Books published by Lehigh University Press

Complementing and extending a project begun by Lois Vines, this book includes essays on Poe's influence abroad from Japanese author, Edogawa Rampo, to Russian author, Nikolai Gogol, and takes a wider perspective on Poe's influence by including essays on Poe's impact on American authors from Harriet Jacobs to Joyce Carol Oates.

Piano Makers in Russia in the Nineteenth Century is a richly detailed thematic study of the history of the piano in Russian society from its beginnings with the European artisans who settled in St. Petersburg in the early decades of the century through the transition to Russian-owned family firms. The piano played a defining role in the shaping of Russia's musical culture in the nineteenth century, as artisans and entrepreneurs provided the foundation for the great tradition of the Russian virtuoso in the performance and the composition of piano music. It also helped bring about a transformative change in the material culture as the piano expanded its reach from the court and the nobility to include music enthusiasts from all social classes and Russian families in their homes. This historical study brings to light the impact of neglected piano artisans in nineteenth-century Russia, and presents a fresh view of the social and economic ties between the state and the piano-manufacturing artisans in an era largely defined by handcrafting and entrepreneurship. It contributes significantly to current issues surrounding the role of the piano and the entrepreneur-artisans in the urban centers of imperial Russia and represents an expansion of what is currently known about the piano builders who established workshops in Russia beginning in the late 1830s and 1840s, well before the heyday of the virtuoso in that country. Rare documents, including letters, memoirs, gazettes, exhibition catalogs, music journals, and administrative reports, form the nucleus of this book and provide fascinating insights about state and private patronage and the class/economic issues related to the affordability and prestige of the piano in Russia. Issues surrounding the transformation of the music industry in Russia, the role of women as patrons and performers, the exportation of instruments to the Russian Far East, and the complex system of tariffs and trade protection that benefited domestic piano manufacturers provide this book's thematic links. Conclusions indicate that while favorable tariff laws and state-imposed economic policies benefited the family-owned firms in the nineteenth century, they remained in effect in the decades after the nationalization of the piano industry in 1917.

This book presents Jane Austen as a self-conscious artist, a woman keenly aware that literature and aesthetics were to play an important role in the education and development of British society. Contributors reveal Austen's connection with the sister arts and place her squarely in the context of English and European theories of writing.

Engendered Death: Pennsylvania Women Who Kill is an historical and interdisciplinary study of women who kill in Pennsylvania from the 18th century to the present. It is not an examination of what motivates women to kill, although the reader may deduce that from the case studies included. Instead, it is an examination of how society perceives women who kill and how the gender-lens is applied to them throughout the legal process in the media and in the courtroom. What makes this work particularly unique is its combination of both scholarly analysis and narrative case studies. As such, it will appeal to both the scholar and the reader of true-crime non-fiction. If we are to recognize the complex variables at play in all criminal offenses, we will need to understand that the laws of a community, its social values, its politics, economics, and even geography play a factor in what laws are enforced and against whom they are enforced. The decision to define and label certain behaviors and certain people was based on social, political, and economic considerations of each community. Thus, the commission of murder by a woman in Arizona may have a variety of factors associated with it that are not present in the case of a woman who murdered her husband in Maine. This study, in part because of the volume of cases and in part to limit the variables affecting the cases, has limited its scope of women killers to the state of Pennsylvania. Pennsylvania is the ideal state to study because of its long and stable legal and political traditions, its historically diverse population, and the large number of newspapers that will help us gauge the publics view of women and women who kill. By limiting our scope to one state, we know that the legal definitions are fairly consistent for all of the women during a certain period and we can more easily identify the shifts in social values regarding women and homicide.

