Books published by Literary Pastiche

A love of classic English poetry, or at least some familiarity with it, will serve readers well when diving into this collection, which pays homage to 19th-century English romantic poetry with a series of William Wordsworth pastiches that address 21st-century urban living. In wry references to Wordsworth''s evening walks, Ramsey writes of roaming Toronto''s streets and encountering light pollution, skyscrapers, graffiti, and a woman who reminds him of Ishtar as he asks her to light his cigarette.The author has mastered the tone and dialect of romantic poetry, and he uses them to explore quotidian urban matters as familiar to 21st-century readers as daffodils were in Wordsworth''s day. In "The Idle Corner-Boys," two young men attempt to prove their manhood by challenging each other to grope women. Seeing a woman already in distress, they forfeit their plan of feeling her up and instead help her find her missing brooch. "The Sewer and the Maple Leaf" has an engaging use of personification, as it finds a sewer grate and a maple leaf in an interesting exchange about the maple leaf''s survival of winter. In "The Shepherd''s Blues," stars are hard to see in "the city haze," but starlets proliferate.Each piece showcases Ramsey''s knowledge of different poetic styles as he employs couplets, triplets, free verse and multiple other forms. There''s a seeming paradox in imitating Wordsworth''s language, which was meant to replace florid 18th-century poetry with earthy everyday speech but sounds nearly as fancy to modern ears. However, Ramsey blends in plenty of current idiom, and the juxtaposition of "crack alley" with "poor hovels" or "a bus shelter/ Of plexiglass and yellow steel" with the "whirl-blast" of snow is delightful. Readers who know enough about romantic poetry to get the joke will enjoy this witty homage.

Inspired by the work of English poet George Crabbe (1754-1832), Ramsey''s lyrical debut book-length poem takes a rhapsodic tone while recounting his experiences living in community housing. Writing in the style of Crabbe''s "The Village," which sought to depict the grim realities of village poverty in the 18th century, Ramsey gives an honest view of impoverished 20th-century urban life through untitled poems with a wide range of topics. Excoriating the gap between the privileged and the destitute ("The wealth around them makes them twice as poor") and confronting the fear of dying homeless and alone ("Here, to the church behold no mourners come"), Ramsey paints a heartbreaking picture.The verses have no named characters, but Ramsey exhibits a gift for empathy as he describes the plight of the lower classes through metaphor. However, the pastiche itself can be a barrier. The scansion of the heroic couplets sometimes falters, and many of the concepts can be lost in the anachronistic language. Readers familiar with older poetry may be comfortable with lines such as "Fain would they ask the hoary swain to prove," but this work will be less accessible to the average reader.Portraying a small and often unacknowledged slice of life in its rhymes, the book stands as a forceful condemnation of class stratification as well as a respectful homage to Crabbe''s work. Even those readers who struggle with the language will applaud Ramsey''s ambition of conveying 20th-century plights in an 18th-century style, and he succeeds in engaging the reader''s sympathies, as he hopes: "Let this passing song distaste overpower,/ And make you more forgiving from this hour."