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In his third full-length memoir about one of the world's greatest ever chess players Genna Sosonko portrays a warm picture of the seventh world champion Vasily Smyslov, with whom he spent considerable time over the board, during tournaments and while meeting at each other's homes. Smyslov the man was far more balanced and spiritual than most of his contemporaries, capable of a relaxed and yet principled approach to life. Unlike most top players he was able to reach a very high standard in his chosen hobby - in his case, classical singing - even while playing chess at the very top. His natural inclination to see the best in people was, however, challenged as the world around him underwent fundamental changes late in his life.The new freedoms of the post-Soviet era also engendered one of the most extraordinary polemics in chess history - David Bronstein's article 'Thrown' Games in Zurich (2001) - bringing accusations against Smyslov that forced him to defend himself at the age of eighty, by which time many witnesses to the events in Zurich were already deceased. In this book, Genna focuses in particular on that polemic, places it in the wider context of the so-called Soviet Chess School, and asks whether Bronstein's hurt and accusations were justified.
Sergei Tkachenko has collected 100 studies whose common theme is that white ends up with just one knight in the finale, yet manages to win or draw.
Sergei Tkachenko has collected 100 studies whose common theme is that white ends up with just one pawn in the finale, yet manages to win or draw.
In Mikhail Tal: The Street-Fighting Years, Tal''s long-term coach and second Alexander Koblenz takes the reader through the first 12 years of Tal''s chess career, from promising junior to world champion in 1960 and encompassing his return world championship match against Mikhail Botvinnik in 1961. This classic book, first published in the Soviet Union in 1963, contains 77 games and fragments annotated by the author who provides ring-side commentary and unique inside knowledge, as well as background information to the games and anecdotes. Five of the games are taken from Tal''s 1960 world title match and seven from his 1961 world title match. Aside from Botvinnik, opponents include Bobby Fischer, Vasily Smyslov, Tigran Petrosian, Boris Spassky, David Bronstein, Viktor Korchnoi, Paul Keres, Efim Geller, Yuri Averbakh and many other stars of chess during the 1950s and early 1960s.The analysis has been updated using the latest computer technology by International Master Valeri Bronznik. Bronznik delivers a masterclass in modern analysis of classical games while allowing Koblenz full scope to demonstrate how Tal destroyed his opponents with the best attacking chess known at the time. Indeed, Bronznik makes many new and exciting discoveries in Tal''s games and this work serves as an instruction manual for playing practical, street-fighting chess.As Alexei Shirov writes in his foreword, "I am very happy that this old but highly instructive book is finally out in English. The old Russian edition has always been a special treasure for me and I truly enjoyed reading it through again."
Sally Landau, born in 1938, Vitebsk, Soviet Union, was Mikhail Tal’s first wife, a highly talented actress and singer. Sally and Misha were married from 1959 to 1970 in a period that encompassed Tal’s two world championship matches with Botvinnik as well as many of his greatest tournament performances. Sally’s breathtaking story, first published in Russia in 1998 and which has been reprinted multiple times, is a memoir of her time with Tal, with whom she remained friends long after they divorced right up until his death in 1992. Full of detail about Tal and their life together, it is a tale of triumph and tragedy, love, parenthood, sorrow, jealousy, betrayal and revenge. Colored by a historical and social background including the Second World War, the Soviet chess scene, Rigan high society, the shadow economy in the Soviet Union, and Jewish emigration, it contains a fascinating portrait of Misha’s mysterious family and is illustrated with photos from Sally’s private archive. And it all just happens to be true…
Sergei Tkachenko has collected 100 studies whose common theme is that white ends up with just one rook in the finale, yet manages to win or draw.
Sergei Tkachenko, a member of the Ukrainian team that won the 5th World Chess Composition Tournament in 1997 and which came second in 2000, 2004, 2013, and 2017, has selected 100 studies and problems by Odessite chess master Nikolai Vasilevich Rezvov (1921–2013), which will help you to appreciate the splendor and depth of the royal game. Rezvov lived a long and tragic life: it was at the age of nearly 90 that he was awarded the titles of Ukrainian chess composition grandmaster and FIDE chess composition international master, and his love of chess kept him going through life as a child laborer, WWII solder, prisoner of war and later prisoner in the Soviet Union. His compositions appeared in leading chess magazines such as Chess in the USSR, 64 – Chess Review and The Problemist, and he won many prizes. Several of these compositions were produced jointly with Sergei Tkachenko. The readers will find these studies and problems highly educational, illustrating many theoretical and combinational ideas that can be used in the readers’ own games. Some of them are simply breathtaking in their beauty and originality.This is the second book in a series of studies and problems compiled by Sergei Tkachenko, in which each book focuses on a particular composer, published by Elk and Ruby Publishing House.
Sergei Tkachenko, a member of the Ukrainian team that won the 5th World Chess Composition Tournament in 1997 and which came second in 2000, 2004, 2013, and 2017, has selected 100 pawn endings composed by the leading Ukrainian problemist Mikhail Zinar. Zinar is a prolific endgame expert who has produced several hundred studies since the 1970s, with a focus on pawn endings. His works have appeared in many leading Russian-language chess publications, including Chess in the USSR, 64 – Chess Review, and Chess Bulletin. He collaborated with Yuri Averbakh on the second edition of Averbakh’s Chess Endings (1983), in which he revised the theory of “corresponding squares”. In the foreword, Averbakh wrote: “Chapter ten, devoted to corresponding square systems, was written by chess composer M.A. Zinar – a big specialist in pawn endings. Otherwise, this chapter would have looked out of date.”Zinar co-authored a Russian-language manual for creating pawn studies with Vladimir Archakov in 1990 called Harmony of the Pawn Study. He collaborated with Tkachenko in compiling this book.This is the first book in a new series of endgame studies compiled by Sergei Tkachenko, in which each book focuses on a particular composer, published by Elk and Ruby Publishing House.
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