America's First Chaplain is a biography of the life of Philadelphia's Jacob Duche, the Anglican minister who offered the most famous prayer and wrote one of the most infamous letters of the American Revolution. For the prayer to open the First Continental Congress, Duche was declared a national hero and named the first chaplain to the newly independent American Congress. For the letter written to George Washington imploring the general to encourage Congress to rescind independence, he was accused of high treason and sent into exile. As a result of this apparently irreconcilable contradiction in the minister's behavior, many of his contemporaries and most historians have assumed he was weak, that in the moment of crisis his imprisonment by British authorities during their occupation of Philadelphia - he cut a deal with the British for his own safety. The evidence gathered from the life of Jacob Duche, however, points to a very different conclusion, one that reveals the immense complexity of the American Revolution and the havoc it wreaked on the lives of the people who experienced it. The story of this deeply religious rector of Christ Church and St. Peter's reveals the human side of the Revolution, a story that includes great accomplishment and great tragedy. It also provides insight into the complicated nature of Pennsylvania's ';democratic' revolution, the unique difficulties faced by Anglican leaders during the revolution, and the weakness of simplistic categorizations such as patriot or loyalist. For more than two centuries two events a prayer and a letter - have obscured our view of the extraordinary life lying in the background. This biography attempts to reinterpret the prayer and the letter in light of the man behind them and in the process to uncover the real significance of both as well as to gain a glimpse into the complexity and contradictions of the American Revolution.

Law and Medicine in Revolutionary America: Dissecting the Rush v. Cobbett Trial, 1799 offers the first deep analysis of the most important libel trial in post-revolutionary America and an approach to understanding a much-studied revolutionary figure, Benjamin Rush, in a new light as a legal subject. This libel trial faced off the new nation's most prestigious physician-patriot, Benjamin Rush, against its most popular journalist, William Cobbett, the editor of Porcupine's Gazette. Studied by means of a rare and substantial surviving transcript, the trial features six litigating counsel whose narrative of events and roles provides a unique view of how the revolutionary generation saw itself and the legacy it wished to leave to its progeny. The trial is structured by assaults against medical bleeding and its premier practitioner in yellow fever epidemics of the 1790s in Philadelphia, on the one hand, and castigates the licentiousness of the press in the nation's then-capital city, on the other. As it does so, it exemplifies the much-derided litigiousness of the new nation and the threat of sedition that characterized the development of political parties and the partisan press in late eighteenth-century America.

Making African Christianity argues that Africans successfully naturalized Christianity. It examines the long history of the faith among colonial Zulu Christians (known as amaKholwa) in what would become South Africa. As it has become clear that Africans are not discarding Christianity, a number of scholars have taken up the challenge of understanding why this is the case and how we got to this point. While functionalist arguments have their place, this book argues that we need to understand what is imbedded within the faith that many find so appealing. Houle argues that other aspects of the faith also needed to be 'translated,'particularly the theology of Christianity. For Zulu, the religion would never be a good fit unless converts could fill critical gaps such as how Christianity could account for the active and everyday presence of the amadhlozi ancestral spirits - a problem that was true for African converts across the continent in slightly different ways. Accomplishing this translation took years and a number of false-starts. Coming to this understanding is one of the particularly important contributions of this work, for like Benedict Anderson's 'Imagined Communities,' the early African Christian communities were entirely constructed ones. Here was a group struggling to understand what it meant to be both African and Christian. For much of their history this dual identity was difficult to reconcile, but through constant struggle to do so they transformed both themselves and their adopted faith. This manuscript goes far in filling a critical gap in how we have gotten to this point and will be welcomed by African historians, those interested in the history of colonialism, missions, southern African, and in particular Christianity.

