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Language and Culture in Nigeria contains 97 papers from a wide range of areas in Language and Linguistics written by colleagues, friends and former students of Professor Okon Essien. The collection fulfills a gap in the quest for a documented piece of work on the general pattern and structure of Nigerian names and is an invaluable material for comparative purposes.There are 19 papers in section A focusing mainly on various aspects of sociolinguistics and the role of language in society. Section B comprises 24 papers which fall in the area of stylistics, literature and gender studies. Section C contains 21 papers focusing on applied areas of linguistics. Section D comprises 11 papers on information science and communication studies. Section E contains papers that focus on the formal areas of linguistics, i.e. phonetics, phonology, morphology, syntax & semantics. Section F is on Okon Essien as a celebrity. It comprises papers which not only x-ray the contributions of the celebrity to the study of languages and linguistics in Nigeria, but also situate him in the context of other linguistic celebrities globally. Section F is rapped up with a collection of brilliant poems dedicated to Professor Okon Essien by the 'Ode Grandmaster', Dr. Obed Ojukwu. There is also an appendix at the end of the work which is Professor Okon Essien's intimidating curriculum vitae.
This volume is produced in commemoration of the official retirement of Professor Kay Williamson from the Department of Linguistics and Communication Studies, University of Port Harcourt, Nigeria. The contributing essayists cover five main generations of Nigerian linguists. The collection is divided into six sections: Language, history and Society; Applied Linguistics and Orthography Design; Gender and Communication Studies; Stylistics and Literature; Pragmatics, Discourse Analysis and Translation; and Formal Linguistics.Some of the contributors include: Ayo Bamgbose, Okon Essie, Ben Elugbe, P.A. Nwachukwu, E.N. Emenanjo, P. Anagbogu, Chinyere Ohiri-Aniche, O.M. Ndimele, O.G. Harry, Levi Igwe, C.U. Omego, O. Ojukwu, A.U. Weje, O.N. Anyanwu and A. Idafuro.
In the Linguistic Paradise is the second volume in the Nigerian Linguists Festschrift Series. The motivating force behind the establishment of the Festschrift Series is to honour outstanding scholars who have excelled in the study of languages and linguistics in Nigeria. This volume is dedicated to Professor E. Nolue Emenanjo, a celebrated linguist and a pioneer professor of Igbo Linguistics. The book is organised in five sections, as follows: Language, History and Society; Literature, Stylistics and Pragmatics; Applied Linguistics; Formal Linguistics; and Tributes. There are 15 papers in the first section the majority address the perennial problem of language choice in Nigeria. Section two contains 10 papers focusing on literature, stylistics and pragmatics. Section three contains 17 papers a sizeable number of which focus on language teaching and learning, two are on lexicography, while others are on language engineering. Section three contains 16 papers focusing on the core areas of linguistics. In section four a biographical profile of Professor E. Nolue Emenanjo and list of publications is presented, while Nwadike examines the contributions of Emenanjo in Igbo Studies.
The Landmarks Series is a research and publications outfit funded by the Landmarks Research Foundation to publish recent outstanding doctoral dissertations on any aspect of Nigerian linguistics, languages, literatures and cultures. This study examines causatives in Igbo within the minimalist program. It identifies three types of causative: analytical, morphological and lexical. The book is divided into five chapters. Chapter 1 is the general introduction, while Chapter 2 examines in some details the theory of causativity. Chapters 3, 4 and 5 focus on the analytical, morphological and lexical causative respectively.
This study focusses on affixation and auxiliaries in Igbo, drawing on data mainly from Onicha (Onitsha) Igbo. It identifies prefixes, suffixes, interfixes, circumfixes, super/suprafixes, extensional suffixes and auxiliaries in the variety of Igbo studied. The work is presented in two sections: Section 1 discusses affixation, while Section 2 is focused on auxiliary verbs. Section 1 contains five chapters. Chapter 1 is a general introduction that provides some background information regarding O¿ ni¿cha [make sure this word is correct i.e. represented in the spelling of the language, and not just Onicha] Igbo and the speakers of the lect. Chapter 2 an overview of affixation as an important word formation process in world languages. Chapter 3 is the morpho-syntactic analysis of inflectional affixes. Chapter 4 discusses the morphosyntactic characteristics of derivational affixes, while Chapter 5 is concerned with the morpho-syntactic as well as the semantic charateristics of verbal extensions in Igbo. Section 2 is a sole chapter which discusses in a systematic manner the different types of auxiliary verbs, their uses and the effect of their co-occurrence with perfective verb forms.
Society, Women and Literature in Africa explores the ideological, literary, political, cultural and ethical issues related to feminist writing. She discusses how contemporary African writers have tried to counteract men's false assumptions about sex, love, society, fecundity and womanhood, and further details how African writers have responded to the demands of feminism. "Woman's Cross Cultural Burden in the selected works of West African Female writers" explores the recurrent themes of motherhood, polygamy, abandonment and widowhood in the works of Nwapa, Emecheta, Alkali, Aidoo and Mariama Bâ. In "Prostitution: A Metaphor for the Degradation of Womanhood in Bode Osanyin's the Noble Mistress", the author approaches the subject of woman degradation in society from the perspectives of comprehensive research and an in-depth referencing. "Gendered Social Division of Labour in the African Novel" explores the theme of unfairness, of institutionalized differentiation in the African novel. It reveals the total emasculation of woman in patriarchy and her desire to be liberated from male-annexation. "The Prison World of Nigeria Woman: Female Reticence in Sefi Attah's "Everything Good Will Come", the author explores the dimensions of "gender silences". She shows how woman's voice has been stolen in patriarchy, thus rendering her a social and political mutant. "Womanhood as a Metaphor for Sexual Slavery in Nawal El Saddawi's Woman at Point Zero" underscores that in patriarchy a woman is educated to make an object of herself for male pleasure. She is excluded from politics as a result of religion. "The Ugly Face of Ghana in the New Millennium: Alienation of Children in Amma Darko's Faceless" is a stylistic study of the consequences of globalization in postindependent Ghana. In "The Theme of Dispossession in A.N Akwanya's the Pilgrim Foot", the author examines the myriad perspectives of dispossession and the dispossessor.
This study discusses functional categories in Igbo within Noam Chomsky's Minimalist Program (MP). Chapter 1 includes the introduction of the concept of functional categories and why they take central place in the study of syntax, as well as an overview of the Minimalist Program (MP). Chapter 2 discusses some historical antecedents to MP. It further discusses the economy principles of the MP as well as the place of functional categories within the overall conceptions of the MP model. Chapter 3 discusses five functional categories: Agreement, Tense, Aspect, Negation and Determiner. In chapter 4, the Igbo functional categories within the verbal domain: Tense, Aspect and Negation are discussed. Chapter 5 is an application of the theoretical issues raised in Chapter 2 to the analysis of the functional categories discussed in Chapter 3. One interesting issue discussed in Chapter 5 is the role of tone in realising some of the functional categories in Igbo. Chapter 6 discusses the functional categories within the nominal domain with much emphasis on the determiner. A revised version of the author's doctoral thesis, some of the conclusions are revolutionary, relevant to debates in the linguistic theory and in Igbo studies in particular, as well as serving as an introduction to MP.
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