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An artist in her thirties weaves and unravels connections between the loom and the computer, DNA and technology, dreams and decisions
Beguiling, oblique, rebellious. The allure of Palermo flows from a strong cocktail of Liberty architecture, medieval markets, Sicilian carts and Byzantine mosaics, served with a dash of lemon and bright green pistachios. In 33 sights, Walking through Palermo offers an overture to this most intricate of cultural capitals.
From a major new international voice, mesmerizing, inventive fiction that probes the tender places where human longings push through the cracks of a breaking world Under Cancún’s hard blue sky, a beach boy provides a canvas for tourists’ desires, seeing deep into the world’s underbelly. An enigmatic encounter in Copenhagen takes an IT consultant down a rabbit hole of speculation that proves more seductive than sex. The collapse of a love triangle in London leads to a dangerous, hypnotic addiction. In the Nevada desert, a grieving man tries to merge with an unearthly machine. After the Sun opens portals to our newest realities, haunting the margins of a globalized world that’s both saturated with yearning and brutally transactional. Infused with an irrepressible urgency, Eika’s fiction seems to have conjured these far-flung characters and their encounters in a single breath. Juxtaposing startling beauty with grotesquery, balancing the hyperrealistic with the fantastical—“as though the worlds he describes are being viewed through an ultraviolet filter,” in one Danish reviewer’s words—he has invented new modes of storytelling for an era when the old ones no longer suffice.
Three subtly connected stories converge in this chimerical debut, showcasing a powerful new Brazilian voiceSevastopol contains three distinct narratives, each burrowing into a crucial turning point in a person’s life: a young woman gives a melancholy account of her obsession with climbing Mount Everest; a Peruvian-Brazilian vanishes into the forest after staying in a musty, semi-abandoned inn in the haunted depths of the Brazilian countryside; a young playwright embarks on the production of a play about the city of Sevastopol and a Russian painter portraying Crimean War soldiers. Inspired by Tolstoy’s The Sevastopol Sketches, Emilio Fraia masterfully weaves together these stories of yearning and loss, obsession and madness, failure and the desire to persist, in a restrained manner reminiscent of the prose of Anton Chekhov, Roberto Bolaño, and Rachel Cusk.
Recently unearthed from the ground, Marble leaves her new lover in Copenhagen and travels to Athens. The city is overflowing with colour, steam and fragrance, cats cry like babies at night, the economic crisis is raging. In this volatile landscape, Marble grasps the world by exploring its immediate surfaces. Capturing specks of colour on ancient sculptures in the Acropolis Museum with an infrared camera, she simultaneously traces the pioneering sculptor Anne Marie Carl-Nielsen, who spent several months in the same place 110 years earlier. Far away from her husband and children, Carl-Nielsen showed that Archaic sculptures were originally painted in bright colours – a feat which meant defying Victorian gender roles and jeopardising her marriage.Amalie Smith ignites everyday encounters into sites of revelation and metamorphosis. Sensuous and electric, yet admirably forensic in its approach to mineral life, Marble is a galvanizing novel about the materials life is made of, about korai and sponge diving, about looking and looking again, written in a spare and pellucid style.
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