Franz Kafka is among the most significant 20th century voices to examine the absurdity and terror posed for the individual by what his contemporary Max Weber termed 'the iron cage' of society. Ferdinand Tsnnies had defined the problem of finding community within society for Kafka and his peers in his 1887 book Gemeinschaft und Gesellschaft. Kafka took up this issue by focusing upon the 'social discourse' of human relationships. In this book, Mark E. Blum examines Kafka's three novels, Amerika, The Trial, and The Castle in their exploration of how community is formed or eroded in the interpersonal relations of its protagonists. Critical literature has recognized Kafka's ability to narrate the gestural moment of alienation or communion. This 'social discourse' was augmented, however, by a dimension virtually no commentator has recognized-Kafka's conversation with past and present authors. Kafka encoded authors and their texts representing every century of the evolution of modernism and its societal problems, from Bunyan and DeFoe, through Pope and Lessing, to Fontane and Thomas Mann. The inter-textual conversation Kafka conducted can enable us to appreciate the profound human problem of realizing community within society. Cultural historians as well as literary critics will be enriched by the evidence of these encoded cultural conversations. Kafka's 'Imperial Messenger' may finally be heard in the full history of his emanations. Kafka encoded not only past authors, but painters as well. Kafka had been known as a graphic artist in his youth, and was informed by expressionism and cubism as he matured. Kafka's encodings of literature as well as fine art are not solely of the work to which he refers, but the community of authors or painters and their success or failure of community. Kafka's encodings were meant as an extra-textual readings for astute readers, but also as a lesson to his fellow authors whom he held accountable in his correspondence as cultural messengers. Encoding had been a Germanic literary norm since the sixteenth century. Many of Kafka's encodings are of Austrian satirists since the eighteenth century, among them Franz Christoph von Scheyb and Gottlieb Wilhelm Rabener, Josef Schreyvogel, as well as the genial irony of Franz Grillparzer. Austrian literature is prominent, but Kafka's encodings are drawn from all Western literature from Plato through his own present. In The Castle the figure of Momus becomes a major index in the history of Western literature, extended from Plato through Lucian, to Nicolaus Gerbel through Goethe. Momus, the arch-critic of manners, morals, and judge of human character, enables a Kafka reader to use this thread to comprehend the errors of commission and omission in the social discourse of his protagonists throughout his opus.

This edited collection, a tribute to eighteenth-century scholar Betty Rizzo, builds on her important work on epistolarity, print culture, and women's relationships in life and literature. Treating topics ranging from Austen's novels to the work of the current artist Sophie Calle, the book will appeal to students and scholars of eighteenth-century British literature and culture and to those interested in women's writing and women's relationships in the eighteenth century-and today-and in feminist literary history.

Beyond Belief: Surviving the Revocation of the Edict of Nantes examines the degree to which the Revocation of the Edict of Nantes was a negotiated event - which called upon individuals and communities to find ways to coexist without abandoning the faith of their fathers - and at the same time illuminates the limits of the absolutist state whose policies were not always supported by officials on the regional and local level.

Masters of the Marketplace is the first book to address the importance of the 1750s in literary history and to consider the active role that women novelists played in the formation of the novel. It highlights how women novelists of the 1750s controlled their literary circumstances. These authors were particularly agile at responding to the changing literary marketplace, the emergent domestic ideal, varied reader responses, shifting notions of genre, and new developments in epistemology. Reading these essays side by side brings to light the fact that women novelists of the 1750s engaged in a critical renovation of the novel as a genre and reclaimed it for a proto-feminist project, challenging, educating, and joining their readers.

Made of Shores places Jewish Argentinean fiction within the context of Latin American literature and Judaic Studies. It offers the reader to participate actively in the scholarly debates on issues of memory and identity, and the different representations of Jewishness in Latin America. By reviewing the new material conditions within Argentina and its diasporas, this book imposes a new reflection on what Judeo-Argentinean fiction is all about

Theatre in Dublin,17451820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening's entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre's daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component's entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim.The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons's offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of ';special Irish interest.' The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important ';minors.' This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.

