Books published by Leuven University Press

Exploring different, interrelated roles for the architect and researcherThe practice of architecture manifests in myriad forms and engagements. Overcoming false divides, this volume frames the fertile relationship between the cultural and scholarly production of academia and the process of designing and building in the material world. It proposes the concept of the hybrid practitioner, who bridges the gap between academia and practice by considering how different aspects of architectural practice, theory, and history intersect, opening up a fascinating array of possibilities for an active engagement with the present. The book explores different, interrelated roles for practicing architects and researchers, from the reproductive activities of teaching, consulting and publishing, through the reflective activities of drawing and writing, to the practice of building.The notion of the hybrid practitioner will appeal strongly to students, teachers and architectural practitioners as part of a multifaceted professional environment. By connecting academic interests with those of the professional realm, The Hybrid Practitioner addresses a wider readership embracing landscape design, art theory and aesthetics, European history, and the history and sociology of professions.Contributors: Joseph Bedford, Luis Burriel Bielza, Philip Christou, Elke Couchez, Thomas Coward, Jana Culek, Irina Davidovici, Rosamund Diamond, Christoph Grafe, Simon Henley, Julia Jamrozik, Sepideh Karami, Pauline Lefebvre, Birgitte Louise Hansen, Patrick Lynch, Sereh Mandias, Louis Mayes, Carlo Menon, Marjan Michels, Cathelijne Nuijsink, Paulo Providência, Sophia Psarra, Helen Thomas, Steven Schenk, Eireen Schreurs, Eva Storgaard, Caroline Voet, Wilfried Wang.Ebook available in Open Access.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Life histories and experiences of Spanish migrants

How an initially valueless object becomes worth hundreds of millions. And vice versa.

How sound and its atmospheres transform architecture

The prolonged influence of patricians on the cultural and artistic life in Florence

Large-scale data analysis of cultural representation in Dutch literary fiction

Graphic narratives' singular capacity to represent human embodiment

Since the mid-nineteenth century photography has had a central place in cultural encounters within and between migrant communities. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as 'contact zones' through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography's role in shaping migrant experiences of cultural transformation, and in turn how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.Free ebook available at OAPEN Library, JSTOR and Project MuseContributors: Sarah Bassnett (Western University), David Bate (University of Westminster), Justin Carville (Institute of Art, Design & Technology, Dun Laoghaire), Erina Duganne (Texas State University), Orla Fitzpatrick (National Museum of Ireland), Bridget Gilman (San Diego State University), Aleksandra Idzior (University of Fraser Valley), Alexandra Irimia (University of Western Ontario), Sandra Krizic Roban (Institute of Art History, Zagreb), Sigrid Lien (University of Bergen), Helene Roth (Ludwig-Maximilians-Universität Munich), Leslie Ureña (Smithsonian National Portrait Gallery)

Profound analysis of French comics through a postcolonial lens