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A bull''s heart simmers in a crockpot, echoing the household''s tension in a retelling of Biblical Jacob''s trials. A priest observes his congregation''s descent into madness and wonders at his own role. An elderly woman imagines herself into her boomtown''s history and eventual abandonment at the height of the Gold Rush. Towns and people vanish, daughters return, women prepare escapes, and animals invade. In this collection of stories situated within the mythology of the Midwest, the past is always present, tangible and unrelenting, constantly asking these characters whether they will be a sacrifice or a martyr, daring them to give in without a fight. Here, transcendence is a tonic hard-earned by the battered soul.The atmospheric stories in When illuminate the customs of rural America, a part of this country that''s been asked to risk the best of itself in order to survive, revealing with humor and weight fears about wealth, worth, and the dignity of home.
"Things puppets can do to us: charm, deceive, captivate, fool, trick, remind, amuse, distract, bore, repulse, annoy, puzzle, transport, provoke, fascinate, stand in for, kill." In You, Me, and the Violence, Catherine Taylor ponders the nature of personal and political autonomy, focusing on the surprising juxtaposition of puppetry and military drones. In a book at once politically significant and narratively engaging, Taylor blends genres to question the roles of individuals within society and expose the gritty and emotional underpinnings of the seemingly mechanical process of a remote soldier.From conversations with her own brother about his military experiences to Punch and Judy, from the original tale of Pinocchio to the radio chatter of soldiers in active drone operation, Taylor writes about family, power, and the "theater" of war in a voice both sly and sobering, heartbreaking and hopeful.
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