Queer Retrosexualities: The Politics of ReparativeReturn examines the retrospective logic that informs contemporary queer thinking; specifically the narrative return to the 1950s in post-1990s queer and LGBT culture in the United States. The term ';Queer Retrosexuality' marks the intersection between retrospective thinking and queernessto illustrate not only how to ';queer' retrospection, but also how retrospection, in some senses can be thought of as always already queer. This book examines the historical possibilities that inform the narrative return to the 1950s in queer cultural and literary productions such as Samuel Delany's The Motion of Light in Water, Todd Haynes's Far from Heaven, Sarah Schulman's Shimmer, and Mark Merlis's American Studiesall texts that return to a traumatic past marked by shame, exile, and persecution. Queer Retrosexualities inquires into what motivates the return in these texts to a historical moment informed by the bruises and wounds of history; but more importantly, it poses the question of how such a turn backwards could be theorized as reparative or even hopeful. This book shows how the framework of queer retrospection offers new ways of understanding history and culture, of reformulating disciplines and institutions, and of rethinking traditional modes of political activism and knowledge production. Even while it seems counterproductive to return to a historical moment that is marked by the persecution of sexual and racial minorities, the book examines how a shared feeling of relationality and community produced by the exile of shame shapes the political value of queer retrosexualities. The retrospective return to the 1950s allows queer thinking to move away from the commodification of queer culture in the present that masquerades as progress. Thus, the book theorizes how traumatic history becomes a valuable resource for the political project of assembling collective memory as the base materials for imagining a differentand more queerfuture.

In this legislative autobiography Franklin L. Kury tells the story about his election to the Pennsylvania House of Representatives, and later the Senate, against the senior Republican in the House and an entrenched patronage organization. The only Democrat elected from his district to serve in the House or Senate since the Roosevelt landslide in 1936, Kury was instrumental in enacting the environmental amendment to the state constitution, a comprehensive clean streams law, the gubernatorial disability law, reform of the Senate's procedure for confirmation of gubernatorial appointments, a new public utility law, and flood plain and storm water management laws.The story told here is based on Kury's recollections of his experience, supplemented by his personal files, extensive research in the legislative archives, and conversations with persons knowledgeable on the issues. This book is well documented with notes and appendices of significant documents. Several chapters provide detailed ';inside' descriptions of how campaigns succeeded and the enactment of legislation happened. The passage of the environmental amendment, clean streams law, public utility code, flood plain and storm water management laws, and the gubernatorial disability law are recounted in a manner that reveals what it takes to pass such proposals.The book concludes with the author's reflections on the legislature's historical legacies, its present operation, and its future.

This book examines discourses on temporality in eighteenth- and nineteenth-century popular British fiction.

The present study is an extension of the topic introduced in Dr. Hailperin's Sentential Probability Logic, where the usual true-false semantics for logic is replaced with one based more on probability, and where values ranging from 0 to 1 are subject to probability axioms. Moreover, as the word 'sentential' in the title of that work indicates, the language there under consideration was limited to sentences constructed from atomic (not inner logical components) sentences, by use of sentential connectives ('no,' 'and,' 'or,' etc.) but not including quantifiers ('for all,' 'there is'). An initial introduction presents an overview of the book. In chapter one, Halperin presents a summary of results from his earlier book, some of which extends into this work. It also contains a novel treatment of the problem of combining evidence: how does one combine two items of interest for a conclusion-each of which separately impart a probability for the conclusion-so as to have a probability for the conclusion based on taking both of the two items of interest as evidence? Chapter two enlarges the Probability Logic from the first chapter in two respects: the language now includes quantifiers ('for all,' and 'there is') whose variables range over atomic sentences, not entities as with standard quantifier logic. (Hence its designation: ontological neutral logic.) A set of axioms for this logic is presented. A new sentential notion-the suppositional-in essence due to Thomas Bayes, is adjoined to this logic that later becomes the basis for creating a conditional probability logic. Chapter three opens with a set of four postulates for probability on ontologically neutral quantifier language. Many properties are derived and a fundamental theorem is proved, namely, for any probability model (assignment of probability values to all atomic sentences of the language) there will be a unique extension of the probability values to all closed sentences of the language. The chapter concludes by showing the Borel's early denumerable probability concept (1909) can be justified by its being, in essence, close to Hailperin's probability result applied to denumerable language. The final chapter introduces the notion of conditional-probability to a language having quantifiers of the kind discussed in chapter two. A definition of probability for this type of language is defined and some of its properties characterized. The much discussed and written about Confirmation Paradox is presented and theorems involving conditional probability for this quantifier language with the conditional are derived. Using these results, Hailperin obtains a resolution of this paradox.

