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Stacking as sculptural procedure across five decades of Cragg's artThis career-spanning publication focuses on the history of Tony Cragg's (born 1949) Stack works that began in the late 1960s, when, as a student, he began piling up miscellaneous and recycled detritus from the studio in order to create large rectilinear sculptures that refuted the usual clean lines of minimalism.
Colour inspires and informs the work of Stanley Whitney (b. 1946, Philadelphia, USA) whose paintings explore the many possibilities created by the tessellation and juxtaposition of irregular rectangles in varying shades of strength and subtlety. Within the composition of these adjacent nodes - a structure that fluctuates between freedom and constraint, between endless open fields and controlled boundaries - is ultimately a play between complementing and competing areas of colour. Produced in a unique size, identical to the scale of Whitney's smallest 12 inch square paintings, In the Color investigates his profound relationship to colour and its spatial effects throughout his career. Published on the occasion of the exhibition, Stanley Whitney: In the Color at Lisson Gallery, New York (3 November - 21 December 2018).
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