Books published by Liverpool University Press

This volume provides a fascinating account of the natural forces which shaped the Island's landscape from its formation some 500 million years ago to the present nature of the Manx environment and landscape.

Over the past 25 years, Rwanda has undergone remarkable shifts and transitions: culturally, economically, and educationally the country has gone from strength to strength. While much scholarship has understandably been retrospective, seeking to understand, document and commemorate the Genocide against the Tutsi, this volume gathers diverse perspectives on the changing social and cultural fabric of Rwanda since 1994. Rwanda Since 1994 considers the context of these changes, particularly in relation to the ongoing importance of remembering and in wider developments in the Great Lakes and East Africa regions. Equally it explores what stories of change are emerging from Rwanda: creative writing and testimonies, as well as national, regional, and international political narratives. The contributors interrogate which frameworks and narratives might be most useful for understanding different kinds of change, what new directions are emerging, and how Rwanda's trajectory is shaped by>The international set of contributors includes creative writers, practitioners, activists, and scholars from African studies, history, anthropology, education, international relations, modern languages, law and politics. As well as delving into the shifting dynamics of religion and gender in Rwanda today, the book brings to light the experiences of lesser-discussed groups of people such as the Twa and the children of perpetrators.

This bilingual edition presents Luis Vélez de Guevara's 1613 play La Serrana de la Vera (The Mountain Girl from La Vera) for the first time ever in English translation. This long-forgotten tragedy has come back into focus in recent years because of its extraordinary protagonist, Gila, a peasant girl who calls herself a man, takes fierce pride in doing things men do, and falls in love with Queen Isabel. Her betrayal by an army captain who she has humiliated leads to lawlessness, violence and tragedy. Dramatized by the playwright as an heroic rebel, Gila has been variously described as feminist, homosexual, bisexual, lesbian, transsexual, hybrid, queer, and transgender. Highly relevant today, The Mountain Girl from La Vera is also a great piece of theatre, full of dramatic confrontations, colourful vignettes, striking moments of music and spectacle, and plentiful comic relief. This bilingual edition presents the entirety of the play, annotated, along with a Critical Introduction bythe translator that contextualizes the work.

A wonderfully illustrated book on the oldest surviving theatre in Liverpool, published as part of its eightieth birthday celebrations. With debut stage appearances of renowned actors such as Judi Dench and Richard Burton, this remarkable theatre is a vital part of the city's cultural identity.

Liverpool Beyond the Brink describes the extraordinary if incomplete renaissance of Liverpool during the last thirty years. Showing how much has been achieved, who helped and what its current challenges are, this is a fascinating commentary on one of the UKs most iconic cities.

Following Arshi's Forward prize-winning collection, Small Hands, this book continues in its lyrical exploration of grief. Moving and discomfiting, these poems tune to the dangers and violences of the contemporary world, yet, at the centre of this book is an overarching commitment to hope and its 'churning, broken song'.

Frank, conversational and suffused with a dry humour, this book is a record of poet and novelist Lieke Marsman's diagnosis, events and thoughts of having bone cancer. An energising mix of prose and lyric, the poems offer readings of both the writer and her environment. Translated by poet Sophie Collins.

The third edition of a best-selling book on the Port Sunlight Village, with a new chapter on the Lady Lever Art Gallery, further information on key individuals and an increase in the number of illustrations.

This study explores Basil Bunting's poetry position as a point of inspiration for younger poets, and describe the ways in which it acts as a platform to show that Anglo-American modernism was not incompatible with native traditions.

This book introduces the reader to the work for which Swinburne is most famous, concentrating on three major collections - Poems and Ballads 1 (1866), Songs before Sunrise (1871) and Poems and Ballads 2 (1878), as well as a number of his most influential essays.

This book offers the first full-length study of Charlotte Smith's Elegiac Sonnets and clarifies its 'place' - in multiple ways - in literary history as a work celebrated for 'making it new', yet deeply engaged with the literary past. It argues that Smith's sonnets are constituted by three intertwined concerns: with tradition, place and the sonnet form itself, whereby the subjects of Smith's sonnets - across birds, rivers, the sea, plants and flowers - are bound up with the literary context in which she wrote. Charlotte Smith and the Sonnet shows that Smith's verse engages more deeply with tradition than has hitherto been realised and revises our understanding not only of Smith's career but also of the sonnet in eighteenth-century England. The book also illuminates Smith's place in posterity, as a popular poet - influencing figures ranging from Wordsworth and Coleridge to Constable - who was subsequently obscured in literary history. It reveals the complex processes underpinning Smith's reception and paradoxical position from the late eighteenth century to the present day, and shows that the appropriation of place itself was an important way in which aspects of literary tradition have been negotiated and understood by Smith, her predecessors, contemporaries and successors.

Bridport is the home of an ancient industry, the manufacture of goods from flax and hemp. The local townscapes of this industry are of great historic significance and provide the building blocks for the regeneration of its historic industrial areas.

This book offers the intelligent new reader a critically evaluative guide to Keats's major poems and letters.

Cet ouvrage posthume de Pierre Jourda propose une histoire du theatre de Montpellier de 1755, date de la construction de la premiere salle, a 1851.

Voici editees pour la premiere fois integralement les lettres echangees par Frederic II et la duchesse de Saxe-Gotha, a partir des manuscrits conserves a Berlin et a Gotha.

La pensee de Jean-Jacques Rousseau continue d'appeler les lectures critiques les plus diverses et de susciter des interpretations parfois contradictoires. Jean-Jacques Rousseau défendit passionnément les valeurs de la communauté démocratique.Citoyen de la petite république de Genève il recueillit avec ferveur l'enseignement des Hommes illustres de Plutarque et les leçons de l'Antiquité républicaine. Mais Jean-Jacques est aussi le philosophe du XVIIIe siècle qui fit reconnaître avec le plus d'éclat son irréductible singularité. Quand il engagea sa grande entreprise autobiographique, il souligna surtout sa différence. Et dans cette quête personnelle, toute particulière, Jean-Jacques trouvait l'appui d'une conviction chrétienne protestante. Rousseau recueillait ainsi à sa manière la double tradition de la Reforme et de l'Antiquité républicaine. Mais alors que ces deux dimensions coexistaient dans la république calviniste de Genève, Rousseau fut conduit à les dissocier, dans un 'triste et grand système' qui opposait avec une douloureuse obstination les valeurs de l'Homme et celles du Citoyen. L'enquête conduite en ce livre explore les profondeurs de ce paradoxe qui fait la grandeur de Rousseau.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.