Reading and Riding traces the foundation and development of Louis Hachette's Bibliothe`que des Chemins de Fer and its impact on the social, political, and cultural history of nineteenth-century France.

Harriet Martineau and the Irish Question features periodical articles that chart the course of economic and social progress in post-famine Ireland in terms of industry, public works, economy, and agriculture.

Freedom of religious belief is guaranteed under the constitution of the People's Republic of China, but the degree to which this freedom is able to be exercised remains a highly controversial issue. Much scholarly attention has been given to persecuted underground groups such as Falungong, but one area that remains largely unexplored is the relationship between officially registered churches and the communist government. This study investigates the history of one such official church, Moore Memorial Church in Shanghai. This church was founded by American Methodist missionaries. By the time of the 1949 revolution, it was the largest Protestant church in East Asia, running seven day a week programs. As a case study of one individual church, operating from an historical (rather than theological) perspective, this study examines the experience of people at this church against the backdrop of the turbulent politics of the Mao and Deng eras. It asks and seeks to answer questions such as: were the people at the church pleased to see the foreign missionaries leave? Were people forced to sign the so-called ';Christian manifesto'? Once the church doors were closed in 1966, did worshippers go underground? Why was this particular church especially chosen to be the first re-opened in Shanghai in 1979? What explanations are there for its phenomenal growth since then? A considerable proportion of the data for this study is drawn from Chinese language sources, including interviews, personal correspondence, statistics, internal church documents and archives, many of which have never previously been published or accessed by foreign researchers. The main focus of this study is on the period from 1949 to 1989, a period in which the church experienced many ups and downs, restrictions and limitations. The Mao era, in particular, remains one of the least understood and seldom written about periods in the history of Christianity in China. This study therefore makes a significant contribution to our evolving understanding of the delicate balancing act between compromise, co-operation and compliance that categorises church-state relations in modern China.

In this book, author Lucas Murrey argues that the thinking of the modern German philosopher Friedrich Nietzsche (19441900) is not only more grounded in antiquity than previously understood, but is also based on the Dionysian spirit of Greece which scholars have still to confront. This book demonstrates that Nietzsche's philosophy is unique within Western thought as it retrieves the politics of a Dionysiac model and language to challenge the alienation of humans from nature and one another.Murrey develops here a new picture of Greece, reminding readers how money emerged and rapidly developed in Greece during the sixth century B.C.E. The event of monetization created the new art form of tragedy: money-tyrants struggling against the forces of earth and communities who consequently suffered isolation, blindness, and death. As Murrey points out, Nietzsche (unconsciously) retrieves the battle among money, nature, and community and adapts its lessons to our time. Additionally, Nietzsche's philosophy not only adapts the wisdom of Dionysus to question the unlimited ';glow and fuel' of a ';ponderous herd' of money-tyrants today, but it also draws attention to Greece's warnings about the lethal danger of the eyes in myth, cult, and theatre.This work introduces a much needed vision of Nietzschean thought, and it emphasizes the relevance of an interdisciplinary approach combining philosophy with literary studies and psychology with religious and visual/media studies. When applied to our present circumstance, the approach of this book reveals how a dangerous visual culture, through its support of the limitlessness of money, is harming our relationship with nature and each other.

In the summer of 1813, as war with Britain intensified, President James Madison secretly dispatched an envoy to the Regency government of Spain with the urgent goal of thwarting a feared British bid to use Spanish Florida as a base from which to attack the United States, and with the further hope of acquiring that territory for America. The man Madison sent to pursue those challenging tasks was Anthony Morris, a friend of Dolley's from their youth in Philadelphia and a devout Quaker lawyer who had never before journeyed abroad. Morris, a widower, had willingly accepted the president's call, despite the separation it would impose from his four teenage children.The Morris mission did not proceed as intended, as developments in Spain conspired to alter its scope and prolong its duration. Long after the war had ended, Morris was compelled to persevere at his post as the only American link to an unfriendly Spanish monarchy. As he dutifully carried on, ill-founded accusations by two other frustrated American diplomats slurred his reputation. Meanwhile, he thirsted to rejoin his maturing children, whose lives were taking paths that would have been unlikely had he never left them. Throughout this ordeal, a steadfastly philosophical Anthony Morris strove to counter his distress by thoughtful exploration of a national culture and a religious faith so very different from his own. The full story of this distinctive but little-remembered diplomatic endeavor has not previously been recounted. The telling of it here reveals much about the vexation and confusion endemic to American diplomacy in the age of sail, when events often moved faster than the mails. Interwoven with that historical account is the poignant revelation of the spiritual and cultural growth that Anthony Morris reaped from his odyssey, as displayed in a stream of intimate, charming letters to the daughters he had left at home. Published in the ADST-DACOR Diplomats and Diplomacy Series

In this book the author reveals a tapestry woven by Christopher Tolkien from different portions of his father's work that is often quite mind-boggling, with inserts that seemed initially to have been editorial inventions shown to have come from some other remote portion of Tolkien's vast body of work.

This book deals with the life and career of Bernhard Karlgren (1889-1978), whose research in a great variety of fields, particularly the historical phonology of the Chinese language, laid the foundations for modern western sinology. The definition of the term 'sinology' has undergone great changes since Bernhard Karlgren entered the stage a century ago. At that time the term covered research related to the language, literature, history, thought, and intellectual aspects of early China. Since the mid-twentieth century the definition has been considerably broadened to include more modern aspects, with special emphasis on sociopolitical and economic topics. In many Chinese language departments in both China and the West, studies of early China have been put at a disadvantage. This book may serve as a reminder that the time may have come to redress the imbalance. The book begins by sketching the intellectual milieu that characterized Karlgren's school years and ends with a mention of his last publication, 'Moot words in some Chuang Tse chapters,' published in 1976. The intervening seventy years were filled with intense scholarly activities-including his disputatio for the PhD in Uppsala in 1915; his subsequent career as professor of East Asian languages at Gothenburg University, 1918-39; and his directorship of the Museum of Far Eastern Antiquities in Stockholm, 1939-59. For many years he served as vice-chancellor of Gothenburg University and as president of the Royal Swedish Academy of Letters, History, and Antiquities. He also played a leading role in various endeavors to strengthen the standing of Swedish humanities.

While previous works on the history of Christianity in China have largely centered on the scientific and philosophical areas of Catholic missions in the Middle Kingdom, Chinas Saints recounts the history of Christian martyrdom, precipitated as it was by cultural antagonisms and misunderstanding. Anthony Clark shows that Christianity in China began and grew under similar circumstances to those during the Roman Empire, with the notable exception that Catholic missionaries were not successful at producing a Chinese Constantine. One of the principal results of Catholic martyrdom in China was the increased indigenization of Christianity. During the reconstruction of mission churches, hospitals, and orphanages after the hostilities of the Boxer Uprising (18981900), the Roman Catholic tradition of venerating martyrs was attached to the reinvigoration of Christian communities. Not only did Catholic architecture accommodate to Chinese sensibilities, but causes for sainthood were also begun at the Vatican to add Chinese names to the Churchs list of saints. The implications of Clarks work extend beyond the subject of Christianity in China to the broader fields of cultural, social, economic, political, and religious history. This pioneering study follows the trails of Western missionaries and Chinese converts as they negotiate the religious and cultural chasms that existed between the West and China, and it demonstrates that these differences resulted in two very different outcomes. Whereas converts appear to have bridged the cultural divide, often to the point of self-sacrifice, political and cultural tensions on the macro level sometimes ended with forceful conflicts. This book contributes to a deeper understanding of cultural and religious interaction, and provides an account of an heretofore unstudied chapter in the history of Christianity on the global landscape.

Deciphering Poe expands the contextual framework of Poe's work and explores the subversive nature of his art: its use of codes, secret writing, and ratiocination. It offers fresh perspectives Poe's debt to baroque tradition, his response to Catholicism, his tribute to philosophical idea of sublimity, and his controversial afterlife reception.