state encounters and kills the leopard at night as he returns from the market. Amidst jubilation and in honor of Gwei the Fon collapses off his horse and dies. His carcass lies in the same state as that of the dead leopard.

Contemporary Bali Nyonga is a rapidly growing town of over 80,000 in habitants, sixteen kilometres southwest of Bamenda, the capital of the North West region, Cameroon. If Cameroon has been aptly referred to in many circles as Africa in miniature, then Bali Nyonga, since its founding in the mid 19th century is emblematic of this so-called 'multicultural' region. This book is about change in Bali Nyonga, but it is also about change in a typical postcolonial African setting grappling with a challenging new world reality. It aims to provide cutting-edge analyses of cultural change in Bali as well as inspire a new kind of scholarship in the Cameroon Grasslands - championed by indigenous intellectuals. The contributors to this volume come from diverse academic backgrounds and as will be evident in the various chapters, their disciplinary perspectives have largely shaped their approaches to the topics under study. Hence, this book draws on anthropological, theological, literary and media studies perspective.

Life in Safang could not have been more idyllic for Ngoma and Shaka, his elder sister. Under the wings of an attendant and storytelling mother, they didn't miss the father they hadn't known. Later on, in the alluvial valleys of Bonfuma and the lands beyond, Ngoma experiences the thrills and challenges of schooling and being schooled. Adolescents will appreciate his stories and struggles as he tries to reconcile his village roots with the desire for a modern education. He has special relationships with his grandfather, stepfather and teachers, and becomes captain of the college football team. But growing up with a sister does not make him understand the subtleties and complexities of girls. Whether Collette or Camille, they seem to be two sides of the same coin. Ngoma successfully manoeuvres between the two, without the slightest crisis, for a while. He seeks balance between God and girls, work and pleasure, learning and mischief. While life can be well salted, it can also be bitter. Jealousy rises and he discovers who matters and who doesn't. His life brings together the bearableness and unbearableness of belonging, of being in love and being free, of...

Laughing Store is just what we need in times of troubles and uncertainties such as these. A book of humour from an acclaimed master of laughter, it lifts our hearts and raises our spirits. Jokes that touch about every domain of existence - from sex to religion, from births to deaths, from politics to the beer parlour, from the courtroom to the hospital. And most important of all, conceived in the supremely original Cameroonian flavour of jokes.

This book was first published as a two-part essay in 1965 and 1967 in ABBIA - Cameroon Cultural Review - under the title 'Idea of Culture'. Its main argument is that indigenous Africans cultures must be the foundation on which the modern African cultural structure should be raised; the soil into which the new seed should be sown; the stem into which the new scion should be grafted; the sap that should enliven the entire organism. This culture, the object of imperialist mockery and rejected, needs rehabilitation. However, such rehabilitation of African culture cannot be a mere archaeological enterprise. It will not answer to dig up the past and live it as it was. Not only is African culture not without its imperfections, times change and African culture must adapt itself, at every turn, to the changing times. In restoring African culture, it is imperative to steer clear of two extremes: on the one hand, the imperialist arrogance which declared everything African as only fit for the scrap-heap and the dust-bin, and, on the other hand, the overly enthusiastic and rather naive tendency to laud every aspect of African culture as if it were the quintessence of human achievement.

Poet Mbuh Tennu Mbuh is a lecturer in the English Department, University of YaoundÈ I. A pioneer member of the Anglophone Cameroon Writers Association (ACWA) and a Fulbright and Commonwealth Scholar, Tennu holds a PhD from the University of Nottingham. He is author of a novel, In the Shadow of